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According to Advaita-Vedanta, God or Brahman is identical with the inner self (the Atman) of each person, while the rest of the world is nothing but objective illusion (maya). Shankara maintains that there are two primary levels of existence and knowledge: the higher knowledge that is Brahman itself, and the relative, limited knowledge, regarded as the very texture of the universe. Consequently, the task of a human being is to reach the absolute unity and the reality of Brahman--in other words, to reach the innermost self within his or her own being, discarding on the way all temporary characteristics and attributes.
This book clarifies the relationship between God and the creation for Gaudapada, Bhartrhari, and Shankara, and by doing so, demonstrates a major continuity of thought from Gaudapada through Bhartrhari to Abhinavagupta and Kashmir Shaivism.
Advaita Vedanta is one of the most important and widely studied schools of thought in Hindu religion and the Vivekacudamani is one of the most important texts in the Advaita tradition and the most popular philosophical work ascribed to the great Indian philosopher, Sankara. Sankara (c.650-700) is considered to be a giant among giants and probably the most venerated philosopher in India's long history. The Vivekacudamani is in the form of a dialogue between a preceptor (guru) and a pupil (sisya) expounding the quintessence of Advaita in which the pupil humbly approaches the preceptor and, having served the teacher selflessly, implores to be rescued from worldly existence (samsara). The guru p...
Early Buddhist Metaphysics provides a philosophical account of the major doctrinal shift in the history of early Theravada tradition in India: the transition from the earliest stratum of Buddhist thought to the systematic and allegedly scholastic philosophy of the Pali Abhidhamma movement. Entwining comparative philosophy and Buddhology, the author probes the Abhidhamma's metaphysical transition in terms of the Aristotelian tradition and vis-à-vis modern philosophy, exploits Western philosophical literature from Plato to contemporary texts in the fields of philosophy of mind and cultural criticism.
This is a detailed introduction to the thought of Samkara, who is the most well-known and perhaps the most authoritative Hindu thinker of all time.
Can contemporary art say anything about spirituality? Answering this question and more, On the Strange Place of Religion in Contemporary Art explores the curious disconnection between spirituality and current art.
Religious discourse uses ordinary language in an extraordinary way. This book surveys Western and Indian discussions of the nature and aspects of religious discourse. It presents the first cross-cultural elucidation of Advaita Vedānta Implications as religious discourse.
This collection of original essays provides fascinating insights into yoga as a historical and pluralistic phenomenon flourishing in a variety of religious and philosophical contexts. They cover a wide variety of traditions and topics related to Yoga: Classical Yoga, Sāṃkhya, Tantric Yoga, Bhakti Yoga, the Guru, Indic Islamic traditions of Yoga, Yoga and asceticism in contemporary India, and the reception of Yoga in the West. The essays are written by eighteen professors in the field of the history of religions, most of them former graduate students of Gerald James Larson, Larson is Rabindranath Tagore Professor Emeritus, Indiana University, Bloomington, Professor Emeritus, Religious Studies, University of California, Santa Barbara, an internationally acclaimed scholar on the history of religions and philosophies of India, and one of the world's foremost authorities on the Samkhya and Yoga traditions. The publication is in honour of him.
Explores some steps toward non-assimilative encounters in the "global village."
This book deals with one of the most interesting periods in the development of Indian religious and philosophical traditions. Starting with the teaching of the proto-vedantist philosopher Gaudapada, and then analyzing the ideas of his famous contemporary, the grammarian Bhartrhari, the author suggests an entirely new approach to the whole history of vedanta. Gaudapada and Bhartrhari are presented as founders of an independent trend within Indian orthodox philosophy, a trend that culminates later in the theistic tenets of Kashmir Shaivism. Isayeva shows that, in contrast to SAankara, early vedantist philosophers regarded the higher Brahman as a kind of continuous reverberation of a peculiar phonic energy that was ever producing the same constantly renewable structures and patterns of the universe. This idea found its continuation in the metaphysical and aesthetical concepts of Abhinavagupta, where the ultimate ontological reality is manifested through the rhythmical outbursts of God's creative power.