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For Theory aims to open a discussion on the weakening of the production of theory in left-wing thought since the 1970s, based on Louis Althusser's ideas of overdetermination, plural temporality, conjuncture, and theoretical practice.
Andac the narrator is the son of a Syrian and an Alan. Although he is a freeborn Roman citizen, he has always regarded himself as an outsider, and for this reason he feels that he is singularly equipped to tell the story of a young Roman matron who deliberately made herself an outsider by exiling herself from the aristocratic circle in which she was born. In spite of her fabulous wealth, Natalia is determined to emulate her famous grandmother, who lived for years as an ascetic in the harsh desert of the Holy Land. Natalia wants not only to dispose of all her wealth, but also to live in poverty, and to coerce her husband Valerian into a life of chastity. As the story develops, Andac and his f...
Two novellas about domestic life, isolation, and the passing of time by one of the finest Italian writers of the twentieth century. Carmine, an architect, and Ivana, a translator, lived together long ago and even had a child, but the child died, and their relationship fell apart, and Carmine married Ninetta, and their child is Dodò, who Carmine feels is a little dull, and these days Carmine is still spending every evening with Ivana, but Ninetta has nothing to say about that. Family, the first of these two novellas from the 1970s, is an examination, at first comic, then progressively dark, about how time passes and life goes on and people circle around the opportunities they had missed, mis...
Lucius Decius Verus is the son of a Roman officer, Marcus Decius Verus, and his wife Camilla. They live in the north of England when that country is ruled by Rome around the time when Hadrian’s Wall is being built, about 122 AD. When he is only a few months old the couple, while driving through a wild storm, negligently lose the child from the carriage they are travelling in. The child, Lucius, is found by a local woman, Mora, who decides to keep the child. And she names the baby boy Corio. Camilla blames Marcus for the loss of her baby, the one love in her life, and she leaves him and goes south to live with her sister. Mora is later murdered by her husband, Vero, when Corio is three year...
Arguably one of Italy’s greatest contemporary writers, Natalia Ginzburg has been best known in America as a writer’s writer, quiet beloved of her fellow wordsmiths. This collection of personal essays chosen by the eminent American writer Lynne Sharon Schwartz from four of Ginzburg’s books written over the course of Ginzburg’s lifetime was a many-years long project for Schwartz. These essays are deeply felt, but also disarmingly accessible. Full of self-doubt and searing insight, Ginzburg is merciless in her attempts to describe herself and her world—and yet paradoxically, her self-deprecating remarks reveal her deeper confidence in her own eye and writing ability, as well as the weight and nuance of her exploration of the conflict between humane values and bureaucratic rigidity.
Publisher description
The exhibition entitled “Papi in Posa,” i.e., “Papal Portraiture,” with the highly refined and historically significant Braschi Palace – home of the Museum of Rome – in 2004, and now in Washington, The John Paul II Center, is not offered only as an excellent exposition of masterpieces from major international museums – such as the Vatican Museums – and prestigious private collections, but stands out in particular because it is one of the most important expositions of portrait painting ever because of both the outstanding quality and the considerable number of paintings and sculptures offered – executed by Europe's leading artists from the last five centuries – and the gre...
It is the mid-1980s, and journalist Nick Gamble's girlfriend, Natalia, is a CIA agent who works at the American consulate in Florence, Italy. When Natalia goes missing, Nick goes on the hunt for the woman he loves and turns up so much more than he expected. Natalia has been kidnapped by Italian mobsters, under the employment of Arab terrorists. A film is missing one that exposes the names of Arab terrorists trained in East Germany and sent undercover to America in an effort to install Muslim sharia law. Natalia will be executed if the film is not recovered, but Nick has no clue where to start. With the help of the American Mafia and Italy's secret police, Nick's comfortable life as a journalist is turned upside down as he learns the truth about terrorist cells in Europe and their horrific plans for the future. He is driven to save Natalia, but the reality of the Arab master plan is much more terrifying than anyone could have expected.
My name is Charlene Roberts, or as my friends call me, Charlie. I'm a sergeant in the Seattle Police Homicide Division, but I also am a Druid that hunts demons and witches preying on my city. I have been tracking a demon who's killed eighteen women in my city, and with the eighteenth victim, we caught him on video committing the murder. I soon find out that I am not the only one hunting my prey. Natalia, a female demon, joins me in hunting the same demon who killed her lover centuries before. After I'm wounded in a shoot-out, I find myself falling for her as she nurses me back to health. Just where will this forbidden love go? Join us in a wild adventure of twists, turns, and surprises to find out.
Challenges assumptions about Italian women writers under fascism. In fascist Italy between the wars, a woman was generally an exemplary wife and mother or else. The "or else", mostly forgotten or overlooked in accounts of femininity under fascism, is what concerns Robin Pickering-Iazzi. Reading works by women of the period, Pickering-Iazzi shows how they refuted stereotypes that were imposed on them by the fascist regime and continue to be accepted and perpetuated into our day. The writers Pickering-Iazzi considers comprise both the popular and the critically acclaimed, including the illustrious Grazia Deledda (winner of the Nobel Prize for Literature in 1926), Ada Negri, Sibilla Aleramo, Al...