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'Love In Vain: The Story Of The Ruts and Ruts D.C.' is so much more than just another rock biography. Work initially began over five years ago when author Roland Link began meticulously researching the life and times of The Ruts/Ruts D.C.; a story that is as real and brutal as it is joyous and righteous. Widely and quite rightly regarded by those that know as one of the greatest punk bands of all time, The Ruts enjoyed three whirlwind years of success and a string of hits including 'In A Rut' (their debut single, released by reggae band Misty In Roots, sharing a common fight against racism and the National Front), 'Babylon's Burning', 'Something That I said' and 'Staring At The Rude Boys' before releasing their now classic album 'The Crack' in 1979. Blessed with the musical talent to fuse angry street punk rebel anthems with bass heavy dub and reggae, The Ruts huge potential was cut short when singer Malcolm Owen tragically passed away in 1980. 'Love In Vain' follows the band's story from their inception at the initial explosion of punk to their current re-birth as founding members Segs Jennings and Dave Ruffy continue to perform and create under the Ruts D.C. banner.
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'For man walketh in a vain shadow ... he keepeth up riches and cannot tell who shall gather them' - these words are spoken at the funeral service for old Colonel Winthorpe who does not bequeathe much except worldly goods to any gathered there - except his granddaughter, Joanna. This novel is concentrated on the four days which attend his death; on the many proprieties and pretenses which shroud its reality (the arrangements, his immediate and permanent disposition, the formalities from the church to the crematorium, and finally the less mortal remains - the will). The Colonel leaves a widow whose marriage to him had been loveless to begin with and joyless to the end; three sons of middle age. None mourn him but his presence is everywhere as they drink his port, usurp his chair. Only Joanna is left with the desire and capacity to live more fully.
'Well, hello and welcome, I'm Vincent, that's me. The most gorgeous gorilla you'll ever see. All of me's fabulous, but the bit I love best . . . is my gloriously hairy, furry chest!' When Vincent's celebrated chest hair starts to dwindle and fall out, his verve for life takes an unexpected sky dive, too. But his friends soon find a way to put the cheer back into Vincent's world view and the way he sees himself.
Robert Johnson was undoubtedly the most outstanding of the Mississippi Delta blues musicians and also one of the first inductees into the Rock and Roll Hall of Fame, but his short life remains steeped in mystery and wrapped in some of the most enduring legends of modern music. "Love in Vain" is Alan GreenbergOCOs remarkable, highly acclaimed, and genre-defying screenplay and is widely considered to be one of the foremost books on Robert JohnsonOCOs life and legacy and an extraordinary exercise in American mythmaking. Newly revised and complete with extensive historical notes on JohnsonOCOs life and the culture of the Mississippi Delta and blues music during the 1930s, "Love in Vain" is at once a classic of music writing and a screenplay whose reputation lies firmly in the realm of great American literature. "
Excerpt from In Vain Though not included in his collected works by the author, this book will be received with much favor; of this I feel certain. The first book of the man who wrote With Fire and Sword and Quo Vadis will interest those of his admirers who live in America and the British Empire. These people are counted at present by millions. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
From the Introduction: This book is . . . devoted to the first literature of North America, that of the American Indians, or Native Americans. The texts are from the North Pacific Coast, because that is where I am from, and those are the materials I know best. The purpose is general: All traditional American Indian verbal art requires attention of this kind if we are to comprehend what it is and says. There is linguistics in this book, and that will put some people off. ''Too technical," they will say. Perhaps such people would be amused to know that many linguists will not regard the work as linguistics. "Not theoretical," they will say, meaning not part of a certain school of grammar. And ...
We never think that OUR CHILD will be labeled an "addict." From the moment of their birth, we taught them love, compassion, sharing, hope, manners, patience, faith, and so many more qualities to live by, only wanting them to flourish as a better version of ourselves. When we learn that our child has been using drugs, our minds seem to immediately compare our own youth when drinking or maybe even smoking marijuana. Unfortunately, this is the furthest comparison from the reality of what's ahead. This book is filled with over 160 real-life stories from grieving mothers through our initial discovery of our child's drug use to the devastating end of their journey. We have shared what we have lear...
From 'Crossroads Blues' to 'Sweet Home Chicago', 'Hellhound on My Trail' to 'Come On In My Kitchen', Robert Johnson wrote some of the most enduring and formative songs of the original blues era, songs that would go on to help shape the birth of rock'n'roll in the 1960s. Beloved of Clapton, Dylan and the Stones, Robert Johnson remains one of the most iconic and mythologised figures in popular music (and the first of many to die at the age of 27). Born in the in the South in Mississippi, Johnson made his way to the urban North as a travelling musician, but it was only when he returned to the South that he recorded the twenty-nine songs, in two sessions, which would create his legacy.Exploring the stories and legends that surround his life and death - his childhood, his womanising, his pact with the devil at the crossroads - Mezzo and DuPont have produced a fittingly creative and beautiful depiction of this most extraordinary life.