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-An intimate look at a period of modern Indian history that has shaped the music of the subcontinent today -Features detailed sections on several important Indian and American jazz musicians, including Chic Chocolate, 'the Louis Armstrong of India'; and Teddy Weatherford In 1935, a violinist from Minnesota named Leon Abbey brought the first 'all negro' jazz band to Bombay, leaving behind a legacy that would last three decades. In a decade, swing found its way onto the streets of India. It influenced Hindi film music: the very soundtrack of Indian life. The optimism of jazz became an important element in the tunes that echoed the hopes of newly independent India. This book tells a story of In...
"A biography of Bombay beyond its definition as the Bollywood capital and a real portrait of the Bombay of the past and of the present"--Publisher's description.
When King Charles Ii Of England Married Princess Catherine De Braganza Of Portugal In 1661, He Received As Part Of His Dowry The Isles Of Bom Bahia, The Good Bay. Reclaimed From The Sea, These Would Become The Modern City Of Bombay. A Marriage Of Affluence And Abject Poverty, Where A Grey Concrete Jungle Is The Backdrop To A Heady Potpourri Of Ethnic, Linguistic And Religious Subcultures, Bombay, Renamed Mumbai After The Goddess Mumbadevi, Defies Definition. Bombay, Meri Jaan, Comprising Poems And Prose Pieces By Some Of The Biggest Names In Literature, In Addition To Cartoons, Photographs, A Song And A Bombay Duck Recipe, Tries To Capture The Spirit Of This Great Metropolis. Salman Rushdie,...
Mumbai India s financial nerve centre & biggest port is a melting pot with a population of over fifteen million.Bursting at the seams, the crowded, pulsating city is not just a city of gold but also a city of dreams it is home to the Bollywood. BOMBAY: THEN Enriched with in-depth historical research and exclusive photographs, Bombay: Then documents the transformation of the once insignificant cluster of islets into one of the most exciting spots for cultural exchange in South Asia. Among other views, the book illustrates the Mankeshwar temple and the Rajabai Clock Tower wrapped in scaffolding; the construction of Victoria Dock and the opening of its massive underwater gates; a lush and spars...
Arun Ferreira is from the East Indian community, the original Mumbaikars, whose villages became the localities of a sprawling metropolis. He graduated from the prestigious St. Xavier's College, Mumbai, and has been an activist since his student days. Ferreira is also a cartoonist whose drawings on social and political issues have appeared in various publications, as well as in student and worker magazines. Since his release in 2012, he continues to actively engage with issues of political prisoners, prison reforms and democratic rights. He is presently pursuing a degree in law and researching the history of the democratic rights movement in Mumbai
The human face of poverty The poor in India are, too often, reduced to statistics. In the dry language of development reports and economic projections, the true misery of the 312 million who live below the poverty line, or the 26 million displaced by various projects, or the 13 million who suffer from tuberculosis gets overlooked. In this thoroughly researched study of the poorest of the poor, we get to see how they manage, what sustains them, and the efforts, often ludicrous, to do something for them. The people who figure in this book typify the lives and aspirations of a large section of Indian society, and their stories present us with the true face of development.
India has been the focus of international attention in the past few years. Rhetoric concerning its rapid economic growth and the burgeoning middle classes suggests that something new and significant is taking place. Something has changed, we are told: India is shining, the elephant is rising, and the 21st century will be Indian. What unites these powerful re-imaginings of the Indian nation is the notion of change and its many ramifications. Election campaigns, media commentators, scholars, activists and drawing room debates all cut their teeth around this complex notion. Who is it that benefits from this change? Do such re-imaginings of nationhood really reflect the complex social reality of large parts of the Indian population? The book starts with the premise that it is within the mass media where we can best understand how this change is imagined. From a kaleidoscope of perspectives the book interrogates this articulation and the myriad forms it takes – across India's newsrooms, television sets, cinema halls, mobile phones and computer screens.
This anthology includes, among many other enlightening essays, Rick Perlstein on Paul Cowan's 'The Tribes of America'; Nicholson Baker on Daniel Defoe's 'A Journal of the Plague Year', Marla Cone on Rachel Carson's 'Silent Spring', and much more.
A young girl from Mumbai, India, is determined to show her friend from picturesque Ladakh that big cities have mountains too.
The Penguin Book of New Writing from India 2005 An anthology of new writing and new writers, and established writers writing in a new genre-First Proofshowcases original and brilliant non-fiction and fiction. The collection includes works in progress, essays, short stories, and a graphic short. Among the nonfiction in this volume is an account of a childhood in boarding school, a portrait of Naipaul on his first visit to India in the 60s, reportage on Sri Lanka, the RSS, a don in Bihar, an essay on the Bollywood vamp, and glimpses of Kashmir. Fiction includes themes of incest, suicide, love, lust, familial bonds, human relationships, loneliness, dysfunctional people, and a graphic vignette with London as a backdrop.