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This Encyclopedia is the first to compile pseudonyms from all over the world, from all ages and occupations in a single work: some 500,000 pseudonyms of roughly 270,000 people are deciphered here. Besides pseudonyms in the narrower sense, initials, nick names, order names, birth and married names etc. are included. The volumes 1 to 9 list persons by their real names in alphabetical order. To make the unequivocal identification of a person easier, year and place of birth and death are provided where available, as are profession, nationality, the pseudonym under which the person was known, and finally, the sources used. The names of professions given in the source material have been translated into English especially for this encyclopaedia. In the second part, covering the volumes 10 to 16, the pseudonyms are listed alphabetically and the real names provided. Approx. 500,000 pseudonyms of about 270,000 persons First encyclopedia including pseudonyms from all over the world, all times and all occupations Essential research tool for anyone wishing to identify persons and names for his research within one single work
An acclaimed historian of twentieth century Germany provides a vivid account of Hitler’s rise to power and its intimate connection to the Bavarian capital. The immediate aftermath of the Great War and the Versailles Treaty created a perfect storm of economic, social, political and cultural factors which facilitated the rapid rise of Adolf Hitler’s political career and the birth of the National Socialist German Worker’s Party. The breeding ground for this world-changing evolution was the city of Munich. In Hitler’s Munich, renowned historian David Ian Hall examines the origins and growth of Hitler’s National Socialism through the lens of this unique city. By connecting the sites where Hitler and his accomplices built the movement, Hall offers a clear and concrete understanding of the causes, background, motivation, and structures of the Party. Hitler’s Munich is a cultural and political portrait of the city, a biography of the Fuhrer, and a history of National Socialism. All three interacted in this expertly rendered exploration of their interconnections and significance.
"In 1935, Adolf Hitler declared Munich the "Capital of the Movement." It was here that he developed his anti-Semitic beliefs and founded the Nazi party. Though Hitler's immediate milieu during the 1910s and 1920s has received ample attention, this book argues that the Munich of this period is worthy of study in its own right and that the changes the city underwent between 1918 and 1923 are absolutely crucial for understanding the rise of antisemitism and eventually Nazism in Germany. Before 1918, Munich had a decidedly cosmopolitan flavor, but its open atmosphere was shattered by the November Revolution of 1918-19. Jews were prominently represented among many of the European revolutions of t...
This is the first publication to describe the evolution of fluid dynamics as a major field in modern science and engineering. It contains a description of the interaction between applied research and application, taking as its example the history of fluid mechanics in the 20th century. The focus lies on the work of Ludwig Prandtl, founder of the aerodynamic research center (AVA) in Göttingen, whose ideas and publications have influenced modern aerodynamics and fluid mechanics in many fields. While suitable for others, this book is intended for natural scientists and engineers as well as historians of science and technology.
Librarians and information workers the world over are faced with the constant challenge of remaining abreast of developments in their field. Rapid changes in technology and workplace roles threaten to make their skills obsolete unless they undertake constant professional development. This international collection presents a comprehensive overview of current continuing professional development theory and practice for those who manage and work in library and information services. Papers by academics and practitioners describe numerous innovative responses to emerging continuing education and training needs, including workplace learning; individual learning and learning organisations.
In this comprehensive account of censorship of the visual arts in nineteenth-century Europe, when imagery was accessible to the illiterate in ways that print was not, specialists in the history of the major European countries trace the use of censorship by the authorities to implement their fears of the visual arts, from caricature to cinema.
Parsifal, Wagner's final opera, is considered by many to be one of the greatest religious musical works ever composed; but it is also one of the most difficult to understand and many have questioned whether it can be considered a "Christian" work at all. Added to this is the furious debate that has surrounded the composer as an anti-Semite, racist, and inspiration for Hitler. Richard Bell addresses such issues and argues that despite any personal failings Wagner makes a fundamental theological contribution through his many writings and ultimately in Parsifal which, he argues, preaches Christ crucified in a way that can never be captured by words alone. He argues that Wagner offers a vision of the divine and a "theology of Good Friday" that can both function as profound therapy and address current theological controversies.
In February 1942, barely two months after he had declared war on the United States, Adolf Hitler praised America's great industrial achievements and admitted that Germany would need some time to catch up. The Americans, he said, had shown the way in developing the most efficient methods of production—especially in iron and coal, which formed the basis of modern industrial civilization. He also touted America's superiority in the field of transportation, particularly the automobile. He loved automobiles and saw in Henry Ford a great hero of the industrial age. Hitler's personal train was even code-named "Amerika." In Hitler and America, historian Klaus P. Fischer seeks to understand more de...
A compelling exploration of the many issues surrounding the restoration and restitution of Nazi-stolen art at the end of World War II At the end of World War II, the US Office of Military Government for Germany and Bavaria, through its Monuments, Fine Arts, and Archives division, was responsible for the repatriation of most of the tens of thousands of artwork looted by the Nazis in the countries they had occupied. With the help of the US Army’s Monuments Men—the name given to a hand-picked group of art historians and museum professionals commissioned for this important duty—massive numbers of objects were retrieved from their wartime hiding places and inventoried for repatriation. Iris...