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The fortune teller said if I chose love, then I’d lose everything... ‘If you want everyone you love to stay safe, you must walk away...’ The fortune teller told me my fate. But I ignored her. I married the man of my dreams. We made a family. A life that’s beautiful, safe and happy. I’ve tried to forget that hazy, sunny afternoon in the park, where we spotted a funfair setting up, and my best friends and I dared each other to go into the fortune teller’s tent... I’ve pushed it to the back of my mind: what she said about the tragedy that lay ahead for me. I want to believe that we are in charge of our own fate. Looking at my two perfect, beautiful children, I refuse to believe th...
Until the girl went missing, we thought it was the perfect place to live... When we move into the exclusive Westford Park housing estate, we feel safe at last. More like a country club, it has everything we might need – beautiful houses with big gardens, a pool, a boating lake, extensive grounds. It’s also got 24/7 security. Our new neighbours are lovely too. We start to make friendships that feel like they could last a lifetime. It feels like nothing could possibly go wrong here. It’s like our secrets haven’t followed us here. Or that’s what we think at first... A completely gripping and unmissable psychological suspense novel, that fans of KL Slater, Lisa Jewell and Freida McFadd...
Preorder the BRAND NEW psychological thriller from Natasha BoydellShe lives in my old home, she looks like me, she dresses like me... And now she wants my life. Naomi is devastated when the sale of the apartment falls through, her dreams of moving to an amazing ‘forever home’ nearby with her family are momentarily dashed. But then a sweet-natured single mother named Summer appears, announcing her intention to buy Naomi’s old apartment. And all of a sudden, it looks like Naomi might get her new house after all. At first, it feels like Summer’s saved her life. But as soon as the sale goes through, Summer starts turning up at Naomi’s new house. She’s enrolled her child in Naomi’s ...
Women's role in crusades and crusading examined through a close investigation of the narratives in which they appear. Narratives of crusading have often been overlooked as a source for the history of women because of their focus on martial events, and perceptions about women inhibiting the recruitment and progress of crusading armies. Yet women consistently appeared in the histories of crusade and settlement, performing a variety of roles. While some were vilified as "useless mouths" or prostitutes, others undertook menial tasks for the army, went on crusade with retinuesof their own knights, and rose to political prominence in the Levant and and the West. This book compares perceptions of w...
This book reconsiders the significance of the salon as a social and cultural phenomenon and as a source of artistic innovation and exchange in the long nineteenth century. This collection explores the idea of music in the salon during the long nineteenth century, both as a socio-cultural phenomenon, and as a source of artistic innovation and exchange. Drawing on a wide range of scholarly approaches, this book uses the idea of the salon as a springboard to examine issues such as gender, religion, biography and performance; to explore the ways in which the salon was represented in different media; and to showcase the heterogeneity of the salon through a selection of case studies. It offers fre...
An examination into two of the most important activities undertaken by the Normans.
The operas of Sergei Prokofiev (1891-1953) mark a significant contribution to twentieth-century music and theatre. Opera was Prokofiev's preferred genre; not counting juvenile and unfinished works, he wrote a total of eight. Yet, to date, little has been published about the context, rationale or musical and compositional processes behind this output. While systematic studies of Prokofiev's symphonies and his ballets exist, the operas have come under no such scrutiny. This book is the first in the English language to engage with the composer's operatic output in its entirety and provides a contextual, critical and musico-analytical account of all of Prokofiev's operas, including those juvenile works that are unpublished as well as the incomplete works composed towards the end of his life. It also includes synopses of the operas. Drawing on a wealth of archival material and other sources, the book provides the compelling untold story of Prokofiev the opera composer. CHRISTINA GUILLAUMIER is a music historian, pianist and writer on music. She is currently Head of Undergraduate Programmes at the Royal College of Music in London.
With his Aspen award lecture (1964), Benjamin Britten expressed a unique commitment to community and place. This book revisits this seminal lecture, but then uses it as a starting point of reflection, inviting leading composers, producers and writers to consider the role of the composer in the community in Britain in the last fifty years. Colin Matthews, Jonathan Reekie and John Barber reflect on Britten's aspirations as a composer and the impact of his legacy, and Gillian Moore surveys the ideals of composers since the 1960s. Eugene Skeef and Tommy Pearson discuss the influence of the London Sinfonietta, while Katie Tearle reviews the tradition of community opera at Glyndebourne. Nigel Osbo...
Covering Brahms's 32 song opuses published during four decades of song-writing, this book offers a way of understanding what Brahms believed to be the right poetic basis for his immortal music. Johannes Brahms's much-loved solo songs continue to be enjoyed in recordings and on recital stages all over the world. This book provides a wealth of information on the poets whose words he set, many of whom are still unfamiliar.A substantial introduction explores the multiple meanings song-poetry held for Brahms and challenges the widely held opinion that he responded only to the general mood of a poem. It is followed by alphabetically organised essays on the forty-six poets whose verses he set. Each...
Something bad is brewing among a friendly group of book lovers: “A deliciously Agatha Christie-style mystery that sucks you in from the first page.” —Sibel Hodge, bestselling author of Look Behind You Imagine nine women meeting. Tea and cake are on the coffee table. They’ve come together to share their love of books. They are friends. They trust each other. It’s a happy gathering. What could be more harmless? Then scratch the surface and look closer. One is lonely. One is desperate. And one of them is a killer. When the body of a woman is discovered on a Cambridge common, DCI Barrett and DI Palmer are called in to investigate. But the motive behind the crime isn’t clear—and it ...