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National Film Archive Catalogue: Silent non-fiction films, 1895-1934
Volume 1: Newsreels from the early 1900's held by the British Film Institute. Volume 2: Silent Non-Fiction Films (non-newsreels) held by the British Film Institute. Organized by country.
Researcher's Guide to British Film & Television Collections
Guide sets out to document film and television material held in archives and collections throughout the UK.
Fashioning James Bond
'My tailor... Savile Row' : Sean Connery (1962) -- 'Fitting Fleming's hero' : Sean Connery (1963-1967) -- The man with the Midas touch : lifestyle, fashion and marketing in the 1960s -- 'Coming out of Burton's short of credit' : George Lazenby (1969) -- 'Provided the collars and the cuffs match' : Sean Connery (1971) -- 'Licence to frill' : Roger Moore (1971-1975) -- Breaking his tailor's heart : Roger Moore (1976-1980) -- 'You can always spot a Hayward' : Roger Moore (1980-1985) -- Licence to tailor revoked : Timothy Dalton (1987-1989) -- Cool Brioni : Pierce Brosnan (1995-2002) -- Slick trigger suits : Daniel Craig (2005-2008) -- 'You travel with a tuxedo?' : Daniel Craig (2012-2015).
Archives for the 21st Century
Publicly funded archive services have a vital role within the communities they serve to contribute to local democracy, strong and cohesive communities, social policy, education, research, history and culture. This document sets out the strategic vision for the sustainable development of a vigorous, publicly funded archive sector across England and Wales. It replaces the "Government policy on archives" that was issued by the Lord Chancellor in 1999 (Cm. 4516, ISBN 9780101451628)and focuses on actions for publicly funded archives while acknowledging that private archives remain vital to the archival health of the nation. Section 1 outlines how the landscape in which archive services operate ha...
Film Curatorship - Archives, Museums, and the Digital Marketplace
Film Curatorship is an experiment: a collective text, a montage of dialogues, conversations, and exchanges among four professionals representing three generations of film archivists and curators. It calls for an open philosophical and ethical debate on fundamental questions the profession must come to terms with in the twenty-first century.
Saving Cinema
The importance of media preservation has in recent years achieved much broader public recognition. From the vaults of Hollywood and the halls of Congress to the cash-strapped museums of developing nations, people are working to safeguard film from physical harm. But the forces at work aren't just physical. The endeavor is also inherently political. What gets saved and why? What remains ignored? Who makes these decisions, and what criteria do they use? Saving Cinema narrates the development of the preservation movement and lays bare the factors that have influenced its direction. Archivists do more than preserve movie history; they actively produce and codify cinematic heritage. At the same t...
