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The annual conference on Neural Information Processing Systems (NIPS) is the flagship conference on neural computation. It draws preeminent academic researchers from around the world and is widely considered to be a showcase conference for new developments in network algorithms and architectures. The broad range of interdisciplinary research areas represented includes neural networks and genetic algorithms, cognitive science, neuroscience and biology, computer science, AI, applied mathematics, physics, and many branches of engineering. Only about 30% of the papers submitted are accepted for presentation at NIPS, so the quality is exceptionally high. All of the papers presented appear in these proceedings.
The present book aims to explore how the perpetrator of crimes against humanity is represented in recent documentary films in different sociocultural contexts around the world. In recent years the number of diverse forms of cultural productions focused on the figure of perpetrator has increased significantly, thus eliciting a turn toward this problematic figure. The originality of these narratives lies in the shift in point of view they propose: their protagonists, rather than being the victims of the atrocities, are instead their perpetrators. A significant number of documentary films examining crimes against humanity from the perpetrators’ perspective have been released in the first two ...
Der vorliegende Band beschäftigt sich mit dem Surrealismus in Literatur und Kunst in Algerien, Ägypten, Libanon, Syrien und der Türkei zwischen den 1930er und 1980er Jahren. In einer transkulturellen Perspektive erscheint die zu Beginn der 1920er Jahre von Frankreich ausgehende Bewegung gleichermaßen als globales wie als lokales Phänomen, das in den hier behandelten Regionen weniger auf kollektive als auf individualistische Weise, vornehmlich auf dem Gebiet von Poesie und Sprache, rezipiert wurde. Die Studien in diesem Band verfolgen das Ziel, ein klareres Bild von den Resonanzen des Surrealismus in diesen Regionen zu zeichnen und damit einen Beitrag zur Geschichte sowohl der Transmoderne als auch des Surrealismus zu leisten. Methodisch geht es darum, Verbindungen, Begegnungen und Austausch auf individuell-künstlerischer, politisch-institutioneller und soziohistorischer Ebene zu untersuchen. Ein neuer Blick auf den globalen Surrealismus muss diese Netzwerke und Verbindungen auf der Mikroebene berücksichtigen, wenn es um die Fragen geht, wann, wo und was Surrealismus war. Die Antwort könnte zeigen, dass der Surrealismus weitaus weiter verbreitet war als bisher angenommen.
This is the story of an airpower-dominated campaign, one that was deeply flawed in its design yet impressive in its efficiency. This quick-look study is based upon visits to damaged sites, villages, towns, and cities; discussions with government and military officials; and experience of having evaluated airpower and its effects in Afghanistan, Iraq, and the former Yugoslavia (and previously in Lebanon). Months of follow-up research included exchanges with Israeli, Lebanese, Hezbollah, and US experts. The intent was to develop a timely airpower narrative to enhance professional military education and planning. About the author: William M. Arkin is an independent military analyst, journalist, and author. He writes the "Early Warning" column for washingtonpost.com (where he previously wrote the "DOT.MIL" column from 1998 to 2003) and is a longtime NBC News military analyst.(Originally published by Air University Press)
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This book is significant for its concept of "openness"--the artist's decision to leave arrangements of some constituents of a work to the public or to chance--and for its anticipation of two themes of literary theory: the element of multiplicity and plurality in art, and the insistence on literary response as an interaction between reader and text.
"From the internationally best-selling author--and revered moral voice--a remarkable novel of suffering, love, and healing, the story of three generations of women and a secret that needs to be told. The story was inspired by the life of a friend and confidante of David Grossman who, in the late 1940s, was imprisoned and tortured on the notorious Goli Otok, a barren island prison off the coast of Croatia. Grossman's telling focuses on three strong women--Vera, 90; her daughter, Nina; and her granddaughter, Gili, who at 39 years old is a filmmaker and a wary consumer of affection. A bitter secret divides each mother and daughter pair, though Gili--abandoned when she was just three by Nina--ha...
Digital practices in social and political landscapes: Why two researchers can look at the same feature and see different things. Maps are widely believed to be objective, and data-rich computer-made maps are iconic examples of digital knowledge. It is often claimed that digital maps, and rational boundaries, can solve political conflict. But in Mapping Israel, Mapping Palestine, Jess Bier challenges the view that digital maps are universal and value-free. She examines the ways that maps are made in Palestine and Israel to show how social and political landscapes shape the practice of science and technology. How can two scientific cartographers look at the same geographic feature and see fund...