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Intellectual biography of Holocaust historian Lucy S. Dawidowicz.
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A rich interdisciplinary exploration of the world of Sara Levy, a Jewish salonnière and skilled performing musician in late eighteenth-century Berlin, and her impact on the Bach revival, German-Jewish life, and Enlightenment culture.
In this memoir, Lucy S. Dawidowicz recounts her time in Vilna where she went to study in 1938-39. She also reconstructs the history of Vilna Jews through the centuries and gives a first-hand account of Vilna’s Jewish community right before its destruction by the Nazis. Dawidowicz fled days before the German invasion of Poland, and returned to the American zone in Germany in 1946-47 to help Jews in Displaced Persons camps with the American Jewish Joint Distribution Committee. It was in that role that Dawidowicz helped salvage remnants of YIVO’s Vilna archives that were shipped to New York. “Dawidowicz, a well-known historian of the Jews, has presented us... a memoir on Vilna, a city she...
Reconsidering how early modern and modern Jews navigated schisms between Jewish community and European society.
Reconsidering how early modern and modern Jews navigated schisms between Jewish community and European society.
Polish Jewish Culture beyond the Capital: Centering the Periphery is a path-breaking exploration of the diversity and vitality of urban Jewish identity and culture in Polish lands from the second half of the nineteenth century to the outbreak of the Second World War (1899–1939). In this multidisciplinary essay collection, a cohort of international scholars provides an integrated history of the arts and humanities in Poland by illuminating the complex roles Jews in urban centers other than Warsaw played in the creation of Polish and Polish Jewish culture. Each essay presents readers with the extraordinary production and consumption of culture by Polish Jews in literature, film, cabaret, theater, the visual arts, architecture, and music. They show how this process was defined by a reciprocal cultural exchange that flourished between cities at the periphery—from Lwów and Wilno to Kraków and Łódź—and international centers like Warsaw, thereby illuminating the place of Polish Jews within urban European cultures. Companion website (https://polishjewishmusic.iu.edu)
In The Feminine Mystique, Jewish-raised Betty Friedan struck out against a postwar American culture that pressured women to play the role of subservient housewives. However, Friedan never acknowledged that many American women refused to retreat from public life during these years. Now, A Jewish Feminine Mystique? examines how Jewish women sought opportunities and created images that defied the stereotypes and prescriptive ideology of the "feminine mystique." As workers with or without pay, social justice activists, community builders, entertainers, and businesswomen, most Jewish women championed responsibilities outside their homes. Jewishness played a role in shaping their choices, shattering Friedan's assumptions about how middle-class women lived in the postwar years. Focusing on ordinary Jewish women as well as prominent figures such as Judy Holliday, Jennie Grossinger, and Herman Wouk's fictional Marjorie Morningstar, leading scholars explore the wide canvas upon which American Jewish women made their mark after the Second World War.
Revises our understanding of the relationship between the Haskalah, Orthodoxy, and hasidism, reassesses the role of key individuals in the movement, and offers a new, more nuanced, definition of the Haskalah. Should be of interest to all students of modern Jewish history, literature, and culture in eighteenth-century Germany and eastern Europe in the nineteenth century.
In this remarkable memoir, Lucy Dawidowicz, author of the classic The War Against the Jews, tells the story of her own life during the years 1938-1947. During that time she was the last American to spend time in Vilna, then in Poland, before the invasion of the Germans.