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Ram has been ignored and dismissed his entire life. His parents patronise him, his older brother belittles him, his class pretends he doesn’t exist, and he is certain he will fail his impending A-Levels. The only good part of his life is Kass, a fellow outsider he has known since childhood. But when the bruises on Kass from her abusive father get worse and worse, Ram decides to don a mask and frighten him into changing his ways. After his scare tactic goes fatally wrong, the mask he wore calls out to him again to clean the city's filth. Neo-noir thriller meets coming-of-age mystery, catskull explores the violence inherent in an unforgiving city and what it does to the people who inhabit it. It complicates questions of what is right, what is lawful, and who pays the price in the quest for justice. "Myle Yan Tay’s debut novel is a sharp, dark look at the education system as a potential site of violence and harm. This is writing that doesn’t flinch and dares the reader to sit with and in discomfort while excavating deeply existential questions about what defines who we are as a society and the individuals who build (or break) it." —Pooja Nansi, Author of We Make Spaces Divine
Brown is Redacted: Reflecting on Race in Singapore responds to, expands on and questions what we think we know about the lived experiences of minority-raced people in Singapore. Inspired by Brown Is Haram, a performance-lecture on minority-race narratives staged at The Substation in 2021, this anthology reflects on how brownness is constructed, sidelined, but also celebrated in this nation-state. Through a combination of essays, academic works, poems, and stories by brown individuals, Brown is Redacted both attempts to and fails to create a singular brown experience. What this anthology does produce instead, is a moving and expressive work of solidarity and vulnerability. "Brown is Redacted ...
What insights can we gain from the rituals, actions, and interactions around death and the afterlife? This edited collection offers a multidisciplinary perspective on how individuals and collectives “do” death and interact with the dead. Through case studies of Singaporean Chinese religion communities, the authors bring a myriad of knowledge and experience from eight different but interconnected disciplines to examine, map, document, and theorise the practices of death and the afterlife. Heritage here is not just a point of nostalgia or historical snapshot, but becomes a significant resource for the shaping of and grappling with diasporic and contemporary Singaporean Chinese identities. ...
Claire Tham’s rebels tease us with the most provocative questions. Was Hitler the first rock star? Is college spirit a huge con-game? Are teachers fascist? Chris, the angry college punk; Lee, the deejay’s Americanised daughter; James, the pretender; Jeanne, the alienated wife; the Tiananmen refugee – these are some of the rebels who walk through the disturbingly familiar stories in Fascist Rock. Bitterly, yet eloquently, they voice our own hidden rebellion. The Series This title is being reissued under the new Marshall Cavendish Classics: Literary Fiction series, which seeks to introduce some of the best works of Singapore literature to a new generation of readers. Some have been evergreen titles over the years, others have been unjustly neglected. Authors in the series include: Catherine Lim, Claire Tham, Colin Cheong, Michael Chiang, Minfong Ho, Ovidia Yu and Philip Jeyaretnam.
A feast for the literary imagination, an elegy to those who have fallen, and a courageous act of defiance, these firsthand accounts and witness poetry provide an important window into the February 2021 Spring Revolution in Myanmar.
The Wallace catalogs the sheer brutality of war. We are regaled with such detailed accounts of the sacking of towns and the burning down of buildings full of screaming inhabitants that the smells and sounds, as well as the terrible sights, of war are graphically conveyed in language which seems designed not only to express Wallace's rage and Hary's antipathy but also to incite hatred of the English in his readers.
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How constructions of time shape political beliefs about what is possible—and what is inevitable To secure power in a crisis, leaders must sell deep change as a means to future good. But how could we know the future? Nomi Claire Lazar draws on stories across a range of cultures and contexts, ancient and modern, to show how leaders use constructions of time to frame events. These frames carry an implicit promise to secure or subvert an expected future, shaping belief in what is possible—and what is inevitable. “Ranging imaginatively across history and geography, this elegant book probes temporal sources of order and transformation. Its analytical wisdom discloses how calendars and repres...
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