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A Companion to François Rabelais
Twenty-two eminent scholars of Early Modernity offer a thorough examination of the art and the main themes of François Rabelais’s work in the larger context of European humanism.
The Cambridge Companion to Rabelais
An accessible, readable account of Rabelais, his work, his thought and his world.
The Unbridled Tongue
The Unbridled Tongue is a book about talking too much and why it was considered not just inadvisable but dangerous in sixteenth-century Europe. Drawing on a wide range of sources and approaches, it is the first book to address Renaissance literary portrayals of gossip and rumor in a social, religious, political, and historical frame.
The World Upside Down in 16th-Century French Literature and Visual Culture
In The World Upside Down in 16th Century French Literature and Visual Culture Vincent Robert-Nicoud offers an interdisciplinary account of the topos of the world upside down in early modern France. To call something ‘topsy-turvy’ in the sixteenth century is to label it as abnormal. The topos of the world upside down evokes a world in which everything is inside-out and out of bounds: fish live in trees, children rule over their parents, and rivers flow back to their source. The world upside down proves to be key in understanding how the social, political, and religious turmoil of sixteenth-century France was represented and conceptualised, and allows us to explore the dark side of the Renaissance by unpacking one of its most prevalent metaphors.
Before Enlightenment
In Before Enlightenment: Play and Illusion in Renaissance Humanism, Timothy Kircher argues for new ways of appreciating Renaissance humanist philosophy. Literary qualities – tone, voice, persona, style, imagery – composed a core of their philosophizing, so that play and illusion, as well as rational certainty, formed pre-Enlightenment ideas about knowledge, ethics, and metaphysics. Before Enlightenment takes issue with the long-standing view of humanism’s philosophical mediocrity. It shows new features of Renaissance culture that help explain the origins not only of Enlightenment rationalists, but also of early modern novelists and essayists. If humanist writings promoted objective knowledge based on reason’s supremacy over emotion, they also showed awareness of one’s place and play in the world. The animal rationale is also the homo ludens.
Medieval Animals on the Move
This book investigates relations between humans and animals over several centuries with a focus on the Middle Ages, since important features of our perceptions regarding animals have been rooted in that period. Elucidating various aspects of medieval human-animal relationships requires transdisciplinary discourse, and so this book aims to reconcile the materiality of animals with complex cultural systems illustrating their subtle transitions 'between body and mind'.
Eye for Detail
Image-transforming techniques such as close-up, time lapse, and layering are generally associated with the age of photography, but as Florike Egmond shows in this book, they were already being used half a millennium ago. Exploring the world of natural history drawings from the Renaissance, Eye for Detail shows how the function of identification led to image manipulation techniques that will look uncannily familiar to the modern viewer. Egmond shows how the format of images in nature studies changed dramatically during the Renaissance period, as high-definition naturalistic representation became the rule during a robust output of plant and animal drawings. She examines what visual techniques like magnification can tell us about how early modern Europeans studied and ordered living nature, and she focuses on how attention to visual detail was motivated by an overriding question: the secret of the origins of life. Beautifully and precisely illustrated throughout, this volume serves as an arresting guide to the massive European collections of nature drawings and an absorbing study of natural history art of the sixteenth century.
Making Marvels
Featuring more than 150 treasures from several of the world’s most prestigious collections, Making Marvels explores the vital intersection of art, technology, and political power at the courts of early modern Europe. It was there, from the sixteenth through eighteenth centuries, that a remarkable outpouring of creativity and learning gave rise to exquisite objects that were at once beautiful works of art and technological wonders. By amassing vast, glittering collections of these ingeniously crafted objects, princes flaunted their wealth and competed for mastery over the known world. More than mere status symbols, however, many of these marvels ushered in significant advancements that have had a lasting influence on astronomy, engineering, and even international politics. Incisive texts by leading scholars situate these works within the rich, complex symbolism of life at court, where science and splendor were pursued with equal vigor and together contributed to a culture of magnificence.
Dogs' Tales
Sleeping rough, having sex in public and insulting the most powerful men in the world earned the ancient Cynic or 'dog' philosophers fame and infamy in antiquity and beyond. This book reveals that French Renaissance texts feature a rich and varied set of responses to the Dogs, including especially Diogenes of Sinope (4th century B.C.), whose life was a subversive performance combining wisdom and wisecracks. Cynicism is a special case in the renewal of interest in ancient philosophy at this time, owing to its transmission through jokes and anecdotes. The Cynics' curious combination of seduction and sedition goes a long way to account for both the excitement and the tension that they generate ...
