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Introduction by Adrian Shaughnessy. Text by Simon Worthington, Damian Jaques, Pauline van Mourik Broekman.
Dedicated to an analysis of culture and politics after the net, Mute magazine has, since its inception in 1994, consistently challenged the grandiose claims of the digital revolution. This anthology offers an expansive collection of some of Mute's finest articles and is thematically organised around key contemporary issues: Direct Democracy and its Demons; Net Art to Conceptual Art and Back; I, Cyborg - Reinventing the Human; of Commoners and Criminals; Organising Horizontally; Art and/against Business; Under the Net - City and Camp; Class and Immaterial Labour; The Open Work. The result is both an impressive overview and an invaluable sourcebook of contemporary culture in its widest sense
Manifesto for a Theory of the 'New Aesthetic' - An irreverent guided tour of the 'New Aesthetic' by Curt Cloninger, The Missing Factory - John Roberts considers why work remains absent from film and culture more generally, Barbara Says - Industry Does it Faster - Roman Vasseur reviews the Artist Placement Group's historic brokerage of bureaucracy and art, The Ghosts of Participation Past - Josephine Berry Slater reviews Claire Bishop's recent book, Artificial Hells, Listener As Operator 3 - Howard Slater finds in jazz a response to the experience of slavery which preserves and propels a collective being, Untitled #M001 - #M011 2,325,600 combinations of 16 grays an artist's project by John Ho...
This issue contains works by Thomas Campbell and Dmitry Vorobyev, John Cunningham, Harry Halpin, Stewart Martin, Benedict Seymour, and Simon Yuill, with commissioned artwork by Theo Michael, John Russell, and Plastique Fantastique.
Quarterly, critical and cheap, "Mute" is a jumble of all that's still grunting in the inter-finessing hyper-barrios of culture, politics, and technology 2.0.
A Times Higher Education Book of the Week Judith Butler elucidates the dynamics of public assembly under prevailing economic and political conditions, analyzing what they signify and how. Understanding assemblies as plural forms of performative action, Butler extends her theory of performativity to argue that precarity—the destruction of the conditions of livability—has been a galvanizing force and theme in today’s highly visible protests. “Butler’s book is everything that a book about our planet in the 21st century should be. It does not turn its back on the circumstances of the material world or give any succour to those who wish to view the present (and the future) through the l...
As capitalism yawns towards apocalypse "Mute Magazine" matches it issue by issue with a sustained critique of everything existing.
Using case studies, some of a high-profile nature, the contributors to this expert guide show how trace evidence, when handled correctly, can change the course of a criminal investigation and often affect the final outcome.
Pete Greig, the acclaimed author of Red Moon Rising, has written his most intensely personal and honest account yet in God on Mute, a book born out of his wife Samie's fight for her life and diagnosis of a debilitating brain tumor. Greig asks the timeless questions of what it means to suffer and to pray and to suffer through the silence because your prayers seem unanswered. This silence, Greig relates, is the hardest thing. The world collapses. Then all goes quiet. Words can't explain, don't fit, won't work. People avoid you and don't know what to say. So you turn to Him and you pray. You need Him more than ever before. But somehow . . . even God Himself seems on mute. In this heart-searching, honest, and deeply profound book, Pete Greig looks at the hard side of prayer, how to respond when there seem to be no answers, and how to cope with those who seek to interpret our experience for us. Here is a story of faith, hope, and love beyond all understanding.
No, Anti-Book is not a book about books. Not exactly. And yet it is a must for anyone interested in the future of the book. Presenting what he terms “a communism of textual matter,” Nicholas Thoburn explores the encounter between political thought and experimental writing and publishing, shifting the politics of text from an exclusive concern with content and meaning to the media forms and social relations by which text is produced and consumed. Taking a “post-digital” approach in considering a wide array of textual media forms, Thoburn invites us to challenge the commodity form of books—to stop imagining books as transcendent intellectual, moral, and aesthetic goods unsullied by c...