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American Small-Town Fiction, 1940-1960
In literature and popular culture, small town America is often idealized as distilling the national spirit. Does the myth of the small town conceal deep-seated reactionary tendencies or does it contain the basis of a national re-imagining? During the period between 1940 and 1960, America underwent a great shift in self-mythologizing that can be charted through representations of small towns. Authors like Henry Bellamann and Grace Metalious continued the tradition of Sherwood Anderson in showing the small town--by extension, America itself--profoundly warping the souls of its citizens. Meanwhile, Ray Bradbury, Toshio Mori and Ross Lockridge, Jr., sought to identify the small town's potential for growth, away from the shadows cast by World War II toward a more inclusive, democratic future. Examined together, these works are key to understanding how mid-20th century America refashioned itself in light of a new postwar order, and how the literary small town both obscures and reveals contradictions at the heart of the American experience.
God and the Great Detective
The problem of human evil is never far beneath the surface of mystery fiction, and this was particularly true in the wake of the horrific events of World War II. One figure who set out to investigate this crisis was Ellery Queen. This book provides a much-needed intervention in the study of detective fiction by giving sustained attention to Ellery Queen as well as suggesting possible directions for broader discussions of the genre. After WWII, Ellery Queen mounted an inquiry into the state of masculinity and of the world in the wake of unimaginable horrors represented by the death camps and the atomic bomb. During his investigation, Ellery rummaged through the ruins of culture, invoking and evoking figures such as Walt Whitman, Henry David Thoreau, and (naturally) Edgar Allan Poe. Ultimately, this quest brought him up against an unexpected foe: God himself. This book examines the ways Queen pushes against the boundaries of what was (and, in some circles, still is) considered possible or desirable in the genre.
God and the Great Detective
The problem of human evil is never far beneath the surface of mystery fiction. This was particularly true in the wake of the horrific events of World War II. One figure who set out to investigate this crisis was Ellery Queen. This book provides a much-needed intervention in the study of detective fiction by giving sustained attention to Ellery Queen as well as suggesting possible directions for broader discussions of the genre. After the war, Queen mounted an inquiry into the state of masculinity and of the world in the wake of unimaginable horrors represented by the death camps and the atomic bomb. During his investigation, Ellery rummaged through the ruins of culture, invoking and evoking figures such as Walt Whitman, Henry David Thoreau, and (naturally) Edgar Allan Poe. Ultimately, this quest brought him up against an unexpected foe: God himself. This book examines the ways Queen pushes against the boundaries of what was (and, in some circles, still is) considered possible or desirable in the genre.
Clues: A Journal of Detection, Vol. 37, No. 1 (Spring 2019)
For over two decades, Clues has included the best scholarship on mystery and detective fiction. With a combination of academic essays and nonfiction book reviews, it covers all aspects of mystery and detective fiction material in print, television and movies. As the only American scholarly journal on mystery fiction, Clues is essential reading for literature and film students and researchers; popular culture aficionados; librarians; and mystery authors, fans and critics around the globe.
Studying Crime in Fiction
The primary aim of Studying Crime in Fiction: An Introduction is to introduce the emerging cross-disciplinary area of study that combines the fields of crime fiction studies and criminology. The study of crime fiction as a genre has a long history within literary studies, and is becoming increasingly prominent in twenty-first-century scholarship. Less attention, however, has been paid to the ways in which elements of criminology, or the systematic study of crime and criminal behaviour from a wide range of perspectives, have influenced the production and reception of crime narratives. Similarly, not enough attention has been paid to the ways in which crime fiction as a genre can inform and en...
The Golden Age
THE GOLDEN AGE is the final, eponymous novel that brings to an end what Gabriel García Márquez has called 'Gore Vidal's magnificent series of historical novels or novelised histories', NARRATIVES OF EMPIRE. Like a latter day Anthony Trollope, Vidal masterfully balances the personal with the political, the invented with the historical fact. His heroine from Hollywood, Caroline Sanford, reappears in Washington as President Roosevelt schemes to get the USA into the war by provoking the Japanese. In the novel's ten year span America is master of the globe, with Japan and Europe as colony and dependency under her empire. Against this backdrop there is a glittering explosion in the arts (we see the likes of Lowell, Bernstein and Tennessee Williams and witness the opening night of A STREETCAR NAMED DESIRE). But by 1950 and the coming of the Korean War, the Golden Age is over. For the reader who wants to be informed as well as vastly entertained about the last two hundred years of American history there could be no better place to start than with Vidal's NARRATIVES.
