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"[The author] tells the stories of twelve mixed-blood women who, steeped in the tradition of their Indian mothers but forced into the world of their white fathers, fought to find their identities in a rapidly changing world. In an era when most white women had limited opportunities outside the home, these mix-blood women often became nationally recognized leaders in the fight for Native American rights. They took the tools and training the whites provided and used them to help their people. They found differing paths--medicine, music, crafts, the classroom, the lecture hall, the stage, the written word--and walked strong and tall. These women did far more than survive; they extended a hand to help their people find a place in a hard new future."--Back cover.
It's 1942. The world's at war, and even small-town America is awash in fear. . .and hatred. Sis Greggory's beloved brother, Danny, is serving in North Africa. The war news is bad; the Axis powers seem invincible. Where is Danny? They can only wonder. Sis lives and breathes civilian war drives, trying to keep him safe. Before it is over, the lives of Sis, Danny, and Horst, a German prisoner of war, are forever changed. Not to be Forgiven is a fictive rendering of what happens to one family in a small town in Nebraska when German POWs are shipped in to help with the harvest. It’s the story of how one little girl deals with WWII, how she befriends a POW, and what happens to that friendship wh...
River-cane baskets woven by the Chitimachas of south Louisiana are universally admired for their beauty and workmanship. Recounting friendships that Chitimacha weaver Christine Paul (1874–1946) sustained with two non-Native women at different parts of her life, this book offers a rare vantage point into the lives of American Indians in the segregated South. Mary Bradford (1869–1954) and Caroline Dormon (1888–1971) were not only friends of Christine Paul; they were also patrons who helped connect Paul and other Chitimacha weavers with buyers for their work. Daniel H. Usner uses Paul’s letters to Bradford and Dormon to reveal how Indian women, as mediators between their own communities...
This book highlights the multiplicity of American women’s writing related to liminality and hybridity from its beginnings to the contemporary moment. Often informed by notions of crossing, intersectionality, transition, and transformation, these concepts as they appear in American women’s writing contest as well as perpetuate exclusionary practices involving class, ethnicity, gender, race, religion, and sex, among other variables. The collection’s introduction, three unit introductions, fourteen individual essays, and afterward facilitate a process of encounters, engagements, and conversations within, between, among, and across the rich polyphony that constitutes the creative acts of American women writers. The contributors offer fresh perspectives on canonical writers as well as introduce readers to new authors. As a whole, the collection demonstrates American women’s writing is “threshold writing,” or writing that occupies a liminal, hybrid space that both delimits borders and offers enticing openings.
Provides historical coverage of the United States and Canada from prehistory to the present. Includes information abstracted from over 2,000 journals published worldwide.
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