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Faq
FAQ is an accordion-fold art publication conceived and edited by Maurizio Cattelan and Myriam Ben Salah and commissioned by Le Dictateur. The first volume is published to coincide with the 10th anniversary edition of Le Dictateur, and will then be published annually. FAQ, or Frequently Asked Questions, references an attempt to create an ideal visual representation of a very subjective "now." Born out of an acute image consumption disorder, FAQ reflects the mental assimilation of a relentless roving within physical and virtual art spaces, from galleries to Tumblr accounts, museums to artists' studios; it can be seen as a portable exhibition, a show on paper, a project of restitution, a hybrid object. The first issue includes works by Thomas Bayrle, Neil Beloufa, Caroll Dunham, Andra Ursuta, Jon Rafman, Kathy Grannan, Llyn Foulkes, Camille Henrot, Steven Shaerer, Korakrit Arunanondchai and Judith Bernstein, among many others.
Diane Severin Nguyen
An exhibition catalog centering on a film by artist Diane Severin Nguyen. This catalog, published on the occasion of the exhibition If Revolution is a Sickness, presents the first monographic book on work by artist Diane Severin Nguyen, which considers how songs and shared histories are woven together across different times and places. The book centers on a new film by Nguyen that is set in Warsaw, Poland, and it loosely follows the character of an orphaned Vietnamese child who grows up to join a South Korean pop-inspired dance group. Popular within a subculture of Polish youth, the genre of K-pop is used by Nguyen as a vernacular structure as she traces a relationship between Eastern Europe...
Made in L.A. 2020
Made in L.A. 2020: a version brings together an intergenerational and interdisciplinary mix of artists, each of whom is contributing to L.A.'s vibrant art scene. Since its inception in 2012, the Hammer Museum's Made in L.A. biennial has brought together local artists from a wide range of discipline. Under the direction of co-curators Myriam Ben Salah and Lauren Mackler, the 2020 iteration will be no exception. The Hammer's Ikechukwu Onyewuenyi, who has previously served with Performa and The Kitchen in New York, will assist in the organization of the 2020 biennial in the role of assistant curator for performance. Drawing inspiration from historical artist magazines, this book is not documentation of the artists' work, but rather serves as an additional venue for the exhibition. It includes images of the artists' studios, art made specifically for the pages of the book, as well as essays and conversations between artists and curators that weave together the conceptual through-lines of the show. This book is published in two different covers. Published with the Hammer Museum
Shit
For reasons of health and safety, all 2021 Harvard Summer School courses and activities will be offered online, and we will not be hosting a residential program for high school students. The feedback from our 2020 virtual programs from students and faculty was overwhelmingly positive, and we look forward to another exciting and successful summer online in 2021. The total fee for a Harvard Pre-College Program online session is $3,200. The program fee includes tuition and activity costs for the full two weeks. The breakdown of costs and additional fees is outlined below. In addition, we awarded a limited number of scholarships to students on the basis of financial need. Visit our Payment Options page for information on the forms of payment accepted. Application fee (nonrefundable): $75 Full program fee: $3,200 Financial Aid
Aria Dean
A companion to Aria Dean's Abattoir, U.S.A.! Aria Dean's moving image work Abattoir, U.S.A.!, presented in the eponymous exhibition at the Renaissance Society between February and April 2023, surveys the interior of an empty slaughterhouse. This slaughterhouse was built and animated using Unreal Engine, a 3D computer graphics tool for creating virtual environments. The viewer follows a linear path through an impossible architecture--a seamless combination of nineteenth, twentieth, and twenty-first-century design elements and non-Euclidean spaces. Dean was initially inspired by philosophers Georges Bataille and Frank Wilderson, each of whom address the slaughterhouse in their writings -whethe...
Neïl Beloufa: People Love War Data & Travels
On the collaborative art of Neïl Beloufa, whose films and installations challenge common perceptions of social relations This is the first monograph on the internationally acclaimed French Algerian artist Neïl Beloufa (born 1985). Love, hatred, war, technology, social unrest, bodies and words in crisis: this is the material of which Beloufa's work is made. His films, sculptures and multimedia installations audaciously explore how art can address today's issues, challenging contemporary representations of social relationships, power games, and political and economic structures. An artist favoring collaborations over authorship, and responsive work strategies over predetermined intentions, Beloufa has invented his own work methods, and a particular approach to the studio as a workplace. The catalog presents the artist's projects over the past 12 years, including recent experiments with online platforms and NFTs.
The Last Cruze
As the General Motors plant in Lordstown, Ohio halted production and faced possible closure, displacing its workers, artist LaToya Ruby Frazier joined with these workers, their families, and their local union leaders to tell the story of the plant in its final days. After more than fifty years of automobile production and a commitment to manufacture the Chevrolet Cruze until 2021, the facility was recently "unallocated" by GM, as the company shifts its focus toward overseas manufacturing and the production of electric and autonomous vehicles. For many, this meant uprooting their families and giving up the support of a close-knit community. Those who turned down transfers to GM plants in othe...
Why Have There Been No Great Women Artists?
Linda Nochlins seminal essay on women artists is widely acknowledged as the first real attempt at a feminist history of art. Nochlin refused to handle the question of why there had been no great women artists on its own, corrupted, terms. Instead, she dismantled the very concept of greatness, unravelling the basic assumptions that had centred a male-coded genius in the study of art. With unparalleled insight and startling wit, Nochlin laid bare the acceptance of a white male viewpoint in art historical thought as not merely a moral failure, but an intellectual one. Freedom, as she sees it, requires women to risk entirely demolishing the art worlds institutions, and rebuilding them anew in ot...
Allison Katz
Published on the occasion of her first North American solo exhibition, this monograph is the first to document the work of London-based Canadian painter Allison Katz (born 1980) whose figurative paintings playfully challenge the conventions of Western painting, as well as any notion of style.
Philosophy Reborn Part V: Naturally Unhealthy Big Gov't, Big Ag, Big Industry
Liberal media outlets vilify the anti-vaccine movement but are silent on adverse vaccine effects. That's not accidental. That's intentional. The war against the natural health movement is a polarizing battle between ideologies. Is organic superior to pesticide and GMO based foods? Is veganism better than eating meat? Are dietary supplements a waste of money? Is bottled water better than tap water? Do cell phones cause cancer? Can you overcome infertility by using natural health products? Can you negate electromagnetic pollution by using natural health products? Why is the overall health of the global population getting worse? You'll find the answers to all of these questions in Part V.
