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Wars in Afghanistan, Syria and other countries have generated a massive stream of refugees toward Europe. Between spring 2015 and autumn 2020, Jacob Ehrbahn documented the lives of the refugees and migrants who dream of a better life in Europe. We meet people who have fled from war, political suppression, and poverty. We meet them far out in the Mediterranean in Libyan waters, and at various locations around Europe. A Dream of Europe reminds us that on the other end of policy decisions and behind the numbers and statistics, there are real people with hopes and dreams.
A young couple poses before a painted backdrop depicting a modern building set in a volcanic landscape; a college student grabs his camera as he heads to a political demonstration; a man poses stiffly for his identity photograph; amateur photographers look for picturesque images in a rural village; an old woman leafs through a family album. In Refracted Visions, Karen Strassler argues that popular photographic practices such as these have played a crucial role in the making of modern national subjects in postcolonial Java. Contending that photographic genres cultivate distinctive ways of seeing and positioning oneself and others within the affective, ideological, and temporal location of Ind...
Canada in the Frame explores a photographic collection held at the British Library that offers a unique view of late nineteenth-century and early twentieth-century Canada. The collection, which contains in excess of 4,500 images, taken between 1895 and 1923, covers a dynamic period in Canada’s national history and provides a variety of views of its landscapes, developing urban areas and peoples. Colonial Copyright Law was the driver by which these photographs were acquired; unmediated by curators, but rather by the eye of the photographer who created the image, they showcase a grass-roots view of Canada during its early history as a Confederation. Canada in the Frame describes this little-...
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