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Thinking in Constellations
With his powerful thought image of the constellation, Walter Benjamin provides a method for the core practices of the Humanities: reading, writing, and thinking. This collection of provocative essays demonstrates how thinking in constellations with Walter Benjamin leads us towards a new understanding of the critical task of the Humanities today: it goes beyond disciplinary boundaries and challenges assumptions of linearity, coherence, and progression inherent in our scholarly praxis. The volume brings some of the most articulate young voices in international Benjamin scholarship together, and takes an interdisciplinary approach, covering wide-ranging fields of knowledge – quantum physics, postcolonial studies, natural philosophy, psychoanalysis, film theory, literature, and the arts. Benjamin’s texts are re-considered in light of thinkers and poets, such as Theodor W. Adorno, Sigmund Freud, Gottfried E. Leibniz, W. G. Sebald, Franz Kafka, or Carlos Martínez Rivas. The critical potential of constellations in Benjamin’s work and beyond will be of the highest interest for researchers and students in all areas of the Humanities.
Heidegger in the Literary World
This volume traces the ways in which Heidegger’s philosophical thinking has been taken up, critically re-appropriated, and disseminated in literary and poetic writing since the middle of the 20th century.
Walter Benjamin and the Actuality of Critique
The striking actuality of Walter Benjamin’s work does not rest on a supposed “usefulness” of his philosophy for current concerns, but rather on the high “legibility” to which his oeuvre has come in the present. Indeed, this legibility is a function of critique, which unearths the truth-content of a work in a constellation of reading with the present, and assures thereby that the work lives on. Following this methodological tenet, this book approaches Benjamin’s work with two foci: the actuality of his critique of violence, a central and unavoidable topic in the contemporary political-philosophical debate, and the actuality of his critique of experience, which perhaps is not as conspicuous as that of his critique of violence but constitutes, nonetheless, the bedrock upon which his whole philosophy rests.
Epimodernism
Postmodernism has had its day. Are we now in the era of epimodernism? Reinterpreting the six “memos” that Italo Calvino suggested more than thirty years ago for “the new Millennium”, in this acclaimed book Emmanuel Bouju identifies six new values for literature in the twenty-first century: Superficiality, Secrecy, Energy, Acceleration, Credit, and Follow Through. Based on the principal meanings of the Ancient Greek prefix epi – surface, contact, origin, extension, duration, authority, and finality – these values represent six different ways of relating to the legacy of modernist utopias, reorienting postmodern critique and rebooting, with all due irony, its various forms of engagement and empowerment. Equal parts cultural criticism and literary creation, this highly original essay both enacts and explores the epimodern turn in contemporary European literature. Rigorous and humorous, provocative and playful, Epimodernism helps us to understand what literature can describe, imagine, and invent in our challenging times.
Violence and Nihilism
Nihilism seems to be per definition linked to violence. Indeed, if the nihilist is a person who acknowledges no moral or religious authority, then what does stop him from committing any kind of crime? Dostoevsky precisely called attention to this danger: if there is no God and no immortality of the soul, then everything is permitted, even anthropophagy. Nietzsche, too, emphasised, although in different terms, the consequences deriving from the death of God and the collapse of Judeo-Christian morality. This context shaped the way in which philosophers, writers and artists thought about violence, in its different manifestations, during the 20th century. The goal of this interdisciplinary volume is to explore the various modern and contemporary configurations of the link between violence and nihilism as understood by philosophers and artists (in both literature and film).
The Politics of Attention and the Promise of Mindfulness
It is evident from recent political campaigns, such as that of Donald Trump, that the deployment of attention is crucial for political outcomes. Indeed, Trump’s presidency came about in part due to realities that were produced by the media themselves, which required in turn the engagement of public attention. The implication is that the instability and capriciousness that is often associated with attention can be an important influence on the outcomes that are so produced. Drawing on the thought of Martin Heidegger, Lawrence Berger puts forward a new conception of attention as human presence, showing how its state determines the efficacy of public spaces in articulating and achieving visio...
The Marrano Way
The Marrano phenomenon is a still unexplored element of Western culture: the presence of the borderline Jewish identity which avoids clear-cut cultural and religious attribution and – precisely as such – prefigures the advent of the typically modern "free-oscillating" subjectivity. Yet, the aim of the book is not a historical study of the Marranos (or conversos), who were forced to convert to Christianity, but were suspected of retaining their Judaism "undercover." The book rather applies the "Marrano metaphor" to explore the fruitful area of mixture and cross-over which allowed modern thinkers, writers and artists of the Jewish origin to enter the realm of universal communication – wi...
Catastrophic Historicism
Catastrophic Historicism unsettles the historicist constitution of Julia de Burgos (1914–53), Puerto Rico’s most iconic writer—a critical task that necessitates redefining the concept of historicism. Through readings of Aristotle, Walter Benjamin, Jacques Derrida, Werner Hamacher, and Frank Ankersmit, Mendoza-de Jesús shows that historicism grounds historical objectivity in the historian’s capacity to compose totalizing narratives that domesticate the contingency of the past. While critiques of historicism as a realism leave untouched the sovereignty of the historian, the book insists that reading the text of history requires an attunement to danger—a modality that interrupts hist...
Tsimtsum and Modernity
This volume is the first-ever collection of essays devoted to the Lurianic concept of tsimtsum. It contains eighteen studies in philosophy, theology, and intellectual history, which demonstrate the historical development of this notion and its evolving meaning: from the Hebrew Bible and the classical midrashic collections, through Kabbalah, Isaac Luria himself and his disciples, up to modernity (ranging from Spinoza, Böhme, Leibniz, Newton, Schelling, and Hegel to Scholem, Rosenzweig, Heidegger, Benjamin, Adorno, Horkheimer, Levinas, Jonas, Moltmann, and Derrida).
Language Pangs
We usually think about language and pain as opposites: the one is about expression and communication, the other very private, unspeakable and isolating. Language Pangs challenges these familiar conceptions and proposes a reconsideration of the relationship between pain and language in terms of an essential interconnectedness, rather than the common exclusive opposition. Language Pangs brings together discussions of philosophical as well as literary texts focusing on the relationship between pain and language. It provides close readings of Johann Gottfried Herder's Treatise on the Origin of Language, Martin Heidegger's seminar on Herder's text about language, and Sophocles' play, "Philoctetes."
