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The Unterlinden Museum, Colmar
  • Language: en

The Unterlinden Museum, Colmar

  • Type: Book
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  • Published: 1992
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  • Publisher: Unknown

None

Guide Des Collections Du Musée Unterlinden. (English Edition)
  • Language: en
  • Pages: 255

Guide Des Collections Du Musée Unterlinden. (English Edition)

  • Type: Book
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  • Published: 2016
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  • Publisher: Unknown

None

Le Musée d'Unterlinden à Colmar
  • Language: fr
  • Pages: 116

Le Musée d'Unterlinden à Colmar

  • Categories: Art
  • Type: Book
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  • Published: 1925
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  • Publisher: Unknown

None

Sentinel
  • Language: en
  • Pages: 617

Sentinel

The story of the improbable campaign that created America’s most enduring monument. The Statue of Liberty is an icon of freedom, a monument to America’s multiethnic democracy, and a memorial to Franco-American friendship. That much we know. But the lofty ideals we associate with the statue today can obscure its turbulent origins and layers of meaning. Francesca Lidia Viano reveals that history in the fullest account yet of the people and ideas that brought the lady of the harbor to life. Our protagonists are the French sculptor Frédéric Auguste Bartholdi and his collaborator, the politician and intellectual Édouard de Laboulaye. Viano draws on an unprecedented range of sources to foll...

Showing Time: Continuous Pictorial Narrative and the Adam and Eve Story
  • Language: en
  • Pages: 413

Showing Time: Continuous Pictorial Narrative and the Adam and Eve Story

How does a visual artist manage to narrate a story, which has a sequential and therefore temporal progression, using a static medium consisting solely of spatial sign elements and, what is more, in a single image? This is the question on which this work is based, posed by its designer, Alberto Argenton, to whose memory it is dedicated. The first explanation usually given by scholars in the field is that the artist solves the problem by depicting the same character in a number of scenes, thus giving indirect evidence of events taking place at different times. This book shows that artists, in addition to the repetition of characters, devise other spatial perceptual-representational strategies for organising the episodes that constitute a story and, therefore, showing time. Resorting to the psychology of art of a Gestalt matrix, the book offers researchers, graduates, advanced undergraduates, and professionals a description of a large continuous pictorial narrative repertoire (1000 works) and an in-depth analysis of the perceptual-representational strategies employed by artists from the 6th to the 17th century in a group of 100 works narrating the story of Adam and Eve.

Histoire du musée d'Unterlinden et de ses collections
  • Language: fr
  • Pages: 434

Histoire du musée d'Unterlinden et de ses collections

  • Categories: Art
  • Type: Book
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  • Published: 2003
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  • Publisher: Unknown

None

The Grove Encyclopedia of Decorative Arts
  • Language: en
  • Pages: 1277

The Grove Encyclopedia of Decorative Arts

The Grove Encyclopedia of Decorative Arts covers thousands of years of decorative arts production throughout western and non-western culture. With over 1,000 entries, as well as hundreds drawn from the 34-volume Dictionary of Art, this topical collection is a valuable resource for those interested in the history, practice, and mechanics of the decorative arts. Accompanied by almost 100 color and more than 500 black and white illustrations, the 1,290 pages of this title include hundreds of entries on artists and craftsmen, the qualities and historic uses of materials, as well as concise definitions on art forms and style. Explore the works of Alvar Aalto, Charles and Ray Eames, and the Wiener Wekstatte, or delve into the history of Navajo blankets and wing chairs in thousands of entries on artists, craftsmen, designers, workshops, and decorative art forms.

Exorcising our Demons: Magic, Witchcraft and Visual Culture in Early Modern Europe
  • Language: en
  • Pages: 630

Exorcising our Demons: Magic, Witchcraft and Visual Culture in Early Modern Europe

  • Type: Book
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  • Published: 2021-10-11
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  • Publisher: BRILL

This collection of sixteen essays deals with the role of magic, religion and witchcraft in European culture, 1450-1650, and the critical role of the visual in that culture. It covers the relationship of humanism and magic; the intersection of religious ritual, orthodoxy and power; the discursive links between the visual language of witchcraft and contemporary anxieties about sexuality and savagery. The introductory chapter urges us to exorcise our tendency to reduce historical experiences of the demonic to forms of unreason created in a distant past. Only then can we understand the role of the demonic in our historical definition of the self and the other. Richly illustrated with 112 images, the book will interest historians and art historians.

The Grove Encyclopedia of Medieval Art and Architecture
  • Language: en
  • Pages: 4064

The Grove Encyclopedia of Medieval Art and Architecture

  • Type: Book
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  • Published: 2012
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  • Publisher: Unknown

This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.

Behind the Angel of History
  • Language: en
  • Pages: 160

Behind the Angel of History

  • Categories: Art

"This short book offers a dazzling new interpretation of Paul Klee's most famous work: his Angelus Novus (1920), which was purchased by Walter Benjamin and became the model for his Angel of History, a figure saturated with Jewish mysticism that he introduces in his "Theses on the Philosophy of History." In 2014 the celebrated American artist R. H. Quaytman made a surprising discovery about Klee's work when she examined it at the Jewish Museum in Israel. She realized that Klee had carefully pasted the Angelus down over another image, a face, leaving just a finger's breadth of it showing. Through forensic science and lots of sleuthing it was determined that face belonged to Martin Luther. Behind the Angel of History tells the story of how Quaytman solved the mystery of who lurks behind Klee's angel. It then plunges into questions about why a face long hidden beneath another picture might matter. The book travels through a tangle of loaded conversations among images-from Klee's Angelus to Benjamin's own drawing of a crucified angel, from Klee's Angelus to Quaytman's own layered panels meditating on its secret"--