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Counterculture Kaleidoscope
A bold reconsideration of the meaning of 1960s San Francisco counterculture
Listening for the Secret
"Roth Family Foundation Music in America imprint"--First page.
American Poly
The first history of polyamory, this work examines the roots of sexual non-monogamy in political thought and countercultural spiritualism and traces its path to mainstream practice and cultural discussion today. Recent studies have found that as many as one in five Americans have experimented with some form of sexual non-monogamy, and approximately one in fifteen knows someone who was or is polyamorous. Although gathering statistics on polyamorous people is challenging, there has clearly been a growing interest in and normalization of relationship practices defined by emotional intimacy and romantic love among multiple people. Over the past decade, the mainstream media has increasingly cover...
Paganini
"Our inherited image of Nicolo Paganini as a 'demonic violinist' has never been analysed in depth. What really made him 'demonic'? In fact, the many perceptions of Paganini as demonic - Faust, magician, devil, rake/libertine, Napoleon - were inter-related but not equivalent. This book investigates the legend of Paganini: separating fact from fiction, it explains how the legendary violinist challenged the very notion of what it meant to be a musician. An understanding of his violin techniques and musical ethos goes some way towards meeting this aim, beyond which an exploration of the wider cultural context is also presented. This book considers Paganini's performance innovations in the light ...
The Republic of Rock
In his 1967 megahit "San Francisco," Scott McKenzie sang of "people in motion" coming from all across the country to San Francisco, the white-hot center of rock music and anti-war protests. At the same time, another large group of young Americans was also in motion, less eagerly, heading for the jungles of Vietnam. Now, in The Republic of Rock, Michael Kramer draws on new archival sources and interviews to explore sixties music and politics through the lens of these two generation-changing places--San Francisco and Vietnam. From the Acid Tests of Ken Kesey and the Merry Pranksters to hippie disc jockeys on strike, the military's use of rock music to "boost morale" in Vietnam, and the forgott...
The Bastard Instrument
The Bastard Instrument chronicles the history of the electric bass and the musicians who played it, from the instrument’s invention through its widespread acceptance at the end of the 1960s. Although their contributions have often gone unsung, electric bassists helped shape the sound of a wide range of genres, including jazz, rhythm & blues, rock, country, soul, funk, and more. Their innovations are preserved in performances from artists as diverse as Lionel Hampton, Liberace, Elvis Presley, Patsy Cline, the Supremes, the Beatles, James Brown, Bob Dylan, Aretha Franklin, Jefferson Airplane, and Sly and the Family Stone, all of whom are discussed in this volume. At long last, The Bastard Instrument gives these early electric bassists credit for the significance of their accomplishments and demonstrates how they fundamentally altered the trajectory of popular music.
Popular Music Theory and Analysis
Popular Music Theory and Analysis: A Research and Information Guide uncovers the wealth of scholarly works dealing with the theory and analysis of popular music. This annotated bibliography is an exhaustive catalog of music-theoretical and musicological works that is searchable by subject, genre, and song title. It will support emerging scholarship and inquiry for future research on popular music.
American Hippies
This short overview of the United States hippie social movement examines hippie beliefs and practices.
Struggling to Define a Nation
Identifying music as a vital site of cultural debate, this book captures the dynamic, contested nature of musical life in the United States. It examines an array of genres - including art music, jazz, popular song, ragtime, and Hawaiian music - and well-known musicians, such as Charles Ives, Jelly Roll Morton, Louis Armstrong, and Irving Berlin.
Traditional Music and Irish Society: Historical Perspectives
These essays investigate the relation of traditional music to Irish modernity. The author integrates a survey of the early sources of Irish music with recent work on Irish social history in the eighteenth century to explore the question of the antiquity of the tradition and the class locations of its origins and he argues that the formation of Irish traditional music occurred alongside the economic and political modernization of European society in the late eighteenth and early nineteenth centuries. Dowling goes on to illustrate the public discourse on music during the Irish revival in newspapers and journals from the 1880s to the First World War, also drawing on the works of Pierre Bourdieu and Jacques Lacan. The situation of music and song in the Irish literary revival is then reflected and interpreted in the life and work of James Joyce. Dowling concludes with an assessment of the current state of traditional music and cultural negotiation in Northern Ireland.
