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Brazilian Collaborative Theater
Brazil has one of the most vibrant theater cultures in the world, home to a wide variety of theatrical expression. This collection of 15 interviews includes some of the country's most prolific creative minds--Ze Celso (Teatro Oficina), Antunes Filho, Gerald Thomas, Nos do Morro, Rudolfo Vasquez (Os Satyros), Antonio Araujo (Teatro Vertigem), Enrique Diaz (Cia do Atores) and Lia Rodrigues, to name a few--discussing their approaches to the collaborative theater process. They describe a collective creative environment in which practitioners are concerned with fundamental questions about social, cultural and artistic contexts in which productions are staged, and the interdisciplinary climate that predominated from the beginning of the 1980s.
Autoficções
Nas palavras de Sérgio Blanco, Autoficção é o lado obscuro da biografia. A narrativa elaborada no cruzamento entre o real e o fictício, mas ao contrário da autobiografia, um cruzamento sustentado pelo elo da mentira. No presente livro, Sérgio Blanco, dramaturgo e diretor teatral franco-uruguaio, reúne sua dramaturgia elaborada justamente sobre esse pacto ficcional do "eu".
Teatro de rua
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Potosí in the Global Silver Age (16th—19th Centuries)
The open access publication of this book has been made possible thanks to the International Institute of Social History – Amsterdam. Potosí (today Bolivia) was the major supplier for the Spanish Empire and for the world and still today boasts the world's single-richest silver deposit. This book explores the political economy of silver production and circulation illuminating a vital chapter in the history of global capitalism. It travels through geology, sacred spaces, and technical knowledge in the first section; environmental history and labor in the second section; silver flows, the heterogeneous world of mining producers, and their agency in the third; and some of the local, regional, ...
