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Hearing in Time
When we hear music we don't just listen; we move along with it. Hearing in Time explores our innate propensity for rhythmic synchronization, drawing on research in music psychology, neurobiology, music theory, and mathematics. It looks at music from a wide range of musical styles and cultures.
Rhythm & Meter Patterns
Patterns is one of the most comprehensive drum methods available. Covering a wide range of materials, the books can be used in any order, or in any combination with one another. They are a must for developing the kinds of skills necessary for drumset performance. Rhythm and Meter Patterns introduces the student to a wide range of rhythmic and metric possibilities, including odd rhythms, mixed meters, polyrhythms, and metric modulation.
The Cambridge Companion to Rhythm
An exploration of rhythm and the richness of musical time from the perspective of performers, composers, analysts, and listeners.
The Rhythmic Structure of Music
In this book, the authors develop a theoretical framework based on a Gestalt approach, viewing rhythmic experience in terms of pattern perception or groupings. Musical examples of increasing complexity are used to provide training in the analysis, performance, and writing of rhythm.
Meter in Music, 1600-1800
"All practising musicians with an interest in the baroque owe it to themselves to be exposed to the ideas contained in this book." -- Continuo "This is a book from an excellent musician in the early field who turns out also to be a most persistent scholar... " -- Early Music ..". the book offers a vast quantity of data from a wide range of sources.... George Houle is to be congratulated for his honest presentation of the entire spectrum." -- Music Educators Journal The treatment of meter in performance has evolved dramatically since 1600. Here is a practical guide for the performer, with many quotations from early manuals and treatises, and abundant examples.
Meter As Rhythm
In this book Christopher Hasty presents a striking new theory of musical duration. Drawing on insights from modern "process" philosophy, he advances a fully temporal perspective in which meter is released from its mechanistic connotations and recognized as a concrete, visceral agent of musical expression. Part one of the book reviews oppositions of law and freedom, structure and process, determinacy and indeterminacy in the speculations of theorists from the eighteenth century to the present. Part two reinterprets these contrasts to form a highly original account of meter that engages diverse musical repertories and aesthetic issues.
Music and Rhythm
Music and rhythm are discussed anew in this book: Besides the primary notated rhythms, there are secondary rhythms that depend on components, namely on the properties and qualities of sounds and sound formations. The texture of components rhythms exhibits rhythmic weights; meter and beat appear as the results of composition, not as prescription.
Unlocking the Groove
The first music-driven analysis of electronic dance music.
Songs in Motion
This is an exploratopn of rhythm and meter in the 19th-century German Lied, including songs for voice and piano by Fanny Hensel née Mendelssohn, Franz Schubert, Robert Schumann, Johannes Brahms, and Hugo Wolf. The Lied, as a genre, is characterised especially by the fusion of poetry and music.
Meter As Rhythm
A seminal work in music theory for over two decades, Christopher Hasty's Meter as Rhythm is foundational to new subfields in ethnomusicology and music cognition, and recently being investigated in non-music fields from literary studies and poetics to physics and biology. This Twentieth Anniversary Edition makes the work readily available across this wide spectrum of scholarship.
