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Performing Female Blackness
Performing Female Blackness examines race, gender, and nation in Black life using critical race, feminist and performance studies methodologies. This book examines what private and public performances of female blackness reveal about race, gender, and nation and considers how the land widely known as Canada shapes these performances. By exploring Black expressive culture in familial, literary, and performance settings, Naila Keleta-Mae theorizes that “perpetual performance” forces people who are read as female and Black to always be figuratively on stage regardless of cultural, political, or historical contexts. Written in poetry, prose, and journal form and drawing from the author’s own life and artistic works, Performing Female Blackness is ideal not only for scholars, educators, and students of the humanities, social sciences, and fine arts but also for artists and the general public too.
Beyoncé and Beyond
This book examines three years of Beyoncé’s career as a pop mega star using critical race, feminist and performance studies methodologies. The book explores how the careful choreography of Beyoncé’s image, voice and public persona, coupled with her intelligent use of audio and visual mediums, makes her one of the most influential entertainers of the 21st century. Keleta-Mae proposes that 2013 to 2016 was a pivotal period in Beyoncé’s career and looks at three artistic projects that she created during that time: her self-titled debut visual album Beyoncé, her video and live performance of "Formation," and her second visual album Lemonade. By examining the progression of Beyoncé’s career during this period, and the impact it had culturally and socially, the author demonstrates how Beyoncé brought 21st century feminism into the mainstream through layered explorations of female blackness. Ideal for scholars and students of performance in the social and political spheres, and of course fans of Beyoncé herself, this book examines the mega superstar’s transition into a creator of art that engages with Black culture and Black life with increased thoughtfulness.
Beyonce and Beyond
This book examines three years of Beyonc's career as a pop mega star using critical race, feminist and performance studies methodologies. The book explores how the careful choreography of Beyonc's image, voice and public persona, coupled with her intelligent use of audio and visual mediums, makes her one of the most influential entertainers of the 21st century. Keleta-Mae proposes that 2013 to 2016 was a pivotal period in Beyonc's career and looks at three artistic projects that she created during that time: her self-titled debut visual album Beyonc, her video and live performance of "Formation," and her second visual album Lemonade. By examining the progression of Beyonc's career during this period, and the impact it had culturally and socially, the author demonstrates how Beyonc brought 21st century feminism into the mainstream through layered explorations of female blackness. Ideal for scholars and students of performance in the social and political spheres, and of course fans of Beyonc herself, this book examines the mega superstar's transition into a creator of art that engages with Black culture and Black life with increased thoughtfulness.
Analysing Gender in Performance
Analysing Gender in Performance brings together the fields of Gender Studies and Performance Analysis to explore how contemporary performance represents and interrogates gender. This edited collection includes a wide range of scholarly essays, as well as artists’ voices and their accounts of their works and practices. The Introduction outlines the book’s key approaches to concepts in English language gender discourses and gender’s intersectionalities, and sets out the approaches to performance analysis and methods of research employed by the various contributors. The book focuses on performances from the Global North, staged over the past fifty years. Case studies are diverse, ranging from site-specific, dance theatre, speculative drag, installation, and music video performances to Mabou Mines, Churchill, Shakespeare and Ibsen. Contributors explore how gender intersects with sexuality, social class, race, ethnicity, indigeneity, culture and history. Read individually or in tension with one another, the essays confront the contemporary complexities of analysing gender in performance.
Metamorphosis
Post-Christendom, Christian leaders and preachers in North America struggle to respond to anxiety and despair about the future of the church. Declining participation, fewer resources, decreased influence, and confusion about pastoral and ecclesial identity lead to fear for the survival of the institutional church. Preaching must speak to the despair and confusion faced by congregations today, as well as cast a hopeful vision for an uncertain future. This book argues that preachers can change the narrative of the church post-Christendom, by urging an exit from Christendom ecclesiology and promoting the construction of an identity that embraces vulnerability and incarnation instead of power an...
Poetics and Justice in America, Japan, and Taiwan
Poetics and Justice in America, Japan, and Taiwan shows how entitlements are implicated in all areas of life—human and nonhuman—that poetry reaches. Through a creative adaptation of Badiou’s philosophical framing, this book argues that poetry matters as a form of media particularly suited to integrating diverse fields of knowledge and attention in newspapers, Tweets, and performance as well as volumes of poetry. Recasting intertextuality as more relational than referential, the author argues for the importance of poetry in realizing how social change and ecological justice are bound up in our orientations of affiliation. Each chapter focuses on particular sets of problems engaged by po...
In Defence of Theatre
Why theatre now? Reflecting on the mix of challenges and opportunities that face theatre in communities that are necessarily becoming global in scope and technologically driven, In Defence of Theatre offers a range of passionate reflections on this important question. Kathleen Gallagher and Barry Freeman bring together nineteen playwrights, actors, directors, scholars, and educators who discuss the role that theatre can – and must – play in professional, community, and educational venues. Stepping back from their daily work, they offer scholarly research, artists’ reflections, interviews, and creative texts that argue for theatre as a response to the political and cultural challenges emerging in the twenty-first century. Contributors address theatre’s contribution to local and global politics of place, its power as an antidote to various modern social ailments, and its pursuit of equality. Of equal concern are the systematic and practical challenges that confront those involved in realizing theatre’s full potential.
Performing the Intercultural City
"Performing the Intercultural City explores how Toronto--a representative global city in the first country in the world to adopt a policy of official multiculturalism--stages its diversity through its many intercultural theater companies and troupes. By examining the ways in which Indigenous, Filipino, Latino/a and Afro-Caribbean Canadian theater in Toronto has developed play structures based on culturally specific forms of expression, Performing the Intercultural City analyzes the ways in which theater companies from a variety of marginalized communities of color in Toronto have worked across cultural difference to produce a new kind of intercultural performance"--
The Cambridge Companion to Postcolonial Poetry
This Companion is the first to explore postcolonial poetry through regional, historical, political, formal, textual and gender approaches.
Live Poetry
Preliminary Material -- Introduction -- Key Challenges for the Scholar of Live Poetry -- Towards a Definition of Live Poetry -- Analysing Live Poetry -- Audiotext -- Body Communication -- Contextualising the Performance -- Jackie Hagan's “Coffee or Tea?”: A Sample Analysis -- Checklist for the Analysis of Live Poetry Performances -- Conclusion -- Bibliography -- Table of Figures -- Index.
