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There is a great deal at stake for everyone in the future of Arab television. Political and social upheavals in this central but unsettled region are increasingly played out on television screens and in the tussles over programming that take place behind them. "Al-Jazeera" is of course only one player among a still-growing throng of satellite channels, which now include private terrestrial stations in some Arab states. It is an industry urgently needing to be made sense of; this book does exactly this in a very readable and authoritative way, through exploring and explaining the evolving structures and content choices in both entertainment and news of contemporary Arab television. It shows h...
This book addresses gaps in our understanding of processes that underpin the making and circulation of children's screen contents across the Arab region and Europe. Taking account of recent disruptive shifts in geopolitics that call for new thinking about how children’s media policy and production should proceed after large-scale forced migration in both regions, the book asks to what extent children in Europe and the Arab World are engaging with the same content. Who is funding new content and who is making it, according to whose criteria? Whose voices are loudest when it comes to pressures for regulation of children’s screen content, and what exactly do they want? The answers to these questions matter for anyone seeking insights into diverse cross-cultural collaborations and content innovations that are shaping new investment and production relationships.
In transcending territorial boundaries, satellite television has the potential to liberate viewers from government controls on national media. Why in the Middle East has this potential liberation yet to be fully realized? This book explores the development through the 21st century of cross-border television in the region, exploring issues at the heart of the international political economy of communication.
The traditional image of the Middle Eastern woman, as portrayed by the Western media, has tended to be one of a woman oppressed by men and religion. Veiling intensifies this image of supposed powerlessness and imprisonment. However, the Arab Spring uprisings have introduced the West to women in the Middle East who do not conform to this stereotype, and have shown the Western media that Middle Eastern women cannot be categorized altogether as one oppressed, powerless group. This book investigates the diverse realities and complexities of women in the Middle East in terms of their relationship with media platforms old and new. Contributors offer a range of perspectives that discuss everything ...
Transformations in the Arab media landscape are a key element in regional dynamics of political change. Where do private owners of Arab media outlets stand on the scene? What part, if any, have they played in weakening dictatorships, countering sectarianism and political polarisation, and reforming business practices in the Arab world? Arab Media Moguls charts the fortunes of some leading media investors and entrepreneurs from Egypt, Lebanon, Saudi Arabia and Tunisia to examine their motives, management styles, financial performance and links to political power. The resulting profiles offer intriguing insights into the place of family, education, religion and media regulation in regional pow...
Media Reform examines the relationship between the media and the development of democracy. Detailed worldwide case studies illustrate discussions on liberalisation of media, technological developments and new trends.
From the exaggerated emotions of 1930s Egyptian melodrama to the cryptic allegories of late 20th-century Palestinian cinema, Arab World Cinemas guides you through 28 Arabic-language feature films released between 1933 and 2021, including Muhammad Khan's 'Dreams of Hind and Camilia' (1989), Moufida Tlatli's 'Silences of the Palace' (1994) and Elia Suleiman's 'Divine Intervention' (2002). Written specially for students, the book is split into 3 parts: Egypt, North Africa and the eastern Arab world. Each part begins with an introductory essay that highlights the aesthetic and socio-historical trends and currents in the cinematic traditions particular to that region. Marle Hammond then dedicates individual chapters to a group of films from the highlighted region, interpreting their form and content through the lenses of cinematic technique and concepts drawn from various disciplines in the arts, humanities and social sciences.
In the face of the continuously changing challenges of the digital age, it is difficult for quality news journalism to survive on any significant scale if a means for adequately funding it is not available. This new study, a follow-up to 2007’s The Future of Journalism in the Advanced Democracies, includes a comparative analysis of possible alternative business models that may save the future of the quality news business across the developed, intermediate, and developing worlds. Its detailed evaluation encompasses also the different ways in which wider key issues are affecting the prospects for quality news as a core ingredient of effectively working democracies. It focuses on the United States, the United Kingdom, South Africa, India, Kenya, and selected parts of the Arab World, providing a comprehensive cross-cultural survey of different approaches to addressing these various issues. To keep the study firmly rooted in the "real world" the contributors include distinguished practitioners as well as experienced academics.
The first decade of the 21st century witnessed an explosion in scholarly and public interest in women and Islamic cultures, globally. From misguided media representations, to politically motivated state manipulations, to agenda-driven Islamist movements, to feminist and international NGO projects – the subject and image of Muslim women has become iconic and riveting. This volume unpacks the representations, motivations, agendas, and projects by focusing on the advances in scholarly research on women and Islamic cultures in the first decade of the 21st century. The editors of the pioneering Encyclopedia of Women and Islamic Cultures bring together leading scholars, discipline by discipline,...
Focusing on the Iranian presidential elections of 2009 and ensuing demonstrations in major cities across Iran and world, Media, Power, and Politics in the Digital Age provides a balanced discussion of the role and impact of modern communication technologies, particularly the novel utilization of 'small digital media' vis-^-vis the elections and global media coverage. Written in a non-technical, easy to read, and accessible manner, the volume will appeal to scholars, students, policy makers and print professionals alike. To provide a global overview of media coverage and diverse perspectives on the controversial 2009 presidential election, this book consists of 24 original essays, covering issues from global media coverage to new media-social networking, from the ideological-political dimensions to the cultural facets of the elections. Organized in a cohesive manner, the writing styles and presentation remain varied and richly informative.