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Gaza on Screen
Contributors to Gaza on Screen, including scholars and Gazan filmmakers, explore the practice, production, and impact of film and videos from and about the Gaza Strip.
Pens, Swords, And the Springs of Art
Offering an analysis of oral poetry dueling performed at traditional Palestinian weddings this book addresses poetry dueling as a performative and compositional device, and explores the complex linkages between this tradition and other genres of Arabic poetry.
Judges 1
This groundbreaking volume presents a new translation of the text and detailed interpretation of almost every word or phrase in the book of Judges, drawing from archaeology and iconography, textual versions, biblical parallels, and extrabiblical texts, many never noted before. Archaeology also serves to show how a story of the Iron II period employed visible ruins to narrate supposedly early events from the so-called "period of the Judges." The synchronic analysis for each unit sketches its characters and main themes, as well as other literary dynamics. The diachronic, redactional analysis shows the shifting settings of units as well as their development, commonly due to their inner-textual reception and reinterpretation. The result is a remarkably fresh historical-critical treatment of 1:1-10:5.
American Journal of Islamic Social Sciences 26:1
The American Journal of Islamic Social Sciences (AJISS) is a double blind peer-reviewed and interdisciplinary journal that publishes a wide variety of scholarly research on all facets of Islam and the Muslim world: anthropology, economics, history, philosophy and meta-physics, politics, psychology, religious law, and traditional Islam. Submissions are subject to a blind peer review process.
The Homeric Simile in Comparative Perspectives
Presenting a new take on what made the Homeric epics such successful examples of verbal artistry, this volume explores the construction of the Homeric simile and the performance of Homeric poetry from the neglected comparative perspectives offered by the study of modern-day oral traditions.
Palestinian Cinema in the Days of Revolution
Palestinian cinema arose during the political cinema movements of the late 1960s and early 1970s, yet it was unique as an institutionalized, though modest, film effort within the national liberation campaign of a stateless people. Filmmakers working within the Palestinian Liberation Organization (PLO) and through other channels filmed the revolution as it unfolded, including the Israeli bombings of Palestinian refugee camps, the Jordanian and Lebanese civil wars, and Palestinian life under Israeli occupation, attempting to create a cinematic language consonant with the revolution and its needs. They experimented with form both to make effective use of limited material and to process violent ...
Refugees of the Revolution
This “carefully crafted ethnography” of a Palestinian refugee camp in Beirut reframes the relationship between home and homeland (Journal of Palestinian Studies). More than half a century after 750,000 Palestinians fled or were expelled from their homeland, the popular conception of Palestinian refugees still emphasizes a way of life that ended abruptly with “the catastrophe” of 1948. And their camps—inhabited now for four generations—are seen as mere zones of waiting. But what would it mean for the generations born in exile to return to a place they never left? Diana Allan addresses this question in her provocative examination of everyday life in Shatila, a refugee camp in Beiru...
Words as Events
Words as Events introduces the tradition of short, communicative rhyming couplets, the mantinádes, as still sung and recited in a variety of performance situations on the island of Crete. Recently, these poems have also entered modern mass media and they are widely being exchanged as text messages by Cretans. Focusing on the multi-functionality of the short form, Sykäri demonstrates how the traditional register gives voice to individual experiences in spontaneous utterances. The local focus on communicative economy and artistry is further examined in a close analysis of the processes and ideals of composition. By analyzing how the “restrictions” of form and performative conventions in ...
