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Symbolic ornamentation inspired by ancient Greek and Roman art is a long-standing Western tradition. The author explores the designs of 18th century English gunsmiths who engraved classical ornamental patterns on firearms gifted or traded to American Indians. A system of allegory is found that symbolized the Americas of the New World in general, and that enshrined the American Indian peoples as "noble savages." The same allegorical context was drawn upon for symbols of national liberty in the early American republic. Inadvertently, many of the symbolic designs used on the trade guns strongly resonated with several Native American spiritual traditions.
This book presents a much-needed review of commercial closures for bottles and jars used in America prior to World War II. Archaeological attention to commercial closures has been rather limited. This is surprising given that data derived from bottles and jars pertain to a wide range of studies, including chronological control, trade, site functions, and methods of manufacture. Closures are an integral part of these studies, becoming particularly important after a spectacular variety of metal and glass caps in the late nineteenth and early twentieth centuries. This volume-provides a comprehensive review, including detailed closure definitions, as well as glass finishes;-discusses the history of the development and impact of the hermetic seal in commercial closures;-will appeal to students, professionals, and collectors studying this common historic artifact class.
This book explores the history of children’s toys and games bearing racial stereotypes, and the role these objects played in the creation and maintenance of structures of racialism and racism in the United States, from approximately 1865 to the 1930s. This time period is one in which the creation of structures of childhood and children’s socialization into race was fostered. Additionally, commodities, like toys, were didactic and disciplinary media in the creation, modification and reproduction of Victorian society. This volume: will shed light on issues of identity, ideology, and hegemony; will appeal to those interested in historical archaeology, critical theory, and constructions of racism and class, as well as material culture scholars, and antiques collectors; will be suitable for upper-level courses in historical archaeology, modern American history, and material culture studies.
This third volume of The Papers of Will Rogers documents the evolution of Rogers's vaudeville career as well as the newlywed life of Will and Betty Blake Rogers and the birth of their children. During these years, the Rogerses moved to New York City, and after many years of performing with Buck McKee and horse Teddy, Rogers began a solo act in vaudeville as a talking, roping cowboy. He appeared on the same playbill with such performers as Fred Stone, Eddie Cantor, and Houdini, and his stage career expanded to include an appearance in the Broadway musical comedy "The Wall Street Girl." Volume Three ends with Rogers's successful transition from vaudeville to Broadway, on the brink of his breakthrough as a star of the Ziegfeld Follies.
Contributions by Sandra Bartlett Atwood, Nathan E. Bender, London Brickley, Eric A. Eliason, Noah D. Eliason, Tim Frandy, Robert Glenn Howard, Jay Mechling, Annamarie O'Brien Morel, Raymond Summerville, Tok Thompson, and Megan L. Zahay Guns are a ubiquitous part of life in the United States. Arguably more pervasive than physical guns is “gunlore,” which refers to the many folklore genres related to firearms. Gunlore: Firearms, Folkways, and Communities is the first book to engage with the many narratives, rituals, folk-speech, customs, art, and handicraft encompassed by gunlore. Like most expressive cultures, gunlore emerges from specific communities. Groups with a shared interest around...
A regional pioneer of photojournalism, Jack Richard photographed in the Yellowstone area from the 1940s to the 1980s, where his crisp, superbly composed images captured the Western way of life. This book presents more than 150 black and white photographs, from stunning landscapes to tender portraits, and chronicles the American West from the end of the frontier era to the age of tourism, industry, and large-scale ranch operations. YellowstoneCountry breaks down Richard’s work into nine separate themes, from landscapes and wildlife in Yellowstone National Park to careful still lifes created in the studio. The photographs selected from this book, culled from over 160,000 images held in the McCracken Research library at the Buffalo Bill Historical Center in Cody, not only represent the best of his work but also tell the story of a unique place and its people and the photographer who cherished them both.
The movie Jeremiah Johnson introduced millions to the legendary mountain man, John Johnson. The real Johnson was a far cry from the Redford version. Standing 6'2" in his stocking feet and weighing nearly 250 pounds, he was a mountain man among mountain men, one of the toughest customers on the western frontier. As the story goes, one morning in 1847 Johnson returned to his Rocky Mountain trapper's cabin to find the remains of his murdered Indian wife and her unborn child. He vowed vengeance against an entire Indian tribe. Crow Killer tells of that one-man, decades-long war to avenge his beloved. Whether seen as a realistic glimpse of a long ago, fierce frontier world, or as a mythic retelling of the many tales spun around and by Johnson, Crow Killer is unforgettable. This new edition, redesigned for the first time, features an introduction by western frontier expert Nathan E. Bender and a glossary of Indian tribes.
A chronicle of hardship and persistence, Removal Aftershock centers on the Seminoles and their experiences in the West after the federal government forced them out of their Florida homelands during the early 1800s. Gaining control of Florida in 1819, the United States initiated a series of treaties that compelled the Native-American tribes to accept reduced territory, relocations, and finally removal to west of the Mississippi. Some Seminoles fought to stay in Florida; others, along with their black slaves, were sent west between 1834 and 1859. After enduring the trials of removal, the Western Seminoles faced a new struggle. As a small tribe, they had to fight to maintain their identity and ...
"These journals also provide insight into Dodge's character, with reports of his official duties as a military man and of several landmark events in his family life. Extensive commentaries and notes by Wayne R. Kime provide further detail, including a history of Cantonment North Fork Canadian River, a six-company post Dodge established and commanded in the region."--BOOK JACKET.