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Music Printing in Renaissance Venice
  • Language: en
  • Pages: 1196

Music Printing in Renaissance Venice

Venetian music print culture of the mid-sixteenth century is presented here through a study of the Scotto press, one of the foremost dynastic music publishers of the Renaissance. For over a century, the house of Scotto played a pivotal role in the international book trade, publishing in a variety of fields including philosophy, medicine, religion, and music. This book examines the mercantile activities of the firm through both a historical study, which illuminates the wide world of the Venetian music printing industry, and a catalog, which details the music editions brought out by the firm during its most productive period. A valuable reference work, this book not only enhances our understanding of the socioeconomic and cultural history of Renaissance Venice, it also helps to preserve our knowledge of a vast musical repertory.

English Music Printing, 1553-1700
  • Language: en
  • Pages: 226

English Music Printing, 1553-1700

  • Categories: Art

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Early Printed Music and Material Culture in Central and Western Europe
  • Language: en
  • Pages: 423

Early Printed Music and Material Culture in Central and Western Europe

  • Type: Book
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  • Published: 2021-05-04
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  • Publisher: Routledge

This book presents a varied and nuanced analysis of the dynamics of the printing, publication, and trade of music in the sixteenth and early seventeenth centuries across Western and Northern Europe. Chapters consider dimensions of music printing in Britain, the Holy Roman Empire, the Netherlands, France, Spain and Italy, showing how this area of inquiry can engage a wide range of cultural, historical and theoretical issues. From the economic consequences of the international book trade to the history of women music printers, the contributors explore the nuances of the interrelation between the materiality of print music and cultural, aesthetic, religious, legal, gender and economic history. Engaging with the theoretical turns in the humanities towards material culture, mobility studies and digital research, this book offers a wealth of new insights that will be relevant to researchers of early modern music and early print culture alike.

Early Music Printing in German-Speaking Lands
  • Language: en
  • Pages: 384

Early Music Printing in German-Speaking Lands

  • Type: Book
  • -
  • Published: 2018-03-14
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  • Publisher: Routledge

The book draws upon the rich information gathered for the online database Catalogue of early German printed music / Verzeichnis deutscher Musikfrühdrucke (vdm), the first systematic descriptive catalogue of music printed in the German-speaking lands between c. 1470 and 1540, allowing precise conclusions about the material production of these printed musical sources. Chapters 8 and 9 of this book are freely available as downloadable Open Access PDFs at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

Music Printing in Renaissance Venice
  • Language: en
  • Pages: 1200

Music Printing in Renaissance Venice

Venetian music print culture of the mid-sixteenth century is presented here through a study of the Scotto press, one of the foremost dynastic music publishers of the Renaissance. For over a century, the house of Scotto played a pivotal role in the international book trade, publishing in a variety of fields including philosophy, medicine, religion, and music. This book examines the mercantile activities of the firm through both a historical study, which illuminates the wide world of the Venetian music printing industry, and a catalog, which details the music editions brought out by the firm during its most productive period. A valuable reference work, this book not only enhances our understanding of the socioeconomic and cultural history of Renaissance Venice, it also helps to preserve our knowledge of a vast musical repertory.

Music and the Cultures of Print
  • Language: en
  • Pages: 384

Music and the Cultures of Print

  • Type: Book
  • -
  • Published: 2018-12-07
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  • Publisher: Routledge

This collection of essays explores the cultures that coalesced around printed music in previous centuries. It focuses on the unique modes through which print organized the presentation of musical texts, the conception of written compositions, and the ways in which music was disseminated and performed. In highlighting the tensions that exist between musical print and performance this volume raises not only the question of how older scores can be read today, but also how music expressed its meanings to listeners in the past.

Music, Authorship, and the Book in the First Century of Print
  • Language: en
  • Pages: 256

Music, Authorship, and the Book in the First Century of Print

What does it mean to author a piece of music? What transforms the performance scripts written down by musicians into authored books? In this fascinating cultural history of Western musicÕs adaptation to print, Kate van Orden looks at how musical authorship first developed through the medium of printing. When music printing began in the sixteenth century, publication did not always involve the composer: printers used the names of famous composers to market books that might include little or none of their music. Publishing sacred music could be career-building for a composer, while some types of popular song proved too light to support a reputation in print, no matter how quickly they sold. Van Orden addresses the complexities that arose for music and musicians in the burgeoning cultures of print, concluding that authoring books of polyphony gained only uneven cultural traction across a century in which composers were still first and foremost performers.

Music Printing and Publishing
  • Language: en
  • Pages: 648

Music Printing and Publishing

  • Type: Book
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  • Published: 1990
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  • Publisher: Unknown

Divided into three sections, this handbook covers a detailed survey of the history and techniques of music printing and publishing, including discussion of modern computer methods, with technical terms explained.

The Printed Note
  • Language: en
  • Pages: 162

The Printed Note

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The Earliest English Music Printing
  • Language: en
  • Pages: 218