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Materiality and Architecture
Once regarded a secondary consideration, in recent years, materiality has emerged as a powerful concept in architectural discourse and practice. Prompted in part by developments in digital fabrication and digital science, the impact of materiality on design and practice is being widely reassessed and reimagined. Materiality and Architecture extends architectural thinking beyond the confines of current design literatures to explore conceptions of materiality across the field of architecture. Fourteen international contributors use elucidate the problems and possibilities of materiality-based approaches in architecture from interdisciplinary perspectives. The book includes contributions from t...
Human Rights Museums
Human Rights Museums presents case studies that trace how calls for historical and social justice, and the commensurate rise of a rights regime have led to the emergence of a new museological genre: the human rights museum. Presenting innovative field research conducted in new and emerging human rights museums across Asia and Latin America, the book adopts a broad museological approach. It does so by including national and community museums, as well as public and private museological initiatives, within its purview. Drawing on in-depth case studies about museums in Taiwan, Japan, Paraguay and Colombia – all discussed within their political and cultural contexts – the book examines the pa...
Dense + Green
The integration of nature in architecture is a key concern of sustainability. However, all too often sustainable design is reduced to improving the energetic performance of buildings and the ornamental application of natural green. Dense + Green explores new architectural typologies that emerge from the integration of green components such as sky terraces, vertical parks and green facades, in high-density buildings. The book describes green strategies in a comparison across different design tasks and climate conditions. In-depth case studies on the most relevant building types, consistently presented with analytical drawings made exclusively for this book, are complemented by expert essays t...
The Vertical Village
The architecture practice MVRDV and The Why Factory envision a new model for the development of Asian cities. Their idea is The Vertical Village, a three-dimensional community intended to bring back personal autonomy, diversity, flexibility and neighbourhood life to cities in Asia. As a result of demographic and economic forces, cities in Asia are undergoing rapid change. Traditional urban villages, which formed the core of the cities for centuries, are being replaced at a merciless pace by uniform tower blocks. In tracking the development of nine very distinct Asian cities, The Vertical Village provides insight into the evolution, current situation and future of these 'vertical urban villages'. This book then introduces two tools: The VillageMaker© and The HouseMaker©, with which to design a dream house and find a dream location. The book also offers a glimpse into what it would be like to live in a 'Vertical Village'. Publisher's note.
Inside/out
The late twentieth century has been marked by momentous political, economic, and social change throughout the Chinese world. Deeply rooted cultural assumptions and ancient visual traditions have been challenged by rapid modernization and conflicting global, ethnic, and local identities. Inside/Out: New Chinese Art was the first major international exhibition to explore the impact of these challenges on artists in the People's Republic of China, Hong Kong, Taiwan, and those of the 1980s Diaspora. The multifaceted exhibition and accompanying catalog encompass an extensive range of artistic forms, including installation, video, and performance art as well as more traditional media such as oils ...
Xu Bing and Contemporary Chinese Art
How Chinese is contemporary Chinese art? Treasured by collectors, critics, and art world cognoscenti, this art developed within an avant-garde that looked West to find a language to strike out against government control. Traditionally, Chinese artistic expression has been related to the structure and function of the Chinese language and the assumptions of Chinese natural cosmology. Is contemporary Chinese art rooted in these traditions or is it an example of cultural self-colonization? Contributors to this volume address this question, going beyond the more obvious political and social commentaries on contemporary Chinese art to find resonances between contemporary artistic ideas and the indigenous sources of Chinese cultural self-understanding. Focusing in particular on the acclaimed artist Xu Bing, this book looks at how he and his peers have navigated between two different cultural sites to establish a third place, a place from which to appropriate Western ideas and use them to address centuries-old Chinese cultural issues within a Chinese cultural discourse.
幻影天堂:中華當代攝影集
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