You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
One of Soseki's most beloved works of fiction, the novel depicts the 23-year-old Sanshiro leaving the sleepy countryside for the first time in his life to experience the constantly moving 'real world' of Tokyo, its women and university. In the subtle tension between our appreciation of Soseki's lively humour and our awareness of Sanshiro's doomed innocence, the novel comes to life. Sanshiro is also penetrating social and cultural commentary.
For the first time, English readers have access to Soseki’s Spring Miscellany. Originally published as Eijitu Shohin in serial form in the Asahi newspaper in 1909, before appearing in book form, Spring Miscellany is an pastiche of twenty-five sketches, referred to as shohin (little items), heir to the great zuihitsu tradition of discursive prose. These personal vignettes are clearly autobiographical and reveal Soseki’s kaleidoscopic view of his private world and his interest in authentic, unadorned self-expression. The stories range from from episodes from his youth to his adult musings. Of special interest are the accounts of Soseki’s stay in England between 1900 and 1902, where he at...
An NYRB Classics Original A humble clerk and his loving wife scrape out a quiet existence on the margins of Tokyo. Resigned, following years of exile and misfortune, to the bitter consequences of having married without their families’ consent, and unable to have children of their own, Sōsuke and Oyone find the delicate equilibrium of their household upset by a new obligation to meet the educational expenses of Sōsuke’s brash younger brother. While an unlikely new friendship appears to offer a way out of this bind, it also soon threatens to dredge up a past that could once again force them to flee the capital. Desperate and torn, Sōsuke finally resolves to travel to a remote Zen mounta...
None
The Three Cornered World is the novelistic expression of the contrast between the Western ethical view of reality and the Eastern ethical view by one of Japan's most beloved authors. Natsume Soseki tells of an artist who retreats to a country resort and becomes involved in a series of mysterious encounters with the owner's daughter. Intricately interwoven with the author's reflections on art and nature, conversations with Zen monks and writers of haiku, are a plethora of unique Japanese characters offering the reader an exquisite "word painting."
A stunning new English translation—the first in more than forty years—of a major novel by the father of modern Japanese fiction Natsume Soseki's Kusamakura—meaning “grass pillow”—follows its nameless young artist-narrator on a meandering walking tour of the mountains. At the inn at a hot spring resort, he has a series of mysterious encounters with Nami, the lovely young daughter of the establishment. Nami, or "beauty," is the center of this elegant novel, the still point around which the artist moves and the enigmatic subject of Soseki's word painting. In the author's words, Kusamakura is "a haiku-style novel, that lives through beauty." Written at a time when Japan was opening its doors to the rest of the world, Kusamakura turns inward, to the pristine mountain idyll and the taciturn lyricism of its courtship scenes, enshrining the essence of old Japan in a work of enchanting literary nostalgia.
First publication in English of Soseki’s travels through Manchuria on the then recently-acquired South Manchurian Railway. 6-week travelogue including boat from Osaka to Dairen, railway up the Liaodong Peninsular to Fushun. Many descriptions of Manchuria. It is a lively, informative and sometimes very funny narrative, which reveals Soseki's wit and Western-style humour in observing the human condition, as well as the literary techniques that characterize his subsequent achievements in shaping the modern Japanese novel. The Introduction by Inger Sigrun Brodey provides both a new perspective on Soseki the man and writer, as well as an insightful commentary on the SMR journey itself and the place of the travelogue in Soseki's writings. A selection of Sammy Tsumematsu's collection of previously unpublished photographs of Soseki is also included.
A murderer discovers his true nature, a samurai attempts to meditate, and a dying man bestows his hat on a friend in these surrealistic short stories by a noted Japanese author.
"Rich in understanding and insight."—The New Yorker What is love, and what is friendship? What is the extent of our responsibility to ourselves and to others? Kokoro, signifying "the heart of things," examines these age-old questions in terms of the modern world. A trilogy of stories that explores the very essence of loneliness, Kokoro opens with "Sensei and I," in which the narrator recounts his relationship with an intellectual who dwells in isolation but maintains a sophisticated worldview. "My Parents and I" brings the reader into the narrator's family circle, and "Sensei and His Testament" features the eponymous character's explanation of how he came to live a life of solitude. Natsume Soseki (1867–1916), perhaps the greatest novelist of the Meiji period, remains one of Japan's most widely read authors. He wrote this novel in 1914, at the peak of his career, and it remains an excellent introduction to modern Japanese literature.
A Comic Japanese Novel “One may be branded foolishly honest if he takes seriously the apologies others might offer. We should regard all apologies a sham and forgiving also as a sham; then everything would be all right. If one wants to make another apologize from his heart, he has to pound him good and strong until he begs for mercy from his heart” ― Natsume Sōseki, Botchan Botchan by Natsume Sōseki is a classic Japanese coming of age novel about a young man who is sent from Tokyo to the countryside to teach mathematics at a middle school. This Xist Classics edition has been professionally formatted for e-readers with a linked table of contents. This eBook also contains a bonus book club leadership guide and discussion questions. We hope you’ll share this book with your friends, neighbors and colleagues and can’t wait to hear what you have to say about it.