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Introduction by Adrian Shaughnessy. Text by Simon Worthington, Damian Jaques, Pauline van Mourik Broekman.
Dedicated to an analysis of culture and politics after the net, Mute magazine has, since its inception in 1994, consistently challenged the grandiose claims of the digital revolution. This anthology offers an expansive collection of some of Mute's finest articles and is thematically organised around key contemporary issues: Direct Democracy and its Demons; Net Art to Conceptual Art and Back; I, Cyborg - Reinventing the Human; of Commoners and Criminals; Organising Horizontally; Art and/against Business; Under the Net - City and Camp; Class and Immaterial Labour; The Open Work. The result is both an impressive overview and an invaluable sourcebook of contemporary culture in its widest sense
As the Creative City model for urban regeneration founders, Anthony Iles and Josephine Berry Slater take stock of an era of highly instrumentalised public art making. Focusing on artists and consultants who have engaged critically with the exclusionary politics of urban regeneration, their analysis locates such practice within a schematic history of urban development's neoliberal mode. Breaking down into a report and collection of interviews, this investigation consistently focuses on the possibility and forms of critical public art within a regime that fetishises 'creativity'. How, they ask, is critical art shaped by its interaction with this aspect of biopolitical governance? Featuring projects and interviews with Alberto Duman, Freee, Nils Norman, Laura Oldfield Ford and Roman Vasseur.
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Look at Hazards, Look at Losses developed out of a series of conversations, exchanges and visits between kuda.org, Anthony Iles and Marina Vishmidt over 2015-2017 through which different approaches to common problems of cultural production in early-21st century Europe and its peripheries were debated and conceptually probed. Setting out from Theodor W. Adorno's concept of 'the aesthetic relations of production' these discussions proceeded to explore problems bearing upon organisation in small groups in the field of culture, philosophical idealism and materialism, poetry, error and crisis. The anthology assembled reflects these concerns through engagement with the writing of others who have h...
Have you ever met a person who actually seems larger than life? I did, once, just where you’d least expect him to be (standing around), in an environment you wouldn’t be able to fit him into (the courtyard outside the Philosophy building), if the concept meant what it implies. Such a being makes us question whether we are, in fact, so limited, with the one life and the one death, and nothing else to reasonably look forward to, whether the whole system is flawed, whether it’s not the case that they’ve cheated the system and come out on the other side of it still living, living more, doing something more than living. That was Logan for me. Affect is the story of a hyper-rational and un...
Pete Greig, the acclaimed author of Red Moon Rising, has written his most intensely personal and honest account yet in God on Mute, a book born out of his wife Samie's fight for her life and diagnosis of a debilitating brain tumor. Greig asks the timeless questions of what it means to suffer and to pray and to suffer through the silence because your prayers seem unanswered. This silence, Greig relates, is the hardest thing. The world collapses. Then all goes quiet. Words can't explain, don't fit, won't work. People avoid you and don't know what to say. So you turn to Him and you pray. You need Him more than ever before. But somehow . . . even God Himself seems on mute. In this heart-searching, honest, and deeply profound book, Pete Greig looks at the hard side of prayer, how to respond when there seem to be no answers, and how to cope with those who seek to interpret our experience for us. Here is a story of faith, hope, and love beyond all understanding.
At 10am on the 3rd of May, 2013, Paul walked into the therapy room. The sense of fear was immediate and palpable. He was shaking, hadn’t slept meaningfully for weeks, was barely able to function and in unbearable psychological and physical pain. However, this story of everything that had led up to this moment and what happened next, is being told from the other end of the therapist’s couch. A first-person account of Complex Post-Traumatic Stress Disorder, the life that led to it, and the challenges faced together by Paul his daughter Natasha during the fight back. With nothing held back, this is an intimate and up-close look at how childhood abuse, trauma led to a spiral of self-destruction until the reunion of father and daughter starts a journey on the long, hard road back to health. This isn’t a story of recovery or cure. This is learning to adapt and overcome from severe psychological injury and to accept that the struggle continues. It is written for all those who never stood a chance, all those without a voice who are still hidden behind the veil of silence, and all those held mute by the stigma of abuse, trauma and mental illness that pervades our society.
What if all our lives were pieces of music? With alternating passages; fast, slow, melancholic, joyful. We make friends with those in the same key and fall out with those who aren't. And what does music communicate? Might it speak to us, literally?
“Like a rocket in the sky, your love will die, and you will say goodbye.” Muted Serenades is a collection of poetry that frequently alludes to the works of the greats. Covering a broad range of themes, Frank Dillon refers to poets such as Charles Baudelaire, T.S. Eliot and Dylan Thomas and musicians including The Beatles, Elvis and Bob Dylan throughout his collection. The four-volume assemblage begins with ‘Driving At Twilight’, a collection set in a narrow space, between light and dark, both physically and spiritually. Frank’s second-volume, ‘Tea Garden Summer’, takes a different approach as it covers subjects ranging from youth, memory, love and loss. The next volume, ‘Engl...