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Waiting for the People
Nazmul Sultan explores Indian contributions to democratic theory, as anticolonial thinkers developed principles of peoplehood and self-rule. Indians contested British claims that the "backwardness" of the Indian people offered a democratic justification for imperial domination.
Waiting for the People
“An engaging, innovative, and wide-ranging account of the way in which anticolonial thought in India creatively reconceptualized the idea of popular sovereignty. It sheds new light on the theoretical relationship between democratic legitimation and development.” —Pratap Bhanu Mehta An original reconstruction of how the debates over peoplehood defined Indian anticolonial thought, and a bold new framework for theorizing the global career of democracy. Indians, their former British rulers asserted, were unfit to rule themselves. Behind this assertion lay a foundational claim about the absence of peoplehood in India. The purported “backwardness” of Indians as a people led to a democrat...
Legalizing the Revolution
Theorizes the project of instituting a postcolonial order following decolonization, though an account of the Indian constitution.
Democracy and Empire
Democracy and Empire theorizes the material basis of popular sovereignty via the Black radical tradition. Popular sovereignty contains an affective attachment to wealth, secured through collective agreements to dominate others, i.e., self-and-other-determination. Inés Valdez expands on racial capitalism by theorizing its Anglo-European-based popular politics, which authorize capital accumulation enabled by empire and legitimated by racial ideologies. This stunts political projects in the Global South. Valdez masterfully outlines how social reproduction is provided by racialized others who sacrifice families and communities, and how the political alienation from nature in wealthy polities is mediated by technology and enabled by a joint devaluation of nature and manual labor performed by racialized others. The book concludes with a theorization of anti-imperial popular sovereignty based on political relations that encompass nature. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.
Village Ties
Across the global South, poor women’s lives are embedded in their social relationships and governed not just by formal institutions – rules that exist on paper – but by informal norms and practices. Village Ties takes the reader to Bangladesh, a country that has risen from the ashes of war, natural disaster, and decades of resource drain to become a development miracle. The book argues that grassroots women’s mobilization programs can empower women to challenge informal institutions when such programs are anti-oppression, deliberative, and embedded in their communities. Qayum dives into the work of Polli Shomaj (PS), a program of the development organization BRAC to show how the wome...
Uncivil Liberalism
Reinterprets Dadabhai Naoroji's Indian contribution to global debates on liberalism, capitalism and labour alongside concerns of civil peace.
Radical Democracy in Modern Indian Political Thought
The first study of a neglected tradition of participatory democracy in modern India.
Provincial Democracy
Argues for a nuanced understanding of regionalism in India shaped by debates over representation, rights, political reforms and federalism.
One Planet, Many Worlds
"The book opens with a discussion of the pandemic, then investigates the modern origins of the separation between "natural" and "human" histories, and what may be at stake in that separation. Does having different worlds make it difficult for humans to deal with a planet that is one?"--
Art Cinema and India’s Forgotten Futures
Co-Winner, 2023 Chidananda Dasgupta Award for the Best Writing on Cinema, Chidananda Dasgupta Memorial Trust Shortlisted, 2022 MSA Book Prize, Modernist Studies Association Longlisted, 2022 Moving Image Book Award, Kraszna-Krausz Foundation The project of Indian art cinema began in the years following independence in 1947, at once evoking the global reach of the term “art film” and speaking to the aspirations of the new nation-state. In this pioneering book, Rochona Majumdar examines key works of Indian art cinema to demonstrate how film emerged as a mode of doing history and that, in so doing, it anticipated some of the most influential insights of postcolonial thought. Majumdar details...
