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Endlessly entertaining and engaging, They Draw & Cook, with more than 100 hand-illustrated recipes, presents a unique and artful cooking adventure for all ages. After starting their blog in February of 2010, Nate and Salli received hundreds of illustrated recipes from artists all over the world, which they decided to turn into a book. This book contains a sample of 107 of those illustrations that range in style from cute to goofy to absolutely gorgeous. The illustration styles range from elegant to cheeky, the recipes from drinks to desserts and everyday to extraordinary. You’ll find hilarious fare like Beetrooty-Yogurty-Thingummyji, Starving Artist Goo-lash, and Top Model Salad; international cuisine such as Moroccan Orange & Date Salad and Moules Frites; and tantalizing tastes like Marmalade Flapjacks and Chicken in Love. The perfect combination of flair and folly, this irresistible and colorful book will be a new favorite both in and out of the kitchen. Sample recipes: Toad in the Hole Marmalade Flapjacks Top Model Salad Starving Artist Goo-lash Chicken in Love Beetrooty-Yogurty-Thingummyjig Chocolate Haystacks Turn that Frown Upside Down Cake Coooooooookies
Not just a technique guide, this sketch book breaks objects from space into simple shapes to teach you how to draw 500 things from beyond the stars.
In 2011, the brother-and-sister design duo Nate Padavick and Salli Swindell founded the website They Draw & Travel. Today it is the largest collection of online illustrated maps created by artists, illustrators and doodlers from around the world. This book is a selection of 100 illustrations of places in the United States envisioned by the artists who contribute to the vast and diverse creative community on They Draw & Travel. Including personal, practical and idiosyncratic perspectives on cities and towns-large and small-around the United States, the illustrated maps in this collection guide readers to the overlooked, forgotten and even underappreciated parts of American places, while celeb...
Take control of your life with the power of art! These 150 empowering prompts will have you trying new things and seeing the world differently.
The maps in this book were submitted to They Draw & Travel as entries in a 2019 contest called Mapping Special Places. This contest, sponsored by Stroly Inc., challenged artists around the world to create a map of a place that is very special to them. While over 300 maps were submitted to this contest, 100 of them appear in this book. They represent a global sample of the various special places chosen by 100 different artists. Some chose to illustrate their home town, while others picked a favorite vacation spot. Some maps tell a story, others provide fun itineraries, a few share insightful histories, and they all beautifully celebrate a place that is indeed very special.
This incredible guide will teach you to draw by breaking beautiful, celestial bodies down into simple shapes, not simply giving you templates to copy.
The 48th annual edition of SPD celebrates the journalists, editorial directors, photographers, and other talented individuals who brought events of the year 2013 to our doorsteps and computer screens.
The rise of the exhibition as critical form and artistic medium, from Robert Smithson's antimodernist non-sites in 1968 to today's institutional gravitation toward the participatory. In 1968, Robert Smithson reacted to Michael Fried's influential essay “Art and Objecthood” with a series of works called non-sites. While Fried described the spectator's connection with a work of art as a momentary visual engagement, Smithson's non-sites asked spectators to do something more: to take time looking, walking, seeing, reading, and thinking about the combination of objects, images, and texts installed in a gallery. In Beyond Objecthood, James Voorhies traces a genealogy of spectatorship through t...
Contemporary art exhibitions appeal to cognition as well as the senses, modeling a new and expansive understanding of global aesthetics. In this original work of aesthetic theory, James Voorhies argues that we live in the shadow of old ways of thinking about art that emphasize the immediate visual experience of an autonomous art object. But theory must change as artistic and curatorial production has changed. It should encompass the full range of activities through which we encounter art and exhibitions, in which reading and thinking are central to the aesthetic experience. Voorhies advances the theoretical framework of a “postsensual aesthetics,” which does not mean we are beyond a sens...