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Windsor-chair Making in America
The definitive work on the production of Windsor furniture, from one of America's premier authorities.
American Windsor Furniture
The indispensable companion volume to Hudson Hills Press' phenomenal American Windsor Chairs.
American Windsor Chairs
Definitive reference on classic American collectible. 744 pages, 1,000 illustrations, checklist of 2,400 chairmakers, more.
Art & Industry in Early America
This book presents new information on the export trade, patronage, artistic collaboration, and the small-scale shop traditions that defined early Rhode Island craftsmanship. This stunning volume features more than 200 illustrations of beautifully constructed and carved objects—including chairs, high chests, bureau tables, and clocks—that demonstrate the superb workmanship and artistic skill of the state’s furniture makers.
New England Furniture at Winterthur
This volume comprehensively explores the furniture industry of New England, detailing the impact of urban communities, especially Boston, as well as the pervasiveness of regionalism, which has attracted fresh attention from scholars. The importance of the export trade and the roles of specialists, particularly the upholsterer, also receive consideration. The variety of New England furniture - in form, in origin, and in ornament - is beautifully demonstrated. By articulating the technical aspects of the style, the book lays a groundwork for future scholars and provides a springboard for cultural studies using the Winterthur furniture collection. An intriguing narrative tale as well as an esse...
Early American Decorative Arts, 1620-1860
Winterthur Museum is world renowned for its decorative arts collections and its exceptional educational programs. Adapted from the training materials developed at the museum, the revised and enhanced Early American Decorative Arts, 1620-1860: A Handbook for Interpreters is an indispensable guide for anyone involved with interpretation of decorative arts collections. Early American Decorative Arts, 1620-1860 elucidates the principles of public interpretation, explains how to analyze objects, and defines the concept of style. Eighteen chapters provide comprehensive descriptions of decorative arts including furniture, ceramics, textiles, paintings and prints, metalwork, glass, and other objects...
A Storied Past: Collections of the Historic Odessa
A Storied Past: Collections of the Historic Odessa captures the historical character and significance of two important late-18th-century houses, each of which retains a high percentage of original furnishings and locally made objects. Over the past several years, the collections have undergone careful examination and interpretation. One hundred are published along with four interpretive chapters. Relatively few historic sites have received this level of investigative treatment. Additionally, several of the hitherto-unpublished objects relate to others already in the decorative and fine arts lexicon. Using rich archival and genealogical sources, Philip D. Zimmerman brings to light here for th...
The Book of American Windsor Furniture
Combining comfort, simplicity and craftsmanship, Windsor chairs have long been prized by collectors. Introduced from England in the early 1700s, the Windsor style took hold in America first as seating for the well-to-do and later as the favourite chair of the general population. Included in the Windsor family are stools, tables, settees, high chairs, cradles and candle stands, but the greatest variety is found in the chairs, which range from comb-back to bow-back to step-down versions. Their makers took advantage of the natural properties of different woods for particular components of the chairs, employing hickory, red oak, or ash for bent parts, maple for turnings and pine for seats.
George Washington
It is also an image that has resisted fundamental revision over the course of two centuries because of the force of Washington's character, the clarity of his political purposes, and the intensity of his charisma.
Drawing on America's Past
This book presents watercolor renderings along with a selection of the artifacts in the Index of American Design, a visual archive of decorative, folk, and popular arts made in America from the colonial period to about 1900. Three essays explore the history, operation, and ambitions of the Index of American Design, examine folk art collecting in America during the early decades of the twentieth century, and consider the Index's role in the search for a national cultural identity in the early twentieth-century United States.
