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In this masterpiece of nature writing, Nan Shepherd describes her journeys into the Cairngorm mountains of Scotland. There she encounters a world that can be breathtakingly beautiful at times and shockingly harsh at others. Her intense, poetic prose explores and records the rocks, rivers, creatures and hidden aspects of this remarkable landscape. Shepherd spent a lifetime in search of the 'essential nature' of the Cairngorms; her quest led her to write this classic meditation on the magnificence of mountains, and on our imaginative relationship with the wild world around us. Composed during the Second World War, the manuscript of The Living Mountain lay untouched for more than thirty years before it was finally published.
Hill-walking was Shepherd's great love; her single collection of poetry, 'In the Cairngorms', expresses an intensity of deep kinship with nature. They are poems written with the perception of one who has climbed the mountains and truly knows them.
The women of the tiny town of Fetter-Rothnie have grown used to a life without men, and none more so than the tangle of mothers and daughters, spinsters and widows living at the Weatherhouse. Returned from war with shellshock, Garry Forbes is drawn into their circle as he struggles to build a new understanding of the world from the ruins of his grief. In The Weatherhouse Nan Shepherd paints an exquisite portrait of a community coming to terms with the brutal losses of war, and the small tragedies, yearnings and delusions that make up a life.
When Martha gains a place at the university, her achievement is met with a mixture of hostility and pride by her uncomprehending family. It is there that she meets Luke (married to her friend Dussie) who is to haunt the years that lie ahead as she struggles to cope with the intellectual and emotional challenges that surround her at work and at home. This is essentially the story of a young woman's journey to maturity and independence, her high ideals, and a slowly-growing awareness of her passionate nature. Nan Shepherd's subtle prose and her understanding of the hidden currents which move people are matched by her intense and memorable descriptions of the natural world, and a dry sense of humour. The book has lost none of its freshness and originality since it met with high praise on publication over seventy years ago - four years before Grassic Gibbon's Sunset Song.
Edited and introductions by Roderick Watson. The Quarry Wood, although published well before Sunset Song, inhabits a similar world; the progress of its heroine could almost be the alternative story of a Chris Guthrie who did go to university. Compassionate and humorous, the grace and style of Shepherd’s prose is heightened by a superb ear for the vigorous language of the north-east. The Weatherhouse, Shepherd’s masterpiece, is an even more substantial achievement which belongs to the great line of Scottish fiction dealing with the complex interactions of small communities, and especially the community of women – a touching and hilarious network of mothers, daughters, spinsters and wido...
It will come as a very pleasant surprise to Nan Shepherd's growing following that there is a body of her work which has never been published in book form, and indeed will be entirely unknown outside a very small circle. The editor of this volume, Charlotte Peacock, found many of these gems when researching for the Nan Shepherd biography Into the Mountain, published by Galileo in 2017. The pieces that Peacock found include a brilliant and moving 10,000 word short story, "Descent from the Cross"; a series of 'field writings' which were written at the same time, and in the same style as, The Living Mountain; 15 poems, never seen before; a highly entertaining piece on the poetry of Hugh MacDiarmid and, from where the title of this collection arises, a haunting description of "Wild Geese in Glen Callater" a version of which also went into The Living Mountain.
In the 1930s, the writer and poet, Nan Shepherd was one of North-East Scotland's best known literati. Her image now graces the new Scottish £5 note; The Living Mountain has become a classic and sells in its thousands. Nan Shepherd lived all her life in Deeside, yet few people, even in Scotland, seem to have heard of her. But then, indifferent to celebrity, Nan Shepherd had a talent for silence. Long overdue, this first biography, unravels some of the mysteries, dispels some of the rumours and gives insight into the life and work of this perceptive and intensely private woman.
'Remarkable' Robert Macfarlane 'Gorgeous' Amy Liptrot 'Urgent and nourishing' Jessica J. Lee Nina Mingya Powles first learned to swim in Borneo – where her mother was born and her grandfather studied freshwater fish. There, the local swimming pool became her first body of water. Through her life there have been others that have meant different things, but have still been, in their own way, home: from the wild coastline of New Zealand to a pond in northwest London. In lyrical, powerful prose, Small Bodies of Water weaves together memories, dreams and nature writing. Exploring everything from migration, food, family, earthquakes and the ancient lunisolar calendar, Nina reflects on a girlhood spent growing up between two cultures, and what it means to belong.
Offering a beguiling view of the history of walking, Wanderers guides us through the different ways of seeing—of being—articulated by ten pathfinding women writers. “A wild portrayal of the passion and spirit of female walkers and the deep sense of ‘knowing’ that they found along the path.”—Raynor Winn, author of The Salt Path “I opened this book and instantly found that I was part of a conversation I didn't want to leave. A dazzling, inspirational history.”—Helen Mort, author of No Map Could Show Them This is a book about ten women over the past three hundred years who have found walking essential to their sense of themselves, as people and as writers. Wanderers traces t...
Set in the backstreets of a Scottish city in the 1920s, The White Bird Passes is the unforgettable story of a young girl growing up in ‘the Lane’. Poor, crowded and dirty – but full of life and excitement – the Lane is the only home Janie MacVean has ever known. It is a place where, despite everything, Janie is happy. But when the Cruelty Man arrives, bringing with him the threat of the dreaded ‘home’ – the orphanage that is every child’s nightmare – Janie’s contented childhood seems to be at an end. A gritty and moving portrayal of a young girl facing up to hardship and deprivation, written with warmth, humour and insight, Jessie Kesson’s classic autobiographical novel is widely regarded as her finest work. LONGLISTED FOR BBC ONE’S ‘SCOTLAND’S FAVOURITE BOOK’ (2016) 'Beg, borrow or steal this book.' – NORMAN MacCAIG 'Memorable and beguiling.' – THE HERALD 'Miss Kesson writes beautifully, her strong, delicate prose full of poetry and humour.' – DAILY TELEGRAPH 'Completely frank, transparently honest and deeply moving.' – COMPTON MacKENZIE