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Consuming Scenography
  • Language: en
  • Pages: 209

Consuming Scenography

Longlisted for the PQ Best Publication Award in Performance Design & Scenography 2023 Consuming Scenography offers an insight into contemporary scenographic practice beyond the theatre. It explores the ways in which scenography is used to create a global cultural impact and accelerate profits in the site-specific context of themed shopping malls. It analyses the effect of the architectural, aesthetic, spatial, material and sensory aspects of design through their performative encounters with consumers in order to offer a better understanding of performance design. In the first part the author explores the spatial seduction of an enclosed market space and traces the origins of scenographic tem...

Consuming Scenography
  • Language: en
  • Pages: 209

Consuming Scenography

Consuming Scenography offers an insight into contemporary scenographic practice beyond the theatre. It explores the ways in which scenography is used to create a global cultural impact and accelerate profits in the site-specific context of themed shopping malls. It analyses the effect of the architectural, aesthetic, spatial, material and sensory aspects of design through their performative encounters with consumers in order to offer a better understanding of performance design. In the first part the author explores the spatial seduction of an enclosed market space and traces the origins of scenographic temporality in permanent architectonic spaces for trade and commerce, from early Roman ar...

Kinetische Bühnen
  • Language: de
  • Pages: 243

Kinetische Bühnen

Im Theater spielt der Raum mit. Die Szenografie agiert. Nebojsa Tabacki untersucht in diesem Band erstmalig für den deutschsprachigen Raum einige besondere szenografische Bühnenspektakel: An zwei außergewöhnlichen Szenografen, Sean Kenny und Josef Svoboda, geht er den innovativen Entwicklungen rund um kinetische Bühnen nach und stellt exemplarisch die Aufführungen von Kennys »Oliver« (1960), »Blitz« (1962) und »Clownaround« (1972) sowie von Svobodas »Ring des Nibelungen« (London 1974-1976) vor. Er zeigt: Aufgrund der bahnbrechenden Neuerungen für die Bühne wurden neue Konzepte für Theaterbauten entwickelt und entworfen. Dem theaterbegeisterten Leser eröffnet sich so eine neue, faszinierende Seite der Bühne.

Contemporary Scenography
  • Language: en
  • Pages: 293

Contemporary Scenography

Contemporary Scenography investigates scenographic concepts, practices and aesthetics in Germany from 1989 to the present. Facing the end of the political divide, the advent of the digital age and the challenges of globalization, German-based designers and scenographers have reacted in a variety of ways to these shifts in the cultural landscape. The edited volume, a compilation of 12 original chapters written in collaboration with acclaimed scenographers, stage designers and distinguished scholars, offers fresh insights and in-depth analyses of current artistic concepts, discourse and innovation in this multifaceted, dynamic field. The book covers a broad spectrum of scenography, including t...

Sound Effect
  • Language: en
  • Pages: 241

Sound Effect

Longlisted for the PQ Best Publication Award in Performance Design & Scenography 2023 Sound Effect tells the story of the effect of theatrical aurality on modern culture. Beginning with the emergence of the modern scenic sound effect in the late 18th century, and ending with headphone theatre which brings theatre's auditorium into an intimate relationship with the audience's internal sonic space, the book relates contemporary questions of theatre sound design to a 250-year Western cultural history of hearing. It argues that while theatron was an instrument for seeing and theorizing, first a collective hearing, or audience is convened. Theatre begins with people entering an acoustemological a...

Sites of Transformation
  • Language: en
  • Pages: 249

Sites of Transformation

"In this book practitioner and scholar Louise Ann Wilson examines the expanding field of socially engaged scenography and promotes the development of therapeutic scenography as an applied art form. Offering an account of her own practice combined with case studies drawing on artworks from Early Romanticism and the Land Art movement of the 1960s, Elena Brotherus (Finland), Tabitha Moses (UK) and Marina Abramovic's autobiographical walking-work The Lovers: The Great Wall Walk (1988, China), this is the first book on the emerging area of site-specific and therapeutic scenography. The book analyses how Wilson's interdisciplinary, site-specific walking-performances are created in rural landscapes...

Scenography Expanded
  • Language: en
  • Pages: 257

Scenography Expanded

Scenography Expanded is a foundational text offering readers a thorough introduction to contemporary performance design, both in and beyond the theatre. It examines the potential of the visual, spatial, technological, material and environmental aspects of performance to create and shape performative encounters. It analyses examples of scenography as sites of imaginative exchange and transformative experience and it discusses the social, political and ethical dimensions of performance design. The international range of contributors includes Arnold Aronson, Christopher Baugh, Maaike Bleeker, Thea Brejzek, Ethel Brooks, Jane Collins, Stephen Di Benedetto, Dorita Hannah, Kathleen Irwin, Marcela ...

Berlin in Geschichte und Gegenwart
  • Language: de
  • Pages: 572

Berlin in Geschichte und Gegenwart

  • Type: Book
  • -
  • Published: 2009
  • -
  • Publisher: Unknown

None

Deutsches Bühnen-Jahrbuch
  • Language: de
  • Pages: 1100

Deutsches Bühnen-Jahrbuch

  • Type: Book
  • -
  • Published: 2008
  • -
  • Publisher: Unknown

None

Digital Capitalism and Distributive Forces
  • Language: en
  • Pages: 383

Digital Capitalism and Distributive Forces

Are robots taking away our jobs? Those who ask this question have misunderstood digitalisation – it is not an industrial revolution by other means. Sabine Pfeiffer searches for the actual novelties brought about by digitalisation and digital capitalism. In her analysis, she juxtaposes Marx's concept of productive force with the idea of distributive force. From the platform economy to artificial intelligence, Pfeiffer shows that digital capitalism is less about the efficient production of value, but rather about its fast, risk-free, and permanently secured realisation on the markets. The examination of this dynamic and its consequences also leads to the question of how destructive the distributive forces of digital capitalism might be.