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Stolen, Smuggled, Sold
“A riveting look at the backstory of what’s in the display cases at your local museum. The author profiles seven historic objects with checkered pasts.” —Library Journal There are many books about museum heists, Holocaust artwork, insider theft, trafficking in antiquities, and stolen Native American objects. Now, there’s finally a book for the general public that covers the entire terrain. Stolen, Smuggled, Sold features seven vivid and true stories in which the reader joins the author as she uncovers a cultural treasure and follows its often-convoluted trail. Along the way author and reader encounter a cast of fascinating characters from the underbelly of the cultural world: unscr...
Lost in the Museum
Few beyond the insider realize that museums own millions of objects the public never sees. In Lost in the Museum, Nancy Moses takes the reader behind the Oemployees onlyO doors to uncover the stories buried—along with the objects—in the crypts of museums, historical societies, and archives. Moses discovers the actual birds shot, stuffed, and painted by John James Audubon, AmericaOs most beloved bird artist; a spear that abolitionist John Brown carried in his quixotic quest to free the slaves; and the skull of a prehistoric Peruvian child who died with scurvy. She takes the reader to Ker-Feal, the secret farmhouse that Albert Barnes of the Barnes Foundation filled with fabulous American antiques and that was then left untouched for more than fifty years. Weaving the stories of the object, its original owner, and the often idiosyncratic institution where the object resides, the book reveals the darkest secret of the cultural world: the precarious balance of art, culture, and politics that keep items, for decades, lost in the museum.
Fakes, Forgeries, and Frauds
A fascinating read about fakes, forgeries, and frauds. What’s real? What’s fake? Why do we care? In this time of false news and fake science, these questions are more important than ever. Fakes, Forgeries, and Frauds goes beyond the headlines, tweets, and blogs to explore the true nature of authenticity and why it means so much today. This book delivers nine fascinating true stories that introduce the fakers, forgers, art authenticators, and others that populate this dark world. Examples include: Shakespeare—How an enterprising teenager in the 1790s faked Shakespeare and duped Literary London. Rembrandt—How art history, connoisseurship, and science are re-shaping our view of what Rem...
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Boy He Cry
Two young Australians arrive unannounced on a remote Melanesian island and ask its residents if they can live with them for a year. Granted this request, cut off from the outside world, living without electricity, telephones, running water, two-way radios or even access to an ocean-going boat, Roger Averill and his anthropologist partner adapt to life in a subsistence culture and find themselves overwhelmed by the generosity of their hosts. Treacherous sea voyages, cyclones, a drug-induced psychotic episode and encounters with maverick American missionaries all add to the adventure. As the health of the couple steadily deteriorates from repeated bouts of malaria, their relationships with the islanders intensify to form deep and lasting bonds. In this way, amidst stories of love and detective magic, shape-changing witches, playful tree sprites, dwarf's hair and a dead merman, the most amazing transformation in Boy He Cry remains the way these people from vastly different cultures start out as total strangers but quickly become friends, even family.Rare, precious and beautiful, Boy He Cry is a spiritual odyssey into the heart of a remote culture
Lost in the Museum
Few beyond the insider realize that museums own millions of objects the public never sees. In Lost in the Museum, Nancy Moses takes the reader behind the Oemployees onlyO doors to uncover the stories buried--along with the objects--in the crypts of museums, historical societies, and archives. Moses discovers the actual birds shot, stuffed, and painted by John James Audubon, AmericaOs most beloved bird artist; a spear that abolitionist John Brown carried in his quixotic quest to free the slaves; and the skull of a prehistoric Peruvian child who died with scurvy. She takes the reader to Ker-Feal, the secret farmhouse that Albert Barnes of the Barnes Foundation filled with fabulous American antiques and that was then left untouched for more than fifty years. Weaving the stories of the object, its original owner, and the often idiosyncratic institution where the object resides, the book reveals the darkest secret of the cultural world: the precarious balance of art, culture, and politics that keep items, for decades, lost in the museum.
