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Focusing on the directions taken by tragicomedy and the court masque, this book accounts for the shift in genre during the decade following the return of Charles II.
In 1960, five young men arrived at the imposing gates of Parkminster, the largest center of the most rigorous and ascetic monastic order in the Western world: the Carthusians. This is the story of their five-year journey into a society virtually unchanged in its behavior and lifestyle since its foundation in 1084. An Infinity of Little Hours is a uniquely intimate portrait of the customs and practices of a monastic order almost entirely unknown until now. It is also a drama of the men's struggle as they avoid the 1960s--the decade of hedonism, music, fashion, and amorality--and enter an entirely different era and a spiritual world of their own making. After five years each must face a choice: to make "solemn profession" and never leave Parkminster; or to turn his back on his life's ambition to find God in solitude. A remarkable investigative work, the book combines first-hand testimony with unique source material to describe the Carthusian life. And in the final chapter, which recounts a reunion forty years after the events described elsewhere in the book, Nancy Klein Maguire reveals which of the five succeeded in their quest, and which did not.
Fourteen specially commissioned essays provide essential information about staging, playwrights, themes and genres in the drama of the Restoration.
English drama at the beginning of the sixteenth century was allegorical, didactic and moralistic; but by the end of the century theatre was censured as emotional and even immoral. How could such a change occur? Kent Cartwright suggests that some theories of early Renaissance theatre - particularly the theory that Elizabethan plays are best seen in the tradition of morality drama - need to be reconsidered. He proposes instead that humanist drama of the sixteenth century is theatrically exciting - rather than literary, elitist and dull as it has often been seen - and socially significant, and he attempts to integrate popular and humanist values rather than setting them against each other. Taking as examples the plays of Marlowe, Heywood, Lyly and Greene, as well as many by lesser-known dramatists, the book demonstrates the contribution of humanist drama to the theatrical vitality of the sixteenth century.
Limon presents an unconventional approach to the Stuart masque, discussing the masque as a form of courtly ritual rather than a truly theatrical performance. As seen from this perspective, the masque is the deepest, most complex, and many-faceted reflection of early Stuart culture.
Literary and cultural changes reflecting new commercial and imperial interests of Restoration Britain.
The Carthusian monks perceive silence and solitude as ideals, the source of their happiness and their way towards God. When Silence Speaks is an accessible and remarkable history of the Carthusian Order that traces the inception of the movement from the letters of its founder, Saint Bruno, the writings of Denis the Carthusian, through to the present day. It has been written for all readers who are fascinated with the Carthusian way of life.
Focusing on the term empowerment this book examines the various meanings given to the concept of empowerment and the many ways power can be expressed - in personal relationships and in wider social interactions.
"What corporations fear most are consumers who ask questions. Naomi Klein offers us the arguments with which to take on the superbrands." Billy Bragg from the bookjacket.