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This volume addresses the most influential Victorian building in the city of Dublin and explores the new standard which it set in the use of Irish decorative stone, the employment of native craftsmen and the unprecedented eclecticism of its design. The geology, quarrying, building, carving and architectural design which created this spectacular structure are explored in a series of papers by established scholars and experts in the field. The book is richly illustrated in full colour to capture the sumptuous polychromy of the building and the profuse detail of its carved ornament.
Tremendous opportunities are opening up as architecture becomes more generalized and firms accept commissions for a widening range of building types. To take advantage of these opportunities, architects need instant information on the general issues, materials, systems, requirements, and general design guidelines associated with different types of structures. Building Type Basics books fulfill this need. Building Type Basics for Museums is a one-stop source for the essential information architects need to fast-start the design process. In this book, author Arthur Rosenblatt draws upon the expertise of leading architects from around the world to present all aspects of museum and cultural faci...
Recent decades have witnessed an explosion of museum building around the world and the subsequent publication of multiple texts dedicated to the subject. Museum Architecture: A new biography focuses on the stories we tell of museum buildings in order to explore the nature of museum architecture and the problems of architectural history when applied to the museum and gallery. Starting from a discussion of the key issues in contemporary museum design, the book explores the role of architectural history in the prioritisation of specific stories of museum building and museum architects and the exclusion of other actors from the history of museum making. These omissions have contemporary relevanc...
Museums have emerged as major travel destinations for millions of travelers and every major city is adding to an existing museum or planning a new one to compete as a world cultural center. What's new about museum visitors today is that it is not only the collections and shows they are coming to see, it is also the museum building itself. Cities are quickly learning that a new museum, or an addition by a world-class architect can do more to generate tourism than can the acquisition of a major piece of art. This unprecedented collection takes a look at the new museums and museum builders. Presenting in detail a selection of museums which have been built in the past five years or are planned for completion over the next five years, this book will look at these new museums from a design perspective.
Since its opening in 2000, Tate Modern has become one of the most popular modern art attractions in the world. Working with the shell of the former Bankside Power Station, internationally acclaimed architects Herzog et de Meuron have created a gallery of singular power and beauty. With the second major phase of the building, Tate Modern presents a striking combination of the raw and the refined, of found industrial spaces and dazzling contemporary architecture. The philosophy and interchange of ideas driving this extraordinary project are revealed in conversations between Tate Modern Director Chris Dercon and architect Jack Herzog among other key people involved. Featuring stunning new photography and texts by a range of leading architectural writers, this is the essential guide to one of the world’s most iconic buildings.
Museum Innovation encourages museums to critically reflect upon current practices and adopt new approaches to their civic responsibilities. Arguing that museums have a moral duty to perform, the book shows how social innovation can make them more equitable, relevant and impactful institutions. Including contributions from a diverse group of international scholars, practitioners and researchers, the book investigates the innovative approaches museums are taking to address contemporary social issues. The volume focuses on the concept of social innovation and individual chapters address a range of crucial issues, such as climate change; the COVID-19 pandemic; diversity and inclusion; the travel...
In an era of expanded responsibility and constricted funding, museum personnel often need strong practical guidance on the best practices for building projects. The authors of Planning Successful Museum Building Projects discuss the reasons for undertaking building projects (new construction, renovation, expansion), the roles and responsibilities of key players, the importance of a strong vision, and the best methods for selecting architects and construction firms. They also offer in-depth information about budgeting and finance, feasibility studies, capital campaigns, marketing, and communications, as well as advice on how to live through the disorienting process of construction, manage post-opening needs, and evaluate the project's success over time. Planning Successful Museum Building Projects provides all the tools for successfully managing projects from predesign through opening and beyond.
How Robert Sainsbury and Norman Foster built a great museum. Witold Rybczynski is an architectural writer with a superlative style, a uniquely humanistic approach to his subject, and an enormous reputation. The Sainsbury Centre for Visual Arts at the University of East Anglia was Norman Foster’s first major commission and the project that set him on the road to fame and fortune. It remains highly regarded in the architectural world. This is a remarkable book about a remarkable building. We learn how a major museum is conceived and developed, the role of the sponsor, the nature of collecting, and the experiences of the people who occupy the space. Rybczynski succeeds in telling the whole story of the Sainsbury Centre and the multiple impulses and inspirations that brought it into being.
Museums are among the iconic buildings of the twenty-first century, as remarkable for their architectural diversity as for the variety of collections they display. But how does the architecture of museums affect our experience as visitors? This book proposes that by seeing space as common ground between architecture and museology, and so between the museum building and its display, we can illuminate the individuality of each museum and the distinctive experience it offers - for example, how some museums create a sense of personal exploration, while others are more intensely didactic, and how the visit in some cases is transformed into a spatial experience and in other cases into a more socia...