You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Deploying empirical studies spanning from early Imperial China to the present day, 17 scholars from across the globe explore the history of surveillance with special attention to the mechanisms of power that impel the concept of surveillance in society. By delving into a broad range of historical periods and contexts, the book sheds new light on surveillance as a societal phenomenon, offering 10 in-depth, applied analyses that revolve around two main questions: • Who are the central actors in the history of surveillance? • What kinds of phenomena have been deemed eligible for surveillance, for example, information flows, political movements, border-crossing trade, interacting with foreign states, workplace relations, gender relations, andsexuality?
Histories of sculpture within the Nordic region are under-studied and the region?s influence upon and translation of influences from elsewhere in Europe remain insufficiently traced. This volume brings to light individual histories of sculptural mobility from the early modern period onwards. Examining the movement of sculptures, sculptors, practices, skills, styles and motifs across borders, through studios and public architectures, within popular and print culture and via texts, the essays collected here consider the extent to which the sculptural artwork is changed by its physical movement and its transfigurations in other media. How does the meaning and form of these objects performativel...
Concerns over privacy grow in our society. Understanding the historical roots of the phenomenon becomes more and more necessary to navigate our contemporary struggles with availability and control of personal information. When we ponder what people of the past valued and aimed to protect and what they considered threatening and needing uncovering, we achieve a broader perspective of the importance of privacy in everyday life. The early modern period, in particular, was a period in which many views and experiences of privacy were negotiated and consolidated into more recognisable feelings and norms in different layers of society. This volume will focus on Saxony, as it is a great example to e...
The Expense of Spirit integrates feminist and historicist critical approaches to explore the dynamics of cultural conflict and change in English Renaissance drama.
"Not of woman born, the Fortunate, the Unborn"—the terms designating those born by Caesarean section in medieval and Renaissance Europe were mysterious and ambiguous. Examining representations of Caesarean birth in legend and art and tracing its history in medical writing, Renate Blumenfeld-Kosinski addresses the web of religious, ethical, and cultural questions concerning abdominal delivery in the Middle Ages and the Renaissance. Not of Woman Born increases our understanding of the history of the medical profession, of medical iconography, and of ideas surrounding "unnatural" childbirth. Blumenfeld-Kosinski compares texts and visual images in order to trace the evolution of Caesarean birt...
Privacy is often considered a modern phenomenon. Early Modern Privacy: Sources and Approaches challenges this view. This collection examines instances, experiences, and spaces of early modern privacy, and opens new avenues to understanding the structures and dynamics that shape early modern societies. Scholars of architectural history, art history, church history, economic history, gender history, history of law, history of literature, history of medicine, history of science, and social history detail how privacy and the private manifest within a wide array of sources, discourses, practices, and spatial programmes. In doing so, they tackle the methodological challenges of early modern privacy, in all its rich, historical specificity. Contributors: Ivana Bičak, Mette Birkedal Bruun, Maarten Delbeke, Willem Frijhoff, Michael Green, Mia Korpiola, Mathieu Laflamme, Natacha Klein Käfer, Hang Lin, Walter S. Melion, Hélène Merlin-Kajman, Lars Cyril Nørgaard, Anne Régent-Susini, Marian Rothstein, Thomas Max Safley, Valeria Viola, Lee Palmer Wandel, and Heide Wunder.
Difference exists; otherness is constructed. This book asks how important Western artists, from Giotto to Titian and Caravaggio, and from Bosch to Dürer and Rembrandt, shaped the imaging of non-Western individuals in early modern art. Victor I. Stoichita’s nuanced and detailed study examines images of racial otherness during a time of new encounters of the West with different cultures and peoples, such as those with dark skins: Muslims and Jews. Featuring a host of informative illustrations and crossing the disciplines of art history, anthropology, and postcolonial studies, Darker Shades also reconsiders the Western canon’s most essential facets: perspective, pictorial narrative, composition, bodily proportion, beauty, color, harmony, and lighting. What room was there for the “Other,” Stoichita would have us ask, in such a crystalline, unchanging paradigm?
This Companion to the Spanish Scholastics offers a much-needed survey of the entire field of early modern Spanish scholastic thought. The volume introduces main themes and contexts of scholastics inquiry (theology, philosophy, ethics, politics, economics, law, science and the senses) through close examination of a wide range of texts, debates, methods, and authors, as well as in-depth discussion of the relevant literature. Each chapter includes a useful bibliography and serves as point of departure for future research. The volume not only draws the sum of existing research, but also challenges established notions and breaks new ground. Contributors: Fernanda Alfieri, Harald Braun, Paolo Broggio, Alejandro Chafuen, Wim Decock, Fernando Domínguez Reboiras, Thomas Duve, Petr Dvořák, Giovanni Gellera, Juan Manuel Gómez Paris, Christophe Grellard, Miroslav Hanke, Ruth Hill, Harro Höpfl, Nils Jansen, Vincenzo Lavenia, Thomas Marschler, Fabio Monsalve, Thomas Pink, Rudolf Schüssler, Daniel Schwartz, Leen Spruit, Toon Van Houdt, María José Vega, and Andreas Wagner. See inside the book.
This book considers music and space as fundamental elements in the performance of identity in early modern Rome. Rome's unique milieu offers an exceptionally wide array of musical spaces and practices to be explored from an interdisciplinary perspective.