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The Marqués, the Divas, and the Castrati
In this book, author Louise K. Stein analyzes early modern opera as appreciated and produced by Gaspar de Haro y Guzmán (1629-87), Marqués de Heliche and del Carpio and a distinguished patron of the arts in Madrid, Rome, and Naples. It also reveals his lasting legacy in the Americas during a crucial period for the growth and development of opera and the history of singing.
A History of the Spanish Stage: from Medieval Times Until the End of the Seventeenth Century
"Provides a complete account of the way in which plays were staged in Spain from the Middle Ages until about 1700. Covers the early religious and secular drama, the public playhouse, the court theatre, and the morality plays, or autos, written for the Feast of Corpus Christi"--From publisher description.
The Theatre of Rafael Alberti
Published by Boydell & Brewer Inc.
Plays and their Makers up to 1576
This volume forms part of the 5 volume set Early English Stages 1300-1660. This set examines the history of the development of dramatic spectacle and stage convention in England from the beginning of the fourteenth century to 1660.
The Woman Saint in Spanish Golden Age Drama
Some writers present her as a representative of the symbolic order: invested with sacred powers and ultimate authority, she rebukes transgressors and negotiates their return to God's grace and lawful society."--Jacket.
The Medieval Boy Bishops
In the mid-seventeenth century, clergyman John Gregory made a surprise discovery in Salisbury Cathedral that began to reveal the truth of the Boy Bishops. The Boy Bishops of the Middle Ages, following widespread and popular custom, supplanted the true bishops in their cathedrals for a period of time during the Christmas season.This strange and largely forgotten tradition, stretching from the early Middle Ages to the present day, gives a fascinating insight into the medieval world and its legacy. Elected by their fellows, these Boy Bishops exercised their power in cathedrals, churches and beyond, right across Europe. They controlled services, directed the clergy, enjoyed lavish entertainment,...
A Companion to Music at the Habsburg Courts in the Sixteenth and Seventeenth Centuries
A Companion to Music at the Habsburgs Courts in the Sixteenth and Seventeenth Centuries, edited by Andrew H. Weaver, is the first in-depth survey of the Habsburg family’s musical patronage over a broad span of time.
Structures of Feeling in Seventeenth-century Cultural Expression
Essays based on papers presented at four international conferences held at the UCLA Clark Library, 2005.
A Spaniard in Elizabethan England
Antonio Perez, the brilliant but erratic secretary to Philip II of Spain, became in the years of his exile a political agent in the service of the Earl of Essex, arriving at the Court of Queen Elizabeth in 1593. On behalf of Essex, who valued him as a friend, a partner and a humanist scholar, he cast an intelligence network over Italy; and he made a striking, though dangerous, contribution to the Essex cult.
