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The first anthology of its kind in the West, Contemporary Iraqi Fiction gathers work from sixteen Iraqi writers, all translated from Arabic into English. Shedding a bright light on the rich diversity Iraqi experience, Shakir Mustafa has included selections by Iraqi women, Iraqi Jews now living in Israel, and Christians and Muslims living both in Iraq and abroad. While each voice is distinct, they are united in writing about a homeland that has suffered under repression, censorship, war, and occupation. Many of the selections mirror these grim realities, forcing the writers to open up new narrative terrains and experiment with traditional forms. Muhammad Khodayyir’s surrealist portraits of his home city, Basra, in an excerpt from Basriyyatha and the magical realism of Mayselun Hadi’s “Calendars” both offer powerful expressions of the absurdity of everyday life. Themes range from childhood and family to war, political oppression, and interfaith relationships. Mustafa provides biographical sketches for the writers and an enlightening introduction, chronicling the evolution of Iraqi literature.
The Population Myth reveals how the right-wing spin to population data has given rise to myths about the 'Muslim rate of growth', often used to stoke majoritarian fears of a demographic skew. The author, S.Y. Quraishi, uses facts to demolish these, and demonstrates how a planned population is in the interest of all communities. The book delves into the Quran and the Hadith to show how Islam might have been one of the first religions in the world to actually advocate smaller families, which is why several Islamic nations today have population policies in place. This busts the other myth - that Muslims shun family planning on religious grounds. Based on impeccable research, this is an important book from a credible voice about the politicization of demographics in India today.
Fury in the Shadow is a suspense thriller. Murdock McCabe is station chief for Veritus Investigations in Portland, Oregon. When a member of his staff is murdered, he is drawn into a web of intrigue that leads him across Oregon, Washington, and the Mosquito Coast of Honduras. He meets Hannah, owner of the Blue Fish Pub. Their affection for each other becomes deadly serious as they are drawn into the vortex of a maelstrom of money, deceit, sex, and terror percolating from an opaque organization that even al Qaeda fears. As Murdock learns, any of us can be lulled by its ingenious mask of respectability and sucked by the mystery that surrounds it into the shadow of its fatal attraction.
Includes Killer's Gruesome Confession! "She had beautiful legs. I wanted to keep those legs." One by one, investigators found the women's bodies. Each one carefully posed. Each one brutally mutilated. An arm here. A leg there. A breast, nipples, a tattoo. The killer was cutting his victims to pieces. . . "At that point, I pretty much went for the head." For ten years in Baton Rouge, Louisiana, the killings went on. Women of slight stature were hunted down, bludgeoned and strangled. And what the killer did with their bodies in the privacy of his car, his home, his kitchen, and his shower-was beyond anything police could imagine. "I was pure evil." When investigators finally caught mild-mannered, Star Trek fan Sean Vincent Gillis, he couldn't wait to tell his story. In the presence of shocked veteran detectives, Sean told them every detail of his killings, everything he did with the bodies. . .. And he smiled the whole time. . . Includes 16 pages of shocking photographs Warning: Contains Graphic Details
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