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Eric Zakim follows the literary and intellectual career of the powerful Zionist slogan "to build and be built" from its conceptual origin in reaction to the Kishinev pogroms of 1903, when it first served as an expression of settlement aspiration, until the end of pre-state national expansion in Palestine in 1938. "Draining the swamps" and "making the desert bloom," the Jewish settlers imagined themselves as performing "miracles" on the land. By these acts, they were also meant to reinvent the very notion of what it was to be a Jew in the modern world. As Jewish settlers reshaped nature in the Holy Land by turning it from one thing into another, they too were newly constructed. Zakim argues t...
For the last decade scholars have been questioning the idea that the Holocaust was not talked about in any way until well into the 1970s. After the Holocaust: Challenging the Myth of Silence is the first collection of authoritative, original scholarship to expose a serious misreading of the past on which, controversially, the claims for a ‘Holocaust industry’ rest. Taking an international approach this bold new book exposes the myth and opens the way for a sweeping reassessment of Jewish life in the postwar era, a life lived in the pervasive, shared awareness that Jews had narrowly survived a catastrophe that had engulfed humanity as a whole but claimed two-thirds of their number. The ch...
This book explores the image and identity of émigré painters, sculptors and graphic artists from Nazi Germany in Britain between 1933 and 1945. It focuses on a neglected field of Exile Studies, that of exiled artists in Britain. Methodologies used in this study have been developed by Exile Studies and History of Art, but also by Postcolonialism, scholars of which usually apply their ideas to the Afro-Asian emigration of the second part of the twentieth century. Thus this study represents methodologically a new way of looking at the emigration from Nazi Germany. Identity and Image is divided into five chapters: After an introductory Chapter One (historiography of the topic, methodology of t...
Since the early 1980s, Anish Kapoor's investigations into objecthood, materiality and gravity have explored the concept of the void, or what he describes as "objects becoming space". His sculptures, installations and public art have been characterized by intensely tactile or reflective materials, including coloured pigments, wax, fibreglass, polished stainless steel and PVC, that resist any narrative reading. Deutsche Guggenheim's ambitious commission opens to the public in October 2008 and travels to New York in 2009. It is conceived as an intervention in the galleries that prevents any one complete viewing or experience of the work. Fabricated of Cor-Ten steel, with industrial hinges and flanges exposed, the work tests the boundaries between sculpture and painting, as one opening brings viewers into a cavernous, expansive paint field. This accompanying catalogue offers four points of entry into the work: through philosophy, postcolonial and architectural theory, and structural analysis, and is accompanied by preparatory sketches and architectural renderings.
Analyzes the social and cultural aspects of transition