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Margaret Mead
Using photographs, films, television appearances, and materials from newspapers, magazines, and scholarly journals, this text explores the ways in which Margaret Mead became an American cultural heroine.
Gender Rituals
This volume draws together ethnographies of female initiation rites in Melanesia which require anthropologists to rethink their analysis of initiations and their perceptions of gender. The contributors argue that female initiation rites express more than cultural notions of femininity, narrow definitions of reproduction, or coming of age rituals - instead they play an important role in other life cycle rituals and in the political and economic organization of society.
Venus on Wheels
In 1976 Gelya Frank began writing about the life of Diane DeVries, a woman born with all the physical and mental equipment she would need to live in our society--except arms and legs. Frank was 28 years old, DeVries 26. This remarkable book--by turns moving, funny, and revelatory--records the relationship that developed between the women over the next twenty years. An empathic listener and participant in DeVries's life, and a scholar of the feminist and disability rights movements, Frank argues that Diane DeVries is a perfect example of an American woman coming of age in the second half of the twentieth century. By addressing the dynamics of power in ethnographic representation, Frank--anthr...
Collecting Visible Evidence
In documentary studies, the old distinctions between fiction and nonfiction no longer apply, as contemporary film and video artists produce works that defy classification. Coming together to make sense of these developments, the contributors to this book effectively redefine documentary studies. They trace the documentary impulse in the early detective camera, in the reenactment of battle scenes from World War I, and in the telecast of the Nevada A-bomb test in 1952. Other topics include experiments in virtual reality; the crisis of representation in anthropology; and video art and documentary work that challenge the asymmetry of the postcolonial us/them divide. Book jacket.
Restoring the Balance
Who made Mama Raja ill? This question, buzzing around the village, starts off this anthropological study on healing performances in the context of religious change. The fascinating case is presented of a seriously ill woman of high standing in northwest Ayfat, located in the interior of the Bird’s Head in West Papua. By unravelling the various explanations of the cause of the illness, and the path Mama Raja followed in search of healing, the author documents how, why, and when Papuan people make their choices in their search for healing. The study offers an ethnographically rich journey through the variety of healing methods in current Ayfat society: indigenous (obtained during female and ...
Zaria's Fire
In an outstanding example of the new dialogical anthropology, Nancy Lutkehaus skillfully interweaves the voices of three generations of Manam Islanders with those of two women anthropologists who lived and worked among them--one British, a member of England's intellectual aristocracy, the other, a middle-class American--to create a multivocal, cross-cultural conversation about men and women, power and authority, and colonialism and post-colonialism in Papua New Guinea. Using unpublished diaries, notebooks, and photographs from 1930s anthropologist Camilla Wedgwood, juxtaposed with her own contemporary field material and that of government officials, Catholic missionaries, and local scholars,...
Fieldnotes
Thirteen distinguished anthropologists describe how they create and use the unique forms of writing they produce in the field. They also discuss the fieldnotes of seminal figures—Frank Cushing, Franz Boas, W. H. R. Rivers, Bronislaw Malinowski, and Margaret Mead—and analyze field writings in relation to other types of texts, especially ethnographies. Unique in conception, this volume contributes importantly to current debates on writing, texts, and reflexivity in anthropology.
Timothy Asch and Ethnographic Film
Timothy Asch (1932-1994) was probably the greatest ethnographic filmmaker of the latter twentieth century, and one of the best-known anthropologists of his generation. He worked with Margaret Mead, John Marshall and Napoleon Chagnon, lived and filmed on every continent except Antarctica, and won numerous international prizes. His work, which includes 'The Ax Fight' and more than 50 other films of the Yanomamö Indians of Venezuela, comprises the most widely used resource in the teaching of anthropology today. Timothy Asch and Ethnographic Film combines a biographical overview of Asch's life with theoretical and critical perspectives, giving a definitive guide to his background, aims and ideas, methodology and major projects. Beautifully illustrated with 60 photos, and featuring articles from many of Asch's friends, colleagues and collaborators as well as an important interview with Asch himself, it is an ideal introduction to his work and to a range of key issues in ethnographic film.
Museum Matters
Museum Matters tells the story of Mexico's national collections through the trajectories of its objects. The essays in this book show the many ways in which things matter and affect how Mexico imagines its past, present, and future.
Gender and Mission Encounters in Korea
This book vividly traces the genealogy of modern womanhood in the encounters between Koreans and American Protestant missionaries in the early twentieth century, during Korea's colonization by Japan. Hyaeweol Choi shows that what it meant to be a "modern" Korean woman was deeply bound up in such diverse themes as Korean nationalism, Confucian gender practices, images of the West and Christianity, and growing desires for selfhood. Her historically specific, textured analysis sheds new light on the interplay between local and global politics of gender and modernity.
