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Carlo Scarpa and the Castelvecchio
The Castelvecchio in Verona, renovated between 1958 & 1964 as a museum is the best known project of the Italian architect Carlo Scarpa (1906-1978). The author, Richard Murphy, traces the initial ideas as represented by Scarpa's beautiful yet incisive sketches, through the various stages of work to building completion. Numerous drawings by Scarpa, many illustrated in colour, are supplemented by Murphy's own superb measured line drawings, which accurately show the full realisation of Scarpa's building as it stands today.
Carlo Scarpa and Castelvecchio Revisited
A greatly expanded version of the author's 1990 work, this book not only analyzes Scarpa's personal language of architecture but also sequences his drawings, revealing the complex history of the Castelvecchio Museum in Verona.
Structure As Architecture
Structure As Architecture provides readers with an accessible insight into the relationship between structure and architecture, focusing on the design principles that relate to both fields. Over one hundred case studies of contemporary buildings from countries across the globe including the UK, the US, France, Germany, Spain, Hong Kong and Australia are interspersed throughout the book. The author has visited and photographed each of these examples and analyzed them to show how structure plays a significant architectural role, as well as bearing loads. This is a highly illustrated sourcebook, providing a new insight into the role of structure, and discussing the point where the technical and the aesthetic meet to create the discipline of ‘architecture’.
Carlo Scarpa, Architect
Between 1953 and 1978 the Italian architect Carlo Scarpa produced an incredibly varied range of works that challenge our notions of what modern architecture might be. Foremost in that work was the need to reconcile a wholehearted embrace of the new with the longstanding traditions of local craft and of universal practice to create an architecture that would clearly express its own machine-driven times without abandoning the psychic and sensual forces of place, materiality, and memory. Carlo Scarpa, Architect: Intervening with History illustrates, through abundant reproductions of Scarpa's drawings, the ways the architect created a dialogue with light, space, and architecture within the historic fabric of Italian cities. Presenting these projects as they exist today, the patient eye of contemporary photographer Guido Guidi deepens our understanding of this timely approach to architectural dialogue.
The Antonio II Badile Album of Drawings: The Origins of Collecting Drawings in Early Modern Northern Italy
Evelyn Karet's in-depth study of the Antonio II Badile Album - the earliest known example of an art collection pasted onto the pages of a book - is both focused and broad in its appeal to those interested in the early modern era. The provenance of the album is traced from its assemblage to the seventeenth-century collection of Conte Lodovico Moscardo to its dismantling by the dealer Francis Matthiesen in the 1950s, establishing that the volume conserved in the Frits Lugt Collection is not an original but a replica produced by Matthiesen. Although Antonio II must be celebrated as the collector of the drawings, new paleographic analysis has identified the actual compiler of the album after Ant...
Carlo Scarpa, Castelvecchio, Verona
During the 1960s Italys museum sector witnessed a fertile period of renewal. A generation of architects, working in partnership with the directors of museums, set about transforming into exhibition spaces a number of ancient monumental complexes located in the historic centres of some of the most important Italian cities. Among these was the brilliant and solitary Venetian architect Carlo Scarpa (19061978) who revitalised the discipline of museography by sagaciously combining it with restoration. His lucid intervention at Veronas Museo di Castelvecchio is emblematic of this approach: the medieval castle, the museum of ancient art, and modern architecture all harmoniously coexisting in a monu...
The Child in the World
Milk and flesh : infancy and coexistence -- The world's skin ever expanding : spatiality and the structures of child consciousness -- About hens, hands, and old-fashioned telephones : gestural bodies and participatory consciousness -- The child in the world of things -- Playing at the edge : what we can learn from therapeutic play -- Because we are the upsurge of time : toward a genetic phenomenology of lived time -- Babble in the house of being : pointing, grammar, and metaphor in early language acquisition -- The invention of childhood : historical and cultural changes in selfhood and literacy.
Routledge Revivals: Medieval Italy (2004)
First published in 2004, Medieval Italy: An Encyclopedia provides an introduction to the many and diverse facets of Italian civilization from the late Roman empire to the end of the fourteenth century. It presents in two volumes articles on a wide range of topics including history, literature, art, music, urban development, commerce and economics, social and political institutions, religion and hagiography, philosophy and science. This illustrated, A-Z reference is a cross-disciplinary resource and will be of key interest not only to students and scholars of history but also to those studying a range of subjects, as well as the general reader.
Accents on Artists
ACCENT ON ARTISTS (a Fact-Filled Pronunciation Guide to over 800 artists' names you should know...) published by Art 'N Facts, Inc. Whether you work in museums, broadcasting or the print media, or are simply an art lover, you will value this book as a quick & comprehensive guide to the top names in fine art, photography, video & architecture. This 384 page pocket-size (5" x 5 1/2") reference book, with its unique two-page format & companion 60 minute audio tape, provides an alphabetical list which includes the name, its phonetic pronunciation, nationality, date of birth & some notable facts to help you identify & become familiar with the artists & their work. ACCENT ON ARTISTS has already wo...
Adaptive Reuse
Building in existing fabric requires more than practical solutions and stylistic skills. The adaptive reuse of buildings, where changes in the structure go along with new programs and functions, poses the fundamental question of how the past should be included in the design for the future. On the background of long years of teaching and publishing, and using vivid imagery from Frankenstein to Rem Koolhaas and beyond, the author provides a comprehensive introduction to architectural design for adaptive reuse projects. History and theory, building typology, questions of materials and construction, aspects of preservation, urban as well as interior design are dealt with in ways that allow to approach adaptive reuse as a design practice field of its own right.
