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Alberta Elders' Cree Dictionary/alperta Ohci Kehtehayak Nehiyaw Otwestamâkewasinahikan
Cree is the most widespread native language in Canada. The Alberta Elders' Cree Dictionary is a highly usable and effective dictionary that serves students, business, governments, and media. Designed for speakers, students, and teachers of Cree; includes Cree-English and English-Cree sections.
Is Art History Global?
This is the third volume in The Art Seminar, James Elkin's series of conversations on art and visual studies. Is Art History Global? stages an international conversation among art historians and critics on the subject of the practice and responsibility of global thinking within the discipline. Participants range from Keith Moxey of Columbia University to Cao Yiqiang, Ding Ning, Cuautemoc Medina, Oliver Debroise, Renato Gonzalez Mello, and other scholars.
Photography Theory
Photography Theory presents forty of the world's most active art historians and theorists, including Victor Burgin, Joel Snyder, Rosalind Krauss, Alan Trachtenberg, Geoffrey Batchen, Carol Squiers, Margaret Iversen and Abigail Solomon-Godeau in animated debate on the nature of photography. Photography has been around for nearly two centuries, but we are no closer to understanding what it is. For some people, a photograph is an optically accurate impression of the world, for others, it is mainly a way of remembering people and places. Some view it as a sign of bourgeois life, a kind of addiction of the middle class, whilst others see it as a troublesome interloper that has confused people's ideas of reality and fine art to the point that they have difficulty even defining what a photograph is. For some, the whole question of finding photography's nature is itself misguided from the beginning. This provocative second volume in the Routledge The Art Seminar series presents not one but many answers to the question what makes a photograph a photograph?
Re-Enchantment
The near-absence of religion from contemporary discourse on art is one of the most fundamental issues in postmodernism. Artists critical of religion can find voices in the art world, but religion itself, including spirituality, is taken to be excluded by the very project of modernism. The sublime, "re-enchantment" (as in Weber), and the aura (as in Benjamin) have been used to smuggle religious concepts back into academic writing, but there is still no direct communication between "religionists" and scholars. Re-Enchantment, volume 7 in The Art Seminar Series, will be the first book to bridge that gap. The volume will include an introduction and two final, synoptic essays, as well as contributions from some of the most prominent thinkers on religion and art including Boris Groys, James Elkins, Thierry de Duve, David Morgan, Norman Girardot, Sally Promey, Brent Plate, and Christopher Pinney.
The State of Art Criticism
Art criticism is spurned by universities, but widely produced and read. It is seldom theorized and its history has hardly been investigated. The State of Art Criticism presents an international conversation among art historians and critics that considers the relation between criticism and art history and poses the question of whether criticism may become a university subject. Contributors include Dave Hickey, James Panero, Stephen Melville, Lynne Cook, Michael Newman, Whitney Davis, Irit Rogoff, Guy Brett and Boris Groys.
Islandology
Islandology is a fast-paced, fact-filled comparative essay in critical topography and cultural geography that cuts across different cultures and argues for a world of islands. The book explores the logical consequences of geographic place for the development of philosophy and the study of limits (Greece) and for the establishment of North Sea democracy (England and Iceland), explains the location of military hot-spots and great cities (Hormuz and Manhattan), and sheds new light on dozens of world-historical productions whose motivating islandic aspect has not heretofore been recognized (Shakespeare's Hamlet and Wagner's Ring of the Nibelung). Written by Shell in view of the melting of the world's great ice islands, Islandology shows not only new ways that we think about islands but also why and how we think by means of them.
Dissonant Worlds
How did a Belgian Oblate missionary who came to Canada to convert the aboriginals come to be buried as a Cree chief? In Dissonant Worlds Earle Waugh traces the remarkable career of Roger Vandersteene: his life as an Oblate missionary among the Cree, his intensive study of the Cree language and folkways, his status as a Cree medicine man, and the evolution of his views on the relationship between aboriginal traditions and the Roman Catholicism of the missionaries who worked among them. Above all, Dissonant Worlds traces Vandersteene’s quest to build a new religious reality: a strong, spiritually powerful Cree church, a magnificent Cree formulation of Christian life. In the wilderness of nor...
Pilgrimage
Pilgrimage opens in the deep winter of 1891 on the Métis settlement of Lac St. Anne. Known as Manito Sakahigan in Cree, "Spirit Lake" has been renamed for the patron saint of childbirth. It is here that people journey in search of tradition, redemption, and miracles. On this harsh and beautiful land, four interconnected people try to make a life in the colonial Northwest: Mahkesîs Cardinal, a young Métis girl pregnant by the Hudson Bay Company manager; Moira Murphy, an Irish Catholic house girl working for the Barretts; Georgina Barrett, the Anglo-Irish wife of the hbc manager who wishes for a child; and Gabriel Cardinal, Mahkesîs' brother, who works on the Athabasca river and falls in love with Moira. Intertwined by family, desire, secrets, and violence, the characters live one tumultuous year on the Lac St. Anne settlement--a year that ends with a woman's body abandoned in a well. Set in a brilliant northern landscape, Pilgrimage is a moving debut novel about journeys, and women and men trying to survive the violent intimacy of a small place where two cultures intersect.
Missionaries, Indigenous Peoples and Cultural Exchange
Presents fresh insights into the relationships between missions and indigenous peoples, and the outcomes of mission activities in the processes of imperial conquest and colonisation. This book focuses on missions across the British Empire (including India, Africa, Asia, the Pacific), within transnational and comparative perspectives.
Hunger, Horses, and Government Men
Scholars often accept without question that the Indian Act (1876) criminalized First Nations. In this illuminating book, Shelley Gavigan argues that the notion of criminalization captures neither the complexities of Aboriginal participation in the criminal courts nor the significance of the Indian Act as a form of law. Gavigan draws on court files, police and penitentiary records, and newspaper accounts and insights from critical criminology to interrogate state formation and criminal law in the Saskatchewan region of the North-West Territories between 1870 and 1905. By focusing on Aboriginal people’s participation in the courts rather than on narrow categories such as “the state” and “the accused,” Gavigan allows Aboriginal defendants, witnesses, and informants to emerge in vivid detail and tell the story in their own terms. Their experiences stand as evidence that the criminal law and the Indian Act operated in complex and contradictory ways that included both the mediation and the enforcement of relations of inequality.
