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Moving Pictures
Explores the complex relationship between American art and the new medium of film.
Mary Cassatt
One of the few women Impressionists, Mary Cassatt (1844-1926) had a life of paradoxes: American born, she lived and worked in France; a classically trained artist, she preferred the company of radicals; never married, she painted exquisite and beloved portraits of mothers and children. This book provides new insight into the personal life and artistic endeavors of this extraordinary woman. "Brilliant, lively life of long lived American Impressionist."--Kirkus Reviews "Rich in historical and archeological detail, thoroughgoing in its resurrection of the contexts and conditions of Cassatt's life as an artist."--Carol Armstrong, New York Times Book Review "Mathews informatively and entertaining...
Mary Cassatt
Donated: The Margaret A. Bailey Art Collection.
Mary Cassatt
During her lifetime, Mary Cassatt (1844-1926) achieved great fame in both France and America. But while she is still highly regarded in the United States, she is now somewhat overlooked in France, where she lived and worked for more than sixty years and where she became the only American artists to exhibit with the Impressionists in Paris. The exhibition 'Mary Cassatt: An American Impressionist in Paris', held in the Musée Jacquemart-André, is the first retrospective dedicated to the painter in France since her death. The exhibition will bring together around fifty major works on loan from museums and institutions ... Oils, pastels, and prints retrace Cassett's entire career, explore the m...
Maurice Prendergast
Issued in connection with an exhibition held June 29, 2013-October 13, 2013, Bowdoin College Museum of Art, Brunswick, Maine.
Cassatt and Her Circle
"Mary Cassatt's letters, like her art, are filled with revealing details. This selection of 208 letters -- most never published before -- provide new and vivid insights into this complex, intensely private woman."--JACKET.
Lydia Cassat Reading the Morning Paper
Harriet Scott Chessman takes us into the world of Mary Cassatt's early Impressionist paintings through Mary's sister Lydia, whom the author sees as Cassatt’s most inspiring muse. Chessman hauntingly brings to life Paris in 1880, with its thriving art world. The novel’s subtle power rises out of a sustained inquiry into art’s relation to the ragged world of desire and mortality. Ill with Bright’s disease and conscious of her approaching death, Lydia contemplates her world narrowing. With the rising emotional tension between the loving sisters, between one who sees and one who is seen, Lydia asks moving questions about love and art’s capacity to remember. Chessman illuminates Cassatt’s brilliant paintings and creates a compelling portrait of the brave and memorable model who inhabits them with such grace. Lydia Cassatt Reading the Morning Paper includes five full-color plates, the entire group of paintings Mary Cassatt made of her sister.
Mary Cassatt
A study of many facets of the artist's work redefines her status in the Parisian avant-garde and in American art, and places her work in the context of nineteenth-century feminism and art theory
Eve's Daughter/Modern Woman
Often regarded as merely the creator of sentimental images of mothers and children or an expatriate heavily influenced by Impressionism, Mary Cassatt is not typically regarded as an artist of radical convictions. This text re-evaluates these dismissals and presents a complete overview of her mural.
Prendergast in Italy
"Published on the occasion of the exhibition 'Prendergast in Italy', Williams College Museum of Art, Williamstown, Massachusetts, July-September 2009, Peggy Guggenheim Collection, Venice, October 2009-January 2010, The Museum of Fine Arts, Houston, Texas, February-May 2010."--T.p. verso.
