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The History of Musical Pitch
  • Language: en
  • Pages: 56

The History of Musical Pitch

  • Type: Book
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  • Published: 1880
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  • Publisher: Unknown

None

Studies in the History of Musical Pitch
  • Language: en
  • Pages: 250

Studies in the History of Musical Pitch

  • Type: Book
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  • Published: 1981
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  • Publisher: Unknown

None

Musical Pitch and the Measurement of Intervals Among the Ancient Greeks
  • Language: el
  • Pages: 96

Musical Pitch and the Measurement of Intervals Among the Ancient Greeks

  • Type: Book
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  • Published: 1896
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  • Publisher: Unknown

None

The History of Musical Pitch
  • Language: en

The History of Musical Pitch

  • Type: Book
  • -
  • Published: 1880
  • -
  • Publisher: Unknown

None

Cognitive Foundations of Musical Pitch
  • Language: en
  • Pages: 318

Cognitive Foundations of Musical Pitch

This book addresses the central problem of music cognition: how listeners' responses move beyond mere registration of auditory events to include the organization, interpretation, and remembrance of these events in terms of their function in a musical context of pitch and rhythm. Equally important, the work offers an analysis of the relationship between the psychological organization of music and its internal structure. Combining over a decade of original research on music cognition with an overview of the available literature, the work will be of interest to cognitive and physiological psychologists, psychobiologists, musicians, music researchers, and music educators. The author provides the necessary background in experimental methodology and music theory so that no specialized knowledge is required for following her major arguments.

A History of Performing Pitch
  • Language: en
  • Pages: 628

A History of Performing Pitch

Haynes (U. of Montreal) traces the history of musical pitch standards over the last four centuries, linking frequency values to pitch names and telling where, when, and why various pitch levels have been used. With a focus on Italy, France, Germany, the Netherlands and the Hapsburg lands, he covers the pitches of about 1,400 historical instruments and how the design and function influenced and were influenced by changes in pitch. In addition, he studies the effect of pitch differences on musical notation and choice of key. The author has also written a book on the oboe, the instrument that plays the "A" to which a symphony orchestra tunes. Annotation copyrighted by Book News, Inc., Portland, OR

On The History Of Musical Pitch
  • Language: en

On The History Of Musical Pitch

A scholarly treatise on the evolution of musical pitch standards throughout history. Ellis's meticulous research sheds light on a subject of great importance to musicologists and musicians alike. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Studies in the History of Musical Pitch
  • Language: en

Studies in the History of Musical Pitch

  • Type: Book
  • -
  • Published: 1968
  • -
  • Publisher: Unknown

None

Musical Pitch and the Measurement of Intervals Among the Ancient Greeks
  • Language: en

Musical Pitch and the Measurement of Intervals Among the Ancient Greeks

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Musical Pitch and the Measurement of Intervals Among the Ancient Greeks (Classic Reprint)
  • Language: en
  • Pages: 248

Musical Pitch and the Measurement of Intervals Among the Ancient Greeks (Classic Reprint)

Excerpt from Musical Pitch and the Measurement of Intervals Among the Ancient Greeks Tive matter, but actual plans of temples, dwelllngs, and soforth. In proportlon as these plans were perfect, we should be ln a pos1tlon at any moment to construct more or less accu rate representatlons of these ancient buildlngs or even to make a 11fe-smze restoration. In such a case an01ent arch1 tecture would be ln a cond1tion, so far as our appreclatlon of 1t ls concerned, analogous to that ln wh1ch anclent mus1c now flnds itself. We have admlrable theoretlcal treatlses and we have also a few 1ncomplete plans and speclflcatlons; for what 1s a mu31cal score but a draw1ng or a ground plan of the mu81cal str...