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Transitions in Mid-Baroque Music
Featuring 102 music examples, this edited collection features contributions by leading scholars from the UK, United States, Australasia and Europe on what characterized the period. This collection focusses on the stylistic and cultural interchange that characterizes the musical period of the mid-Baroque (c.1650-1710). The idea of musical transition during this period is evident in two principal ways: geographical and chronological (the two often overlap). Chapters examine geographical transition by tracing the exchange of regional and national styles, while considering chronological evolution from the perspective of music theory, performance practice, source studies or specific repertoires. Studies range across instrumental and vocal music, both sacred and secular, and encompass some of the main European traditions prevalent at the time: Italian, German, French and English. The collection features contributions by leading scholars from the UK, the United States, Australasia and Europe. CARRIE CHURNSIDE is Associate Professor in Music at the Royal Birmingham Conservatoire (part of Birmingham City University).
Cantatas on Texts by Francesco Buti (1606-82)
This is an edition of all the surviving cantatas with texts by Francesco Buti (1606‒82), and thus one of the first editions of seventeenth-century Italian cantatas organized around a single poet rather than a single composer. It contains ten pieces set to music by the first generation of Roman cantata composers, such as Carlo Caproli, Giacomo Carissimi, Marco Marazzoli, Luigi Rossi, Mario Savioni, and Loreto Vittori, as well as the traveling guitar virtuoso Francesco Corbetta. Most of the pieces belong to the genre of chamber cantata and are scored for solo voice and basso continuo, though also included are a duet and a lengthy, semi-dramatic cantata for four voices and obbligato instruments. The compositions in this volume thus make a significant sampling of the early Italian cantata repertoire available to scholars and performers.
Music from the Middle Ages Through the Twentieth Century
First Published in 1988. Routledge is an imprint of Taylor & Francis, an informa company.
A Song for Europe
The world's largest and longest-running song competition, the Eurovision Song Contest is a significant and extremely popular media event throughout the continent and abroad. Here, an international group of scholars from a variety of disciplines, explore how the contest sheds light on issues of European politics, national and European identity, race, gender and sexuality, and the aesthetics of camp. Eurovision is sometimes regarded as a low-brow camp spectacle of little aesthetic or intellectual value. The essays in this collection often contradict this assumption, demonstrating that the contest has actually been a significant force and forecaster for social, cultural and political transformations in postwar Europe.
Transnational Patriotism in the Mediterranean, 1800-1850
Transnational Patriotism in the Mediterranean charts the lives of those who lived along the shores of the Adriatic during the first half of the nineteenth century, when the region was transformed from a 'Venetian lake' into a battlefield between old and new imperial powers and where emerging nationalisms and nation-states emerged.
Futuruins
The ethics and aesthetics of ruins are a crucial element in the history of civilisations: it symbolises the presence of the past, but at the same time embodies the potential for future developments. In fact, a ruin is never neutral: caught between nature and culture, suspended between catastrophe and reconstruction, it is immersed in the flow of time while suggesting eternity. In order to give an idea of the historical complexity of the concept, the book which was created and edited by Dimitri Ozerkov will range thematically over centuries, focusing on salient points: from the first mythologies of destruction, the effect of divine wrath (Deucalion and Pyrrha, Tower of Babel, Sodom and Gomorr...
Record Cultures
Record Cultures tells the story of how early U.S. commercial recording companies captured American musical culture in a key period in both music and media history. Amid dramatic technological and cultural changes of the 1920s and 1930s, small recording companies in the United States began to explore the genres that would later be known as jazz, blues, and country. Smaller record labels, many based in rural or out of the way Midwestern and Southern towns, were willing to take risks on the country’s regional vernacular music as a way to compete with more established recording labels. Recording companies’ relationship with radio grew closer as both industries were on the rise, propelled by ...
Aria scotese con variazzione
This set of ten variations for violoncello and harpsichord on a traditional Scottish tune is attributed to “J. P. Bach” in its unique source. Among the Bach family musicians, only one had those initials, namely Johann Philipp Bach (1752–1846). The last surviving member of this musical dynasty, J. P. Bach reached the age of ninety-four and outlived many famous composers of the Romantic era. Like his father and grandfather, J. P. Bach served at the court in Meiningen, Germany. He is best known as a visual artist, especially for his pastels. Although he held the post of organist as well as painter for the dukes in Meiningen, until now J. P. Bach’s music has been completely unknown. Since this work is apparently the only known composition by the last professional musician in the long line of Bach family members, it is of considerable historical importance.
Descriptive Piano Fantasias
The works in this volume, chosen to reflect the breadth of narrative and characteristic piano music, illuminate certain largely forgotten musical histories. The highly popular genre of the descriptive piano fantasia, conceived and produced for the musical tastes and technical capabilities of amateur pianists, grew out of eighteenth-century narrative works such as Johann Kuhnau’s “Biblical Sonatas” (1700) and the anonymous Battle of Rosbach (ca. 1780). Starting with František Kocžwara’s Battle of Prague (ca. 1788) and continuing chronologically through the nineteenth and into the early twentieth centuries, these works help to contextualize nineteenth-century aesthetic debates of des...
Illegality, Inc.
"In this groundbreaking ethnography, Ruben Andersson, a gifted journalist and anthropologist, travels with a group of African migrants from Senegal and Mali to the Spanish North African enclaves of Ceuta and Melilla. Through the voices of his informants themselves, Anderson explores, viscerally and emphatically, how migration meets and interacts with its target--the clandestine migrant. This vivid, rich work examines the subterranean migration flow from Africa to Europe, and shifts the focus from the concept of "illegal immigrants" to an exploration of suffering and resilience. This fascinating and accessible book is a must-read for anyone interested in the politics of international migration and the changing texture of global culture"--
