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Made in L.A. 2020
Made in L.A. 2020: a version brings together an intergenerational and interdisciplinary mix of artists, each of whom is contributing to L.A.'s vibrant art scene. Since its inception in 2012, the Hammer Museum's Made in L.A. biennial has brought together local artists from a wide range of discipline. Under the direction of co-curators Myriam Ben Salah and Lauren Mackler, the 2020 iteration will be no exception. The Hammer's Ikechukwu Onyewuenyi, who has previously served with Performa and The Kitchen in New York, will assist in the organization of the 2020 biennial in the role of assistant curator for performance. Drawing inspiration from historical artist magazines, this book is not documentation of the artists' work, but rather serves as an additional venue for the exhibition. It includes images of the artists' studios, art made specifically for the pages of the book, as well as essays and conversations between artists and curators that weave together the conceptual through-lines of the show. This book is published in two different covers. Published with the Hammer Museum
Philosophy Reborn Part V: Naturally Unhealthy Big Gov't, Big Ag, Big Industry
Liberal media outlets vilify the anti-vaccine movement but are silent on adverse vaccine effects. That's not accidental. That's intentional. The war against the natural health movement is a polarizing battle between ideologies. Is organic superior to pesticide and GMO based foods? Is veganism better than eating meat? Are dietary supplements a waste of money? Is bottled water better than tap water? Do cell phones cause cancer? Can you overcome infertility by using natural health products? Can you negate electromagnetic pollution by using natural health products? Why is the overall health of the global population getting worse? You'll find the answers to all of these questions in Part V.
The Last Cruze
As the General Motors plant in Lordstown, Ohio halted production and faced possible closure, displacing its workers, artist LaToya Ruby Frazier joined with these workers, their families, and their local union leaders to tell the story of the plant in its final days. After more than fifty years of automobile production and a commitment to manufacture the Chevrolet Cruze until 2021, the facility was recently "unallocated" by GM, as the company shifts its focus toward overseas manufacturing and the production of electric and autonomous vehicles. For many, this meant uprooting their families and giving up the support of a close-knit community. Those who turned down transfers to GM plants in othe...
Why Have There Been No Great Women Artists?
Linda Nochlins seminal essay on women artists is widely acknowledged as the first real attempt at a feminist history of art. Nochlin refused to handle the question of why there had been no great women artists on its own, corrupted, terms. Instead, she dismantled the very concept of greatness, unravelling the basic assumptions that had centred a male-coded genius in the study of art. With unparalleled insight and startling wit, Nochlin laid bare the acceptance of a white male viewpoint in art historical thought as not merely a moral failure, but an intellectual one. Freedom, as she sees it, requires women to risk entirely demolishing the art worlds institutions, and rebuilding them anew in ot...
The Odd Years
"Every Monday in 2017 and 2019, comedic performance artist Morgan Bassichis created a to-do list. The Odd Years is a collection of those lists, which served both as a way to generate material for live performances and as a place to archive the logistical, emotional, and political business that just kept piling up throughout this two-year project. A record of routine and impossible tasks--some completed and others left unfinished--The Odd Years is one response to the oddness of times in which intensified crisis becomes ordinary"--Publisher's website.
Permanent Food
The word "appropriate" can have two very different meanings depending on whether it is used as an adjective or a verb. In the case of "Permanent Food," artist Maurizio Cattelan and Paola Manfrin's periodical of pilfering, it is the active usage of the word, and only the active usage, that is appropriate. Bound together in each issue is a thoroughly bewildering, amusing, grotesque, and blasª selection of images culled from anywhere, everywhere, and nowhere: a German electrical company's ad featuring Tom and Jerry; a trash-strewn airplane interior; a naked fashion model with wide tan lines; a detail of a Victorian dummy; super-tech eyelashes by MAC; a naked woman with her toes in a skeleton's eye and nose sockets; a Mapplethorpe photograph of two leather men; a sweet ceramic puppy; a snow field; a crashed VW beetle; and much, much more. You can't even imagine how much more.
89plus : curating the future. New artists and creatives, born in or after 1989.
A fast-paced introduction to the designers, artists, and creatives shaping tomorrow's world. Curators Simon Castets and Hans Ulrich Obrist join forces to ask an important question: How will the world be different when its most influential creatives are born into a universally accessible Internet? This international project tracks the changing modes of production, concerns, aspirations, and projects of 100 protagonists born in or after 1989. Illustrated profiles include artists, writers, architects, filmmakers, musicians, designers, scientists and technologists, and many who elide two or three genres, as they were once known. 89+ is essential reading for all who would understand the creative force of a generation whose voices are only starting to be heard, yet which accounts for almost half of the world's population.
Silke Otto-Knapp
Los Angeles-based artist Silke Otto-Knapp has developed a painting practice characterized by its rigorous process and attentiveness to the medium's possibilities. Using layers of black watercolor pigment, she builds up delicate surfaces, producing subtle variations in density and a powerful sense of atmosphere. Otto-Knapp's exhibition at the Renaissance Society, In the waiting room, presented a new group of large-scale free-standing paintings in that evokes a multidimensional stage set. Some depict silhouetted bodies while others introduce scenic elements reminiscent of painted backdrops. Offering a close look at the exhibition, this volume includes an array of illustrations, a conversation between curator Solveig Øvstebø and the artist, and four newly commissioned essays by Carol Armstrong, Darby English, Rachel Hann, and Catriona MacLeod, grounded in art history and performance studies.
Hitler's Horses
The true story of a detective, two bronze horses and the dictator who set the world on fire. When detective Arthur Brand is summoned to a meeting with one of the most dangerous men in the art world, he learns that a clue has emerged that could solve one of the Second World War’s unexplained mysteries: what really happened to the Striding Horses, Hitler’s favourite statue, which disappeared during the bombing of Berlin. As Brand goes undercover to find the horses, he discovers a terrifying world ruled by neo-Nazis and former KGB agents, where Third Reich memorabilia sells for millions of dollars. The stakes get ever higher as Brand carefully lays his trap to catch the criminal masterminds trying to sell the statue on the black market. But who are they? And will he manage to bring them to justice before they discover his real identity? With a plot worthy of John Le Carré, Hitler’s Horses is a thrilling retelling of one of history's most extraordinary heists.
