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Unwritten Literature of Hawaii
Reproduction of the original: Unwritten Literature of Hawaii by Nathaniel Bright Emerson
Pele and Hiiaka
Pele and Hiiaka: A Myth From Hawaii (1915) is a collection of folktales and legends by Nathaniel B. Emerson. Originally serialized in Hawaiian newspapers, Emerson's work is the result of decades of research into the goddesses Pele and Hiiaka. Translating written histories, interviewing native Hawaiians, and consulting his own knowledge, Emerson provides an entertaining and authoritative look at one of Hawaii's most cherished origin myths. "The story of Pele and her sister Hiiaka stands at the fountain-head of Hawaiian myth and is the matrix from which the unwritten literature of Hawaii drew its life-blood. [...] Hawaii rejoiced in a Kamehameha, who, with a strong hand, welded its discordant ...
Pele and Hiiaka
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Word Across the Water
In Word Across the Water, Tom Smith brings the histories of Hawai'i and the Philippines together to argue that US imperial ambitions towards these Pacific archipelagos were deeply intertwined with the work of American Protestant missionaries. As self-styled interpreters of history, missionaries produced narratives to stoke interest in their cause, locating US imperial interventions and their own evangelistic projects within divinely ordained historical trajectories. As missionaries worked in the shadow of their nation's empire, however, their religiously inflected historical narratives came to serve an alternative purpose. They emerged as a way for missionaries to negotiate their own status between the imperial and the local and to come to terms with the diverse spaces, peoples, and traditions of historical narration that they encountered across different island groups. Word Across the Water encourages scholars of empire and religion alike to acknowledge both the pernicious nature of imperial claims over oceanic space underpinned by religious and historical arguments, and the fragility of those claims on the ground.
Hawaiian Antiquities
Hawaiian Antiquities (1898) is an ethnography by David Malo. Originally published in 1838, Hawaiian Antiquities, or Moolelo Hawaii, was updated through the end of Malo’s life and later translated into English by Nathaniel Bright Emerson, a leading scholar of Hawaiian mythology. As the culmination of Malo’s research on Hawaiian history, overseen by missionary Sheldon Dibble, Hawaiian Antiquities was the first in-depth written history of the islands and its people. “The ancients left no records of the lands of their birth, of what people drove them out, who were their guides and leaders, of the canoes that transported them, what lands they visited in their wanderings, and what gods they ...
House Documents
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Boston Directory
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An Archive of Skin, An Archive of Kin
Preface : encountering the photographs -- Chronology of significant events -- Introduction : an archive of skin, an archive of kin -- Ocular experiments and unruly technologies of the body -- A criminal archive of skin -- Dressing the body : Laundry and the intimacy of care -- Dreaming in pictures : Queer kinship and subaltern family albums -- Epilogue : healing encounters at the settlement.
And the View from the Shore
This groundbreaking study of a little-explored branch of American literature both chronicles and reinterprets the variety of patterns found within Hawaii’s pastoral and heroic literary traditions, and is unprecedented in its scope and theme. As a literary history, it covers two centuries of Hawaii’s culture since the arrival of Captain James Cookin 1778. Its approach is multicultural, representing the spectrum of native Hawaiian, colonial, tourist, and polyethnic local literatures. Explicit historical, social, political, and linguistic context of Hawaii, as well as literary theory, inform Stephen Sumida’s analyses and explications of texts, which in turn reinterpret the nonfictional co...
