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Religion, Culture, and the Monstrous: Of Gods and Monsters explores the intersection of the emerging field of “monster theory” within religious studies. With case studies from ancient Mesopotamia to contemporary valleys of the Himalayas to ghost tours in Savannah, Georgia, the volume examines the variegated nature of the monstrous as well as the cultural functions of monsters in shaping how we see the world and ourselves. In this, the authors constructively assess the state of the two fields of monster theory and religious studies, and propose new directions in how these fields can inform each other. The case studies included illuminate the ways in which monsters reinforce the categories through which a given culture sees the world. At the same time, the volume points to how monsters appear to question, disrupt, or challenge those categories, creating an ‘unsettling’ or surplus of meaning.
The COVID-19 pandemic left millions grieving their loved ones without the consolation of traditional ways of mourning. Patients were admitted to hospitals and never seen again. Social distancing often meant conventional funerals could not be held. Religious communities of all kinds were disrupted at the exact moment mourners turned to them for support. These unprecedented circumstances caused dramatic transformations of not only communal rituals but also how people make meaning after the losses of loved ones. Shattered Grief is an intimate portrait of how COVID-19 changed the ways Americans approach, understand, and mourn death. Based on extensive interviews incorporating a multitude of pers...
The essays collected together in Critics Not Caretakers argue that the study of religion must be rethought as an ordinary aspect of social, historical existence, a stance that makes the scholar of religion a critic of cultural and historical practices rather than a caretaker of religious tradition or a font of timeless wisdom and deep meaning. The book begins with several essays that outline the basis of an alternative, sociorhetorical approach to studying religion, before moving on to a series of discrete dispatches from the ongoing theory wars, each of which uses the work of such writers as Karen Armstrong, Walter Burkert, Benson Saler, and Jacob Neusner as a point of entry into wider theo...
"In Part I of this book, I argued that preta narratives participated in a larger world-building process that negotiated the contours of the Buddhist cosmos and, with it, the place of the departed. Through stories about encounters between humans and pretas, Buddhist authors explored the place of the departed in a karmic cosmological system, worked out how to best assist them, and advocated for the importance of the sangha in facilitating these offerings. These tales do not merely reflect the process through which the preta as a specific entity and rebirth category became distinguished from the ancestral departed, but also participated in this process. This illustrates the importance of viewing narratives, in Rob Campany's terms, as argumentative. Stories are not merely the distillation of more abstract doctrine but are sites for the construction of religious worldviews. This illustrates that religious cosmologies are not laid down fully formed in doctrinal treatises. They are cumulatively built over time, and "popular culture" can do important work in the aggregative construction of cosmologies"--
Reconceptualizing the epic genre and opening it up to a world of storytelling, The Epic World makes a timely and bold intervention toward understanding the human propensity to aestheticize and normalize mass deployments of power and violence. The collection broadly considers three kinds of epic literature: conventional celebratory tales of conquest that glorify heroism, especially male heroism; anti-epics or stories of conquest from the perspectives of the dispossessed, the oppressed, the despised, and the murdered; and heroic stories utilized for imperialist or nationalist purposes. The Epic World illustrates global patterns of epic storytelling, such as the durability of stories tied to re...
The incomprehensible notion of a very large chunk of ice or rock from outer space smashing into the Earth has only become mainstream within the past two centuries. Though early writers imagined the utterly fantastic consequences of comet collisions and speculated on the devastation they might wreak, it was not until the 1980s when scientists finally resolved that dinosaurs were extinguished by an asteroid 66 million years ago. This startling announcement captivated the media and tilted the science fiction world but in reality, history may have been punctuated repeatedly by such events. This book collects and analyzes ideas of asteroid, comet, and planetary impacts with Earth spanning two centuries, from the first realization of extinctions in fossil records to the new millennium, reflected in scores of sci-fi stories, films, and televised science documentaries. The author examines social and geopolitical fears tied to the prospect of a cosmic-borne catastrophe. Science, fiction, and speculation are artfully melded.
Teaches students the art and practice of comparison in the globalizing world, fully updated to reflect recent scholarship and major developments in the field Comparing Religions: The Study of Us that Changes Us is a wholly original, absorbing, and provocative reimagining of the comparative study of religion in the 21st century. The first textbook of its kind to foreground the extraordinary or “paranormal” aspects of religious experience, this innovative volume reviews the fundamental tenets of the world’s religions, discusses the benefits and problems of comparative inquiry, explores how the practice can impact a person's worldview and values, and much more. Asserting that religions ha...
Believing in Bits advances the idea that religious beliefs and practices have become inextricably linked to the functioning of digital media. How did we come to associate things such as mindreading and spirit communications with the functioning of digital technologies? How does the internet�s capacity to facilitate the proliferation of beliefs blur the boundaries between what is considered fiction and fact? Addressing these and similar questions, the volume challenges and redefines established understandings of digital media and culture by employing the notions of belief, religion, and the supernatural.
The science behind the writers’ experience of characters developing their own will and taking objective forms. Many writers have the experience that their characters have evolved their own personalities. They start to tell their own stories, and sometimes they could even rebel against the author’s ideas for them and change the course of the whole plot. That is not all, though. Sometimes, literary characters assume objective appearances which are visible not just to the creators, but also to others and manifesting in the real world. These experiences raise several interesting philosophical and scientific questions. Have the writers unwittingly created quasi-conscious entities by the power...
“Simply put, there is absolutely nothing on the market with the range of ambition of this strikingly eclectic collection of essays. Not only is it impossible to imagine a more comprehensive view of the subject, most readers – even specialists in the subject – will find that there are elements of the Gothic genre here of which they were previously unaware.” - Barry Forshaw, Author of British Gothic Cinema and Sex and Film The Palgrave Handbook of Contemporary Gothic is the most comprehensive compendium of analytic essays on the modern Gothic now available, covering the vast and highly significant period from 1918 to 2019. The Gothic sensibility, over 200 years old, embraces its dark p...