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Anti-Foreign Imagery in American Pulps and Comic Books, 1920-1960
In this thorough history, the author demonstrates, via the popular literature (primarily pulp magazines and comic books) of the 1920s to about 1960, that the stories therein drew their definitions of heroism and villainy from an overarching, nativist fear of outsiders that had existed before World War I but intensified afterwards. These depictions were transferred to America's "new" enemies, both following U.S. entry into the Second World War and during the early stages of the Cold War. Anti-foreign narratives showed a growing emphasis on ideological, as opposed to racial or ethnic, differences--and early signs of the coming "multiculturalism"--indicating that pure racism was not the sole reason for nativist rhetoric in popular literature. The process of change in America's nativist sentiments, so virulent after the First World War, are revealed by the popular, inexpensive escapism of the time, pulp magazines and comic books.
Weird Tales of Modernity
Serious literary artists such as T.S. Eliot, James Joyce and Virginia Woolf loom large in most accounts of the literary art of the first half of the 20th century. And yet, working in the shadows cast by these modernists were science fiction, horror and fantasy writers like the "Weird Tales Three": H.P. Lovecraft, Clark Ashton Smith and Robert E. Howard. They did not publish in artistically ambitious magazines like Dial, The Smart Set and The Little Review but instead in commercial pulp magazines like Weird Tales. Contrary to the stereotypes about pulp fiction and those who wrote it, these three were serious literary artists who used their fiction to speculate about such philosophical questions as the function of art and the brevity of life.
Shaolin Brew
Shaolin Brew: Race, Comics, and the Evolution of the Superhero looks at how the comic book industry developed from a white perspective and how minority characters were and are viewed through a stereotypical white gaze. Further, the book explores how voices of color have launched a shift in the industry, taking nonwhite characters who were originally viewed through a white lens and situating them outside the framework of whiteness. The financial success of Blaxploitation and Kung Fu films in the early 1970s led to major comics publishers creating, for the first time, Black and Asian superhero characters who headlined their own comics. The introduction of Black and Asian main characters, who p...
Wales, the Welsh and the Making of America
In 1971, Californian congressman Thomas M. Rees told the US House of Representatives that ‘very little has been written of what the Welsh have contributed in all walks of life in the shaping of American history’. This book is the first systematic attempt to both recount and evaluate the considerable yet undervalued contribution made by Welsh immigrants and their immediate descendants to the development of the United States. Their lives and achievements are set within a narrative outline of American history that emphasises the Welsh influence upon the colonists’ rejection of British rule, and upon the establishment, expansion and industrialisation of the new American nation. This book covers both the famous and the unsung who worked and fought to acquire greater prosperity and freedom for themselves and for their nation.
The Cambridge History of American Modernism
The Cambridge History of American Modernism examines one of the most innovative periods of American literary history. It offers a comprehensive account of the forms, genres, and media that characterized US modernism: coverage ranges from the traditional, such as short stories, novels, and poetry, to the new media that shaped the period's literary culture, such as jazz, cinema, the skyscraper, and radio. This volume charts how recent methodologies such as ecocriticism, geomodernism, and print culture studies have refashioned understandings of the field, and attends to the contestations and inequities of race, sovereignty, gender, sexuality, and ethnicity that shaped the period and its cultural production. It also explores the geographies and communities wherein US modernism flourished-from its distinctive regions to its metropolitan cities, from its hemispheric connections to the salons and political groupings that hosted new cultural collaborations.
Tredegar Iron Works: Richmond’s Foundry on the James
One of the most important industrial landmarks in the nation lies in the heart of historic Richmond. The Tredegar Iron Works was the most prodigious ordnance supplier to the Confederacy during the Civil War, as well as an industrial behemoth in its own right. Named for the hometown of the Welsh engineers who built it, Tredegar remained one of Richmond's chief industrial entities for over a century. It produced ordnance during five wars and helped build the railroads that rapidly spread across the nation during the Gilded Age. Author Nathan Vernon Madison, utilizing a wealth of primary sources and firsthand accounts, chronicles the full history of a Richmond industrial icon.
Armies South, Armies North
An argument settler--and starter--for Civil War buffs who want to know which side had the better soldiers: Armies South, Armies North definitively compares the military forces of both sides. Civil War buffs are always arguing over which side had the better soldiers. Armies South/Armies North by Alan Axelrod helps readers reconsider their understanding of America’s most harrowing war. Axelrod is the author of more than one hundred books with a passion for military history and leadership. Each chapter of his new book compares the military forces with both quantitative and qualitative measures. Axelrod analyzes the equipment, the leadership and strategies, and the men who fought in each army, with additional focus on lesser known flash points during the war.
Hollywood's Melodramatic Imagination
Melodrama is the foundation of American cinema. It is, however, a poorly understood term. While it is a pervasive and persuasive dramatic mode, it is not tied to any specific moral or ideological system. It is not a singular genre; rather, it operates as a "genre generating machine" capable of determining the aesthetics and structure of the drama within many genres. Melodrama centers the conflict around the clash between good and evil and provides a sense of poetic justice--but the specific values embedded in notions of good and evil are determined by the culture, and they shift from nation to nation, region to region, and period to period. This book explores the "populist" westerns of the 1930s, the propaganda films that followed the Japanese attack on Pearl Harbor, and the popularity of Sax Rohmer's master villain Fu Manchu. "Melodramas of passion" and film noir also offer a challenge to melodrama with its seemingly alienated protagonists and downbeat endings. Yet, with few exceptions, Hollywood was able to assimilate these genres within its melodramatic imagination.
Colossal Ambitions
Leading politicians, diplomats, clerics, planters, farmers, manufacturers, and merchants preached a transformative, world-historical role for the Confederacy, persuading many of their compatriots to fight not merely to retain what they had but to gain their future empire. Impervious to reality, their vision of future world leadership—territorial, economic, political, and cultural—provided a vitally important, underappreciated motivation to form an independent Confederate republic. In Colossal Ambitions, Adrian Brettle explores how leading Confederate thinkers envisioned their postwar nation—its relationship with the United States, its place in the Americas, and its role in the global o...
